Showing posts with label J.S. Dunn. Show all posts
Showing posts with label J.S. Dunn. Show all posts

16 September 2014

Wonders and Marvels: Tiny Orkney Yields Its Big Secret


Theories change over time in archaeology as with other disciplines. The 19th century emphasis on the Mediterranean and Egypt as the cradle-of-everything, given that was the region where most early digs occurred, is shifting as more digs are conducted in northern Europe relative to exploration in the 18th and 19th century. Sometimes it is easier to dig in your own back yard, for various reasons beyond the scope of this piece.

A remote corner of Scotland provides the latest major discovery.  First, some background. In the Isles, experts like Cunliffe at Oxford had already emphasized the importance of pre-Roman culture. For example, the Isles' natives knew how to survey and build straight roads between two points, and they had organized settlements with defensive walls, and all happened well before the southern area of Prydain (Britain) was forcefully annexed to Rome's Iron Age empire. It is also accepted that the Newgrange or Bru na Boinne complex in Ireland predates the Pyramids (and Stonehenge).

The Isles were not a cultural backwater waiting for rescue by Rome or anyone. The Neolithic cultures who built great passage tombs had connected very early (well prior to 3000 BCE) by marine trade to many areas of the Continent. Irish gold jewelry set the fashion from ca. 2500 BCE onward as attested by pieces found all over northern Europe. The Isles' early smelting of copper in southwest Ireland radically changed the megalithic culture along the Atlantic coasts. This change is portrayed in Bending The Boyne. With bronze smelting (1 part tin, 9 parts copper) from tin in Wales and Cornwall, the Isles became the innovators in weapons and bronze metallurgy for over a thousand years, roughly 2000 BCE to 600 BCE when iron weapons and tools took over. During this time frame and up to what is considered recorded history* the Isles supplied tin for bronze to the Continent and made superior finished metal goods. Cornish tin may have equipped warriors at Troy with bronze spearhead and helmets, and formed Achilles' famed shield.

Now comes a further, major shift from a massive new dig on Orkney off the northeast corner of Scotland.  Over prior decades, Orkney had yielded the remarkable stone dwellings clustered at Skara Brae, the massive passage tomb of Maes Howe roughly contemporaneous with Bru na Boinne in Ireland, and the Eagles' Tomb burial site along with stone circles like Stennes. All this could be seen, touched, evaluated. Much has been dated to the Neolithic. But the biggest discovery lay buried underneath a long hill, a ceremonial complex that archaeologists literally drove past without giving it a second thought. Then one professional living on Orkney decided to dig at the Ness of Brodgar, a finger of land holding the hill barrow. The size of the complex, the skilled masonry of its walls and flagged paths, and varied artifacts coming to light, are all supporting Orkney as a major cultural center. Bits of painted wall and rock, and a small anthropomorphic statue, are a first in the Isles' Neolithic. The cultural center for Prydain was at Orkney, not Wessex, and lasted around a thousand years.  Its demise is thought to have happened around 2300 BCE ( see Bending The Boyne).  http://www.theguardian.com/science/2012/oct/06/orkney-temple-centre-ancient-britainalso http://archaeologynewsnetwork.blogspot.com/2012/01/orkney-temple-predates-stonehenge-by.html#.U_YsMvldWAk

What has been found overturns the view that Stonehenge represents the cultural apogee for ancient Prydain. A corollary is that the meaning of Orkney's huge sacral landscape must be newly evaluated by archaeologists, then translated for the public in various media of film and books. Must we then endure more recycled, mumbling Druids?  Will Merlin and Arthur be dragged to Orkney? More damsels in distress defying the laws of physics to time travel? This might seem a rant, but not without justification.

Archaeology's theoretical shift over the past decade has yet to be fully explored in historical fiction. Native Gaelic-speaking clans in the Isles, Iberia, and Gaul, are still portrayed in fiction as having less sophistication or intelligence than the militaristic Romans who arrived fairly late on the scene and wearing sandals despite the climate! Any skills the Gaels do exhibit in certain fiction tend unfortunately to be vague or based on occult practices by mythical “Druids” hunting mistletoe who rule over an unskilled, unwashed populace.  This is like using the imagery of Grimm's fairy tales to portray medieval Europe's culture. This is as offensive as calling native Americans Indians.

There's plenty of room for different styles in fiction, yes. But less fantasy, and a lot more accuracy, would greatly benefit readers seeking historical fiction about the ancient Gaels. This is an instance of truth being stranger than fiction, that little Orkney holds the remains of the largest ceremonial center found to date in northern Europe. See also :  http://www.archaeology.co.uk/articles/news/neolithic-temples-of-the-northern-isles.htm

*Linguist John Koch's work on Tartessian script in southwest Iberia is pushing back the time frame for written Gaelic. See Celtic From The West, Vol. 1 and Vol. 2, Oxbow Books (2012 and 2014).
  
