Showing posts with label Myths and Misconceptions. Show all posts
Showing posts with label Myths and Misconceptions. Show all posts

29 January 2013

Myths and Misconceptions: A Flat World


Flat-World Idealists versus Round-Earth Visionaries

Sometime around the dawn of history—so the story goes—people thought the world flat.  In year 1492, a startling revelation, with all the force of a ferocious gale, tore the flat world theory asunder.   Three ships (La Niña  Pinta, and Santa María) sailed west from the Spanish coast under the command of Christopher Columbus, who had convinced his patrons, Isabel I of Castile and Fernando II of Aragón,  that all seas were navigable.   It was Columbus’s wager against a long tradition of anti-antipodeans that included sources such as the Old Testament, the eminent philosopher Plato (among others), and the not-to-be easily contradicted authority, early Church father, and theologian St. Augustine.   How could Columbus have been so audacious?  Particularly, since St. Augustine had flatly denied the existence of the antipodes—for to embrace the theory was a tacit acceptance that the earth was round; that there were two poles, north and south;  and to accept the findings of Eratosthenes (276 BC[1] – c. 195 BC), who went on to become the world’s first geographer, inventing the concepts of latitude and longitude that we still use today, and who constructed the first models and maps based on a spherical earth.
           
Nonetheless, the antipodean rejectionists felt they had good reason to hold their position.  Plato describes it in Timaeus as so: 

For if there were any solid body in equipoise at the centre of the universe, there would be nothing to draw it to this extreme rather than to that, for they are all perfectly similar; and if a person were to go round the world in a circle, he would often, when standing at the antipodes of his former position, speak of the same point as above and below; for, as I was saying just now, to speak of the whole which is in the form of a globe as having one part above and another below is not like a sensible man.

St. Augustine revisits the arguments when he writes: 

As to the fable that there are Antipodes, that is to say, men on the opposite side of the earth, where the sun rises when it sets on us, men who walk with their feet opposite ours, there is no reason for believing it. Those who affirm it do not claim to possess any actual information; they merely conjecture that, since the earth is suspended within the concavity of the heavens, and there is as much room on the one side of it as on the other, therefore the part which is beneath cannot