About The Author

J.S. Dunn lived in Ireland during the past decade, on 12 lovely acres fronting a salmon river. The author continues to research and travel the Atlantic coasts and is helping to shift the old paradigm of “Celts” with a second novel set at 1600 BCE.


20 June 2014

New & Noteworthy: June 20

Lots of exciting announcements from our contributors this month!

• SULTANA: THE BRIDE PRICE, new from Lisa J. Yarde, the fourth book in the Sultana series, will be available Monday, June 30, 2014.
In fourteenth-century Moorish Spain, a marriage of convenience for the sake of peace leads to disaster in the medieval kingdom of Granada. The young queen Jazirah, caught up in a dynastic struggle between warring brothers, fights for her survival. Wed to a husband who looks at her with more suspicion than lust in his eyes, she must escape reminders of a brutal past in a quest to find forgiveness, hope, and love. Her husband Muhammad faces greater peril than union with a wife he cannot trust. Surrounded by enemies within his family who seek the throne and undermined by ministers who would alter the course of his country’s future, he intends to rule the land of his ancestors alone. How can he endure against his most bitter opponents, not least among them, the woman whom he has chosen for a bride?
You can get all the details at Lisa’s website.


Ginger Myrick has extended the sale on her latest release INSATIABLE: A MACABRE HISTORY OF FRANCE until the end of June to accommodate new readers from her recent blog tour. Ebook editions for the Kindle and Nook will remain on sale for $2.99 until June 30th. See Ginger's website for more information.


• Blythe Gifford’s THE WITCH FINDER has been named a finalist in the Short Historical category for the Bookseller’s Best Award, sponsored by the Greater Detroit Romance Writers of America chapter.  Self-published in 2013, the book is available on Amazon (e-and print versions), Barnes & Noble, Kobo, and iTunes.  The story is set on the Scottish Borders in the seventeenth century and centers on a hero who is a “finder of witches” and an accused witch.  See the full list of finalists here. For more information on THE WITCH FINDER, see blythegifford.com.

Michelle Styles has just signed another two-book contract with Harlequin Historical for two more Viking romances! The first will be entitled TAMING HIS VIKING WOMAN. Michelle's newest novel SAVED BY THE VIKING WARRIOR will be released in September.

 J.S. Dunn is looking to assemble an anthology of historical fiction parody stories to be published in a single Kindle volume. Stories would be in the 3000-6000 word range featuring good-natured spoofs of commercial trends, subgenres, or styles and types in current historical fiction. Those interested can contact J.S. via her GoodReads page or by PM on Facebook for more information on the project, which is still in the planning stage.

21 May 2014

Great Buildings: Diocletian's Palace


Emperor Diocletian, ever heard of him?  After visiting Split, a city in Croatia north of the more often visited city of Dubrovnik, you might never forget Emperor Diocletian. This would be due to his splendid palace extant in Split; in fact, his palace comprises much of central Split due to the misfortunes of that city through the past 1700 years.  Poverty has a way of making urban renewal superfluous and thereby saving what has been built, to the good fortune of future generations. As emperor, Diocletian (284-305) mucked about with torturing Christians with an edict in 303 toward the end of his reign but hardly got warmed up with that. He earlier tried to calm the empire's chaos after its 50 year string of murdered military emperors by carving it into four administrative areas called the Tetrarchy (293 AD). That shifted power away from Rome, and the bulk of valuable trade deals and bribes no doubt also shifted away from Rome and thus he irritated more than a few citizens. Rather like having someone get rid of all Beltway offices and DC lobbyists, it proved unpopular to those on the take.

The great compound, the centerpiece of Split, tells much about the late Empire. It occupies the largest footprint of any known Roman palace, the walls 160 meters by 190 meters. In its day, vessels could pull in along the colonnaded south facade to discharge cargoes, soldiers, and wealthy visitors with an entourage. That would have been a spectacular arrival. The sea level has changed, so that today the palace fronts dry land on all sides.

Diocletian's palace as it originally appeared.
This image can be seen on much tourist material in Split,
 and appears on Wiki,  “in public domain for US purposes”
The structure has an immense lower half-basement level that would have accessed the south quayside. One sees evidence of the troops who occupied it and their horses. The palace kitchens and storage, and smithing and other utilitarian areas, bustled below like a small self-contained city to operate the palace and imperial residences. Great barrel-vaulted ceilings spanned by Romanesque arches make the lower level seem huge. Wait – it is huge!

At street level, several interior buildings remain within the original walls, including Diocletian's mausoleum which notably, if not ironically, was converted to Christian use. Small temples also survive.  One of three stolen Egyptian sphinxes in black granite reposes in front of one temple, a pleasant spot to rest and contemplate. The tourist brochures advise of a tale involving murder in one of the temples during the final days of Diocletian and it would be tempting to base an historical novel here.

How the little boy grew up in Dalmatia across the sparkling Adriatic from Rome and became emperor, and amassed enough wealth to build such a structure in his native land is intriguing. But look at the properties that certain modern leaders suddenly can afford as a result of allegedly serving the public and perhaps the mystery isn't one except this: how the public keeps getting shorn like sheep, century after century.

Travel tip: speaking of great buildings, unless it has been tarted up or “modernized” with glitz in the past few years, the Hotel Park in Split boasts authentic Deco architecture and décor. Dining service is impeccable, the food fresh and varied –not always the case in this former Soviet bloc country. The Hotel Park is centrally located, but away from city center noise at night. It has an outdoor terrace overlooking the sparkling Adriatic, a grand retreat after a day spent admiring the vast Diocletian's Palace.

Link to UN Heritage article about the Palace, more photos:  http://whc.unesco.org/en/list/97/

J.S. Dunn lived in Ireland during the past decade, on 12 lovely acres fronting a salmon river. The author continues to research and travel the Atlantic coasts and recently  enjoyed wonderful seafood on the Cotes d’Armor, and in Cornwall, and at the famed Lobster Pot restaurant in County Wexford, Ireland.

26 July 2013

Accidental Discoveries: THE ANTIKYTHERA - STILL CRAZY AFTER ALL THESE YEARS


When the Greek sponge diver rose from the blue in 1900 with a battered box ill-treated by saltwater immersion for two thousand years, the ugly wood box caused little excitement. This artifact was neither a bronze statue nor a precious vase nor jewelry, and the crew's first impulse was to toss it back to the deep. The sponge divers were risking their lives to bring up treasure from a Roman shipwreck.

Instead the item made it ashore and into museum storage for decades, almost unknown to the scientific world much less popular imagination. Cursory examination in 1902 showed it had some type of gear mechanism. Nothing further happened. The x-ray had yet to be used on artifacts. Then, in the 1970s, an American and a Greek researcher collaborated to x-ray the badly corroded bronze lump.

The lump turned out to contain 30 bronze gears, and may have had more gears. Of astonishing complexity, the Antikythera machine functioned in astronomy. In our jargon, it had a lot of “apps.” Further study provoked the usual debate about whether and how those oh-so-simple ancients could have made such a mechanism, and that debate continues. Those familiar with the Nebra sky disk recognize this bias that favors our own meager accomplishments at the expense of clever forebears who did so much and with much less.

Proponents of its function cite ancient texts describing other automated mechanical wonders in “prehistoric” times and specifically during Hellenistic Greece; and suggest the inventor was Archimedes, Hipparchus, or a student of either. Whoever designed the Antikythera had other examples of automata for inspiration and had access to a wealth of astronomy---if one ignores the naysayers. Various papers and replicas since 1974 attempt to establish exactly how the Antikythera mechanism works. If one understands calculus or simply plows through, the academic papers can be a good read in themselves and reveal how very intricate is this device that tracks lunar, solar, and planetary movements, possibly eclipses, and perhaps even the Olympic games in its day.* Replicas show that the original device was aesthetically pleasing; it might have also included precious metals and stones.

The Antikythera embodies someone's great passion if not a lifelong obsession. Now that this remarkable object has literally resurfaced, it carries an inherent challenge to tell the human story of how it came to be, including who carted it off as spoils for a Roman emperor along with gorgeous statues and vases. This unassuming collection of bronze gears from the first century BCE that we today scarcely understand continues to challenge notions of progress, if not of who we are, in the greater scheme of human history.

* See Nature article, 31 July 2008, vol 454. For the latest finds at the Antikythera wreck site, see : http://www.guardian.co.uk/science/blog/2013/mar/18/return-to-antikythera-divers.
  
J.S. Dunn lived in Ireland during the past decade, on 12 lovely acres fronting a salmon river. The author continues to research and travel the Atlantic coasts and recently  enjoyed wonderful seafood on the Cotes d’Armor, and in Cornwall, and at the famed Lobster Pot restaurant in County Wexford, Ireland.

19 July 2013

New & Noteworthy: July 19

Kathryn Kopple is pleased to announce that her novel LITTLE VELASQUEZ has just been released for the Kindle! Check it out in the Kindle Shop.

Anita Davison's novel ROYALIST REBEL has also just been released on Kindle. Royalist Rebel is the story of Royalist Elizabeth Murray, Countess Dysart’s youth during the English Civil War; with her father exiled, the five Murray women must fight to keep their home and position in a country under Parliamentary control. Learn more here!

• She Calls It Research: J S Dunn participated with archaeologists Charles Mount and Colm Moriarty in a panel on the early Bronze Age, for History Festival Ireland (June, Ducketts Grove, Ireland). This trip included a bit of fun visiting Dan Donnelly's Footsteps (the Curragh, county Kildare), and a private dinner at Lisnavagh House (Rathvilly, county Carlow), ancestral home of author and historian Turtle Bunbury. Dunn sadly left the temperate green isle (after a quick pint at the local) for steamy St. Pete and a brief gig at HNS 2013.

• IT STINGS SO SWEET, Stephanie Draven's 1920s historical erotic romance is now available in Target stores near you. Ask for it!

01 July 2013

Unusual Historicals at HNS 2013: Historical Fiction Off the Beaten Path

Last weekend I attended the Historical Novel Society Conference in St. Petersburg, FL. (omg, was it really over a week ago?) It was wonderful to meet Lisa Yarde in person — let me tell you, she is just as sweet and friendly as you would imagine. I also got a chance to hang out with fellow U.H.-ers Kim Rendfeld and Stephanie Dray, though unfortunately I didn't cross paths with J.S. Dunn. It really was a fantastic weekend — I met so many writers, readers, and bloggers, and the vast majority of them shared my interest in the kind of historical fiction we promote here at Unusual Historicals.

your intrepid panelists (l-r):
Julie, moi, Andrea, Audra
Along with author Julie K. Rose, blogger Audra Friend of Unabridged Chick, and reviewer Andrea Connell of Queen’s Quill Review, I participated in a panel called "Historical Fiction Off the Beaten Path". We took a look at some novels published within the last few years that veer away from current trends in ways such as:

  • less-explored locations or time periods
  • unusual protagonists or points of view
  • no famous historical figures as characters
  • LGBT or POC (person of color) protagonists
  • stories that mix genres or sub-genres

To get the conversation going, Julie did an analysis of all books reviewed for the HNS in the first quarter of 2013, which includes large press, small press, and self-published titles. Out of over 200 books reviewed:

  • 69% took place in the 19th & 20th centuries
  • 63% were set in England or the United States
  • Only 16% were set outside Europe & North America
  • Fewer than 10% featured POC protagonists
  • Only two books featured LGBT protagonists

Though this might seem like an overwhelming tilt, there are areas of variety, and the balance is slowly growing. In that same sample:

  • 25% of self-published titles were set before the 5th century (more than any other publishing method)
  • 29% of small presses titles were set between the 5th-17th centuries (more than any other method)
  • The Big 6 focused on the 18th-20th centuries (73%) but took chances on several unusual titles

We had a great discussion with our audience about what makes a novel unusual, and what readers would like to see more of in historical fiction. There's a strong desire for less-visited locations and lesser-heard points of view, and audience members were eager to share recommendations and learn where to find more. (Goodreads was the #1 recommended resource, along with blogs like U.H.) Especially requested were stories featuring POC and LGBT protagonists, particularly when the character's sexuality or race is not a source of conflict, and the everyday lives of other non-famous people whose story is often overlooked.

I'm not ashamed to say it was extremely satisfying to reinforce my belief that every story has an audience. There might only be room on the promo shelf for the most popular topics, but readers are hungry for variety; they just need a little help finding it. Even the most well-explored settings can be viewed from new angles. That's the great thing about historical fiction — there's room for everyone here.

14 June 2013

New & Noteworthy: June 14

(Hello readers: New & Noteworthy is coming to you a week early this month, due to the HNS conference next weekend. In July we'll go back to the 3rd Friday of the month. -Heather)

Blythe Gifford will be signing at the Romance Writers of America 2013 "Readers for Life" Literacy Autographing, Wednesday, July 17, 5:30–7:30 p.m. at the Atlanta Marriott Marquis. Admission is free. More than 400 authors will be signing books with all proceeds going to support literacy. For more details, see http://www.rwa.org/literacy

Ginger Myrick's newest release, Work of Art: Love & Murder in 19th Century New York, is now Work of Art tells the story of Del Ryan, a clairvoyant Irish immigrant whose fairytale rags-to-riches journey comes with an unexpectedly dangerous price. Read the full blurb and see reviews at: http://gingermyrick.com/books-by-ginger

Lindsay Townsend's new novel Dark Maiden has also just been released and is available at several retailers. Described as "an interracial, multicultural, medieval historical romance with paranormal elements", you can read Chapter One at Lindsay's blog: http://www.lindsaytownsend.net/2013/06/release-day-for-dark-maiden.html

Lisa J. Yarde’s Sultana: Two Sisters will be available in July 2013. Sultana: Two Sisters is the third book in her Moorish Spain series, which began with Sultana and Sultana’s Legacy. The new novel explores the turbulent history of two former friends, now dangerous rivals in a bid for one man’s heart and his kingdom. Visit Unusual Historicals on Thursday, June 13 and Sunday, June 16, when Lisa will discuss the novel, share the excerpt and give away a copy to one lucky winner.

• The following Unusual Historicals contributors will be at the Historical Novel Society's 5th North American Conference in St. Petersburg, Florida, June 21-23: Heather Domin, Stephanie Dray, J S Dunn, Kim Rendfeld, & Lisa Yarde. We look forward to seeing you there!

25 March 2013

Meet our Contributors: J.S. Dunn


Author J.S. Dunn

Book List


In honor of March and St. Patrick’s Day, the normally reticent J.S. Dunn offers the following ramblings:

My fifteen minutes of fame flashed by long ago, in winning a state spelling competition in sixth grade via the televised final round. Spelling ability is one result of reading nonstop from a tender age. So much for early fame.

It would be difficult to name hobbies, as a hyperactive type who doesn’t understand the term free time. Much time is devoted to research and writing. Other than that, the favorite is gardening. My favorite season is gardening weather! Favorite place to travel is anywhere to research the next novel. The seasons spent living in Ireland to garden also made the debut novel Bending The Boyne a reality. People ask, what was it like having a country house in Ireland.

Each sunrise wakened a fresh glee, like being a child again. One doesn’t know what any given day in emerald Eire will hold. A big salmon once landed on my kitchen floor, a gift tossed inside from a fellow who’d been openly poaching fish from me. One of the horses that boarded on my paddocks placed in the Grand National race and that was exciting. Eire’s wonderful people were the best part. A 92-year-old stonemason who’d walked to work every day of his life, soft-spoken and proud, well read, and a true gentleman. Bits from him went into the Dagda’s character. A six-year-old neighbor lad had a razor-keen wit; he was written into young Aengus.

The second novel is in progress, about a doomed warrior-lord at Tara and set at 1600 BCE during Eire’s Bronze Age. A third novel is outlining itself in my head, set at the end of the Bronze Age as iron comes into use.

So many topics, so little time! Improved and new methods in archaeology have accelerated the discoveries in the past ten years. Archaeologists’ vision of the ancient Isles has changed. Why can’t popular literature keep pace rather than recycling 19th century thinking? Using discredited or outmoded assumptions does the public a disservice. (How many druid spinoffs can the market absorb?) Someone should write an updated Stonehenge tale based on recent digs there and new findings. There’s the challenge: use the new paradigm and break some new ground.

Unusual Historicals is one of the few HF blogs that I follow, for its range of subject matter, and I’m grateful for its contributors and the readers.

*slan* and happy St Patrick’s Day (belated)

J.S. Dunn lived in Ireland during the past decade, on 12 lovely acres fronting a salmon river. The author continues to research and travel the Atlantic coasts and recently  enjoyed wonderful seafood on the Cotes d’Armor, and in Cornwall, and at the famed Lobster Pot restaurant in County Wexford, Ireland.

28 September 2012

Feasts: Bronze Age Solstice Feast by J.S. Dunn

By J.S. Dunn

“Mead distilled sparkling, its praise is everywhere.”
From Welsh myth, Song to Mead

What did the ancient Irish eat at 4,000 years ago? And, what about the peoples in what is now Spain’s Costa Verde, and up the Bay of Biscay to the Morbihan and Brittany’s coasts? At first, researching prehistoric foods looks daunting.

The Dindshenchas, a medieval text of oral histories, has clues to the early diet: the sacred salmon of knowledge, the hazelnut which also imparts wisdom, cereal grains for porridge and brewing, and various berries. The ancients made milk and butter from their herd animals. To this day, well-formed oak casks holding Bronze Age butter turn up at digs in the Irish bogs, the contents still smelling of dairy---though no one samples!

Meats of early domesticated sheep and cattle, and cuts of wild deer and boar, show in the bone counts from archaeological digs. Fish were trapped in wattle river weirs long before the Bronze Age. The north Atlantic produces a diverse marine life that is richer than the Mediterranean, and the Atlantic peoples consumed shellfish in great numbers per the remains in ancient shell middens: mussels, whelks, periwinkles, oysters, lobster.


Despite an ancient prohibition on killing swans in Irish myths, there is evidence that swans were indeed eaten for food, and swans winter at the river Boyne and other areas in great numbers. The prohibition re: swans was perhaps politically motivated or may have been an early conservation measure.

The ancients’ knowledge of edible seeds, roots, and herbs, would far exceed our own based on paleobotany surveys at excavations. They collected and dried the wild apple, and berries, which were used for beverages in addition to mead from fermented honey.

In warmer latitudes like ancient Spain, the Bronze Age people began to cultivate the olive and other fruiting shrubs. There is evidence they knew which acorn varieties to collect, and ground those into flour. Spain’s meltingly tender acorn-fed ham of today may have begun in antiquity given their early use of the abundant acorns.

The richness of the environment held bounty for those who well knew how to utilize it. For these ancients, a feast was literally a sacrament of life. The reborn winter solstice sun showed the ancients that spring’s bounty would return.

Boyne solstice feast:
Smoked salmon, smoked haddock
Dried apples stewed with fresh or dried swan
Wild boar, venison, joint of beef ; boiled or roasted
Meal cakes of finely ground hazelnuts, seeds, and grains, sweetened with honey
Soft white cheese, sweet butter
Mead, herbal infusions, primitive beer and cider

Juniper reduction sauce for modern roast wild game:

Here is a simple (and relatively low-fat) reduction sauce if you happen to be serving wild boar or venison for winter solstice or a more modern holiday. Juniper berries impart a flavor like rosemary with a citrus hint. The berries should be dried and crushed before use. Note, buy in a shop—don’t try to harvest your own; some juniper varieties are toxic.

Roast or sauté the meat, keep warm. Deglaze the pan with around ½ cup of red wine (or Calvados, or Guinness, or whatever!), and simmer that mixture in a heavy saucepan until the essence reduces by half in volume. The sauce should coat a spoon. Add one chopped shallot ( or wild garlic shoots if you have those at hand ) and  8 fluid ounces of beef consommé ( not bouillon) and reduce again. If desired, butter (3 tbsp) can be added for a smoother, shiny sauce or to correct overcooking! Add the crushed juniper berries when almost ready to serve the sauce. 4-6 portions.  

J.S. Dunn lived in Ireland during the past decade, on 12 lovely acres fronting a salmon river. The author continues to research and travel the Atlantic coasts and recently  enjoyed wonderful seafood on the Cotes d’Armor, and in Cornwall, and at the famed Lobster Pot restaurant in County Wexford, Ireland.

21 August 2012

Warriors: Conaire Mor, Connery the Great

By J.S. Dunn

Warriors must have the tools to make war. Human use of fire with stone ores to make copper, then bronze, brought the long knife. Copper daggers and long bronze knives enabled the close-range attack and killing of other humans, made it more efficient. With metal use, ancient cultures saw the rise of warrior societies and fortified dwellings, which contrasted with earlier burial practices and settlement patterns and housing. From Turkey and the Near East, to the Iberian peninsula, and up to the Isles, this pattern holds though making metals developed at different points in time in each region.

The long bronze knife elaborated into bronze dirks, rapiers, and swords. After over a millennium, iron with its superior properties replaced bronze.

At its earliest stages, the privilege of being the people’s warrior-lord carried heavy responsibilities. A layered tale with multiple recensions, The Destruction of Derg’s Hostel relates how Connery the Great ( Ir. Conaire Mor) met his doom. Young Connery walked naked and alone to the Hill of Tara to accept the role of warrior-champion. The story describes many obligations and bans on him, what he must and must not do. See Togail Bruidne da Derga.

Bizarre rituals in the Bronze Age can be heard under the gloss laid on by medieval monks. Connery probably had to touch the Lia Fail, the stone of destiny, said to cry out only at the rightful ruler’s touch.

It is no accident that Tara’s famed Lia Fail has an obvious phallic shape. Earlier megaliths in southern Portugal’s metal-working areas are even taller ( over 5 meters) and more phallic in appearance.  Part of the initiation ritual on Tara involved merging with the land-goddess, a symbol of sovereignty, which in early centuries was a white horse. Yes, you read that right. Writing accurately about the Bronze Age can be tricky. The shining knight’s white horse will never be the same. However, many modern day religious practices could be seen as equally bizarre.

Connery managed to violate all of the rules. Yet the myth states that his reign at Tara brought gladness and prosperity the likes of which were never again seen in the northern isles. His murder was a great misdeed of which people still speak.


J.S. Dunn is the award-wining author of Bending the Boyne, which took first place in the Next generation Indie Book Awards 2011

13 January 2012

History's Mysteries: The Nebra Sky Disk

By J.S. Dunn

THE FORGED HEAVEN AND AN ENIGMATIC OBJECT OF CA 2000 BCE


The Nebra sky disk
Der geschmiedete Himmel, the forged heaven.

That’s the poetic title of an exhibit that featured a bronze disk about the size of a dinner plate. The exhibit took place in Mannheim, Germany in July 2006, and attendance totaled over 300,000 persons over a few months. Why the buzz?

For starters, this disk is absolutely unique. No prototypes, earlier models, or later knockoffs exist. The Nebra sky disk, as it is called, has been the subject of controversy since it was rescued from looters who dug it up around twelve years ago by a daring archaeologist participating with police in a tense sting operation. Instead of netting one million DM for their troubles, the thieves got jail time. That much of the story would suffice for a good thriller film. The star might well be the disk itself, its upper surface covered in gold foil symbols of a sun (or full moon), a crescent moon, scattered stars, and gold foil strips at precise places on its perimeter.

The real controversy and the intellectual kick of this object lies in deciphering when and where it was made, and ultimately why or its purpose. Micron-level analysis of its green patina surface revealed that it is genuine, the corrosion crystals too large to have been faked. The metal composition is northern European rather than Mediterranean, despite its having been found with Mediterranean-styled long knives. 

Other items found with the Nebra sky disk
The overall find has been dated with relative confidence to say that the disk was made between 2100 BCE and 1700 BCE and deposited shortly after the latter date with the associated objects. Its perimeter has pierced holes that were added to it later and indicate a long period of use or change in its function. But physical scientists and archaeologists still debate its function.

Is this the oldest astronomy object in Europe, and older than any Egyptian representation of the stars (the oldest of those from around 1400 BCE)? If so, the implications for northern Europe at this time are sweeping.  Rather than being brutish warriors ruling by the sword, crudely clad, and digging their carrots with a short stick, is it possible those in the northern part of what is now Europe developed an astronomy that rivaled that of later Babylonian, Greeks, Phoenicians?

Naysayers claim the object to have been merely decorative, the riddle of the sun and crescent moon appearing together on a field of “star” shapes signaling nothing in particular. Other experts analyze old stone carvings, clay tablets, and papyrus fragments to find parallels. For those of us who enjoy astronomy, and the history of scientific instruments, the puzzle is delicious.

The Sky Disk has even been said to be the famed shield of Achilles as wrought by Hephaistos that contained the heavens: sun, moon, and Pleiades according to Homer, Book 18, The Iliad. To read more about the Sky Disk, Google Nebra Sky Disk and find abundant articles and discussions debating its origin and purpose.

The sky disc of Nebra was found near Europe's oldest observatory in Goseck
The decorated disk in bronze and gold is truly a beautiful object and the fascination of science and laypersons is unlikely to abate. No other such object has been found to date in northern Europe. However, the wooden observatory-circles of Germany, the Netherlands, and Belgium; and the engineered mounds and megaliths from even earlier dates on Ireland, Wales, and Orkney, stand today in mute testimony to the power of the heavens on early human imagination.




J.S. Dunn is the award-wining author of Bending the Boyne, which took first place in the Next generation Indie Book Awards 2011

23 October 2011

Guest Blog: J.S. Dunn


This week, we're welcoming author J.S. Dunn, who is celebrating the release of Bending the Boyne, set in ancient Ireland. J.S. is here to talk about the novel, answer questions and give away a copy. Here's the blurb:


Eire, 2200 BCE: Warriors bring long bronze knives and strange customs to ancient Ireland, including their Night of the Dead. The young astronomer Boann and the enigmatic Cian need all their wits and courage to save their people and their great Boyne mounds. Banished to far coasts, Cian discovers how to outwit the invaders at their own game.


Tensions on Eire between new and old cultures and between Boann, Elcmar, and her son Aengus, ultimately explode. What emerges from the rubble of battle are the legends of Ireland’s beginnings in a totally new light.
***
Give some clues about the meaning of that title and unusual cover!
Bending refers to change and having to adapt. The Boyne passage mounds in Ireland were built before the Pyramids, or Stonehenge. Why were the great mounds abandoned around 2200 BCE?


The front cover uses an abstract photo of a mound entrance. For more photos see www.Newgrange.com.


What inspired you to write about Ireland at 2200 BCE?
BENDING THE BOYNE journeys to the ancient, sacred heart of Ireland in a tale of gold and greed. The impetus was part myth and part archaeology, and wanting to bridge the gap for the modern reader.


Jean Auel’s Clan series opened up the Paleolithic, made that era accessible in modern fiction. BENDING THE BOYNE moves ahead several thousand years. This novel adds myth to the brew, with a chaser of Irish wordplay. It is bang-on with the latest about the early Bronze Age.


How did you develop characters for this story?
The heroine Boann appears early in Irish myth, then vanishes. Her short tale is a tangled web. Thursday’s blog excerpt quotes the Dindshenchas “...they made the sun stand still to the end of nine months...” That is the first Who’s Your Daddy gossip item, about the birth of her son Aengus. BENDING THE BOYNE riffs on Boann’s fragmented myth. A culture clash, and conjecture about who is Aengus’ father, develop into a tragic resolution.


Boann and Aengus and certain characters have astronomy symbolism. Boann represents the Milky Way; her son Aengus is the reborn solstice sun. Other references to the myths are tongue in cheek. For readers not familiar with Irish myth, reading the novel’s Glossary of names is recommended.


This novel recycles the earliest myths with a fresh spin, so that new concepts of “Celts” can replace outdated images. Barry Cunliffe in his new treatise Celtic From The West (2010) with linguist John Koch, points the way forward: that a Gaelic culture came from Europe’s far west coasts and not central Europe, and that the Gaelic tongue probably arose along the coasts as a common trading tongue—more than a thousand years earlier than the Iron Age, or Roman occupiers.


How did you research this era?
BENDING THE BOYNE evolved over a decade of reading the medieval myth texts and research using current sources, i.e., excavation reports and recent articles and books. I had a property in Ireland and from there traveled the north Atlantic coasts, seeing as many megaliths and associated museums as possible. With a geologist, I hiked to ancient copper and gold mines high in the Spanish Pyrenees. Given the excellent local wines and goat cheeses, those climbs were very worthwhile!


Several academics kindly read drafts and commented. Archaeologist William O’Brien related that he had been inspired by Lein, the ancient smith. O’Brien excavated the Isles’ oldest copper mine at Lein’s Lake Of Many Hammers, ca 2400-2200 BCE, and his find supports the astonishing antiquity of Gaelic myth.


Who is the target audience for Bending The Boyne?
Easy answer: forty million Irish Americans! Seriously, any HF reader will gain by approaching this ancient setting with an open mind. Fans of prehistory or astronomy enjoy this novel. Those who have some background in Irish literature and myth, or Irish history, will see allegory and puns like finding shells on a beach.


Do you have any more novels planned?
A second novel is underway, set later in the Bronze Age as a separate narrative rather than a series. There is ample material to do a third novel, or a nonfiction travelogue of the Bronze Age in northern Europe.


Thank you, J.S. and good luck with Bending the Boyne. 


Be sure to leave your comment for a copy of the novel.


Find J.S. Dunn at seriouslygoodbks@aol.com and www.jsdunnbooks.com


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20 October 2011

Excerpt Thursday: Bending the Boyne by J.S. Dunn

This week on Excerpt Thursday we're welcoming author J.S. Dunn, who is celebrating the release of Bending the Boyne, set in ancient Ireland. Join us Sunday when J.S. will be here to talk about the novel, answer questions and give away a copy. Here's the blurb:

Eire, 2200 BCE: Warriors bring long bronze knives and strange customs to ancient Ireland, including their Night of the Dead. The young astronomer Boann and the enigmatic Cian need all their wits and courage to save their people and their great Boyne mounds. Banished to far coasts, Cian discovers how to outwit the invaders at their own game.

Tensions on Eire between new and old cultures and between Boann, Elcmar, and her son Aengus, ultimately explode. What emerges from the rubble of battle are the legends of Ireland’s beginnings in a totally new light.

** An Excerpt from Bending The Boyne **


It was then they made the sun stand still
to the end of nine months—strange the tale—
warming the noble ether
in the roof of the perfect firmament.
From: Metrical Dindshenchas

NIGHT OF THE DEAD (SAMHAIN)
Boann woke with the rising sun, feeling the child lying dormant in her, waiting. The intruders’ feast on this night had little importance to her.
Fools: they thought her Starwatchers’ great passage mounds held gold. .
So far her marriage to Elcmar had not improved relations between the two groups. She had little protection in the camp with Elcmar away. If the warriors chose another champion before he returned, what would become of her?

She located the shaman Bresal, surrounded by an audience. He had commandeered a cooking pit to soak imported cloth in a rare blue, fussing with his male slave over whether it was vivid enough and evenly dyed. The women slaves who normally did the cloth dyeing stood back in disapproval: men should never be allowed near the dyeing process as that would bring bad luck. Also the dye had spoiled that fulacht fiadh, banjaxed it for any cooking or brewing.
Bresal looked up and nudged his slave. “Wonder how she’s keeping, with her man away? A woman on her own!” The shaman leered. “If they are all breeders, we won’t have to bring in many women here a’tall.”
Boann saw at once that the shaman was in rare form. She raised her chin, shoulders back “Good sun to you, Bresal. I’m after having my bath and breaking the fast. I shall be joining my father Oghma, the Dagda, and others as we observe the sun set. With your consent, Cliodhna shall accompany me.”
Bresal swayed over the dripping cloth, as if not sure why tonight’s sunset would be so important. “Should Elcmar’s wife be absent as we begin celebrating the Night of the Dead?” His lips pouted, his face struggled to evaluate all the portents and specifically any negative results for him.
He inclined his sweaty round head. “Are you aware of our feast tonight?” he asked.
“I am not familiar with this Invader custom. Please explain more to me if you would.” She waited for Bresal to go off on a tangent and he promptly did so.
“The Night of the Dead is a major feast, the beginning of the new year for us Invaders. It might have significance for the Quiet Ones as well.” Boann stiffened at his using that term for her people but he babbled on, heedless.
Bresal described the presence of the dead walking among the living. Huge fires would be lit so that the spirits could see and thus not disturb the living. He detailed how he selected the animals to be slain and how he would publicly examine their entrails in order to predict the coming crops and success at various endeavors. Bresal ended with a flourish.
“Your presence is highly necessary for all this as the ard ri’s wife, and notably so in Elcmar’s absence.” He looked at her extended midsection and up to catch her eye. “We can make you a new tunic but not in this blue fabric, I’m afraid. That color is reserved to shamans, and to Elcmar. That is, if Elcmar were here with us. Alive, to be sure. For this feast of the dead.” He hicupped and swayed again.
“I quite understand. Thank you, Bresal. Whatever color would suit me.”

Boann grabbed her small bundles and fled with Cliodhna. The two women slipped like water between the camp huts and passed unnoticed by a sentry dulled by cold and the prior evening’s drinking. They scurried over the plank bridge across the bank and ditch and into blue autumn light.
Once underway through the forest, Boann spoke openly. “Night Of The Dead! Already most of the slaves are frightened out of their wits from talk of spirits walking among them, great bonfires or not. These slaves have enough to fear from the living.”     
She could only imagine the mayhem that would occur upon poor animals. She had seen enough of the murky approach taken by Bresal and his followers.
For Invaders this night marked the beginning of the new year. They counted time in darkness, that is, from nightfall to nightfall. The shaman Bresal hinted to her that he could halt the sun. He dared to say that Invader ships brought the great dust cloud that ruined the past growing season. He seemed to have little idea of either the sun’s or the moon’s movements.
Free of the camp’s environs, her boldness grew. A few more steps, and she decided not to return to Elcmar’s camp until after this child was born.
She must survive to winter solstice, one more moon. She crossed her arms, defending the life in her swelling body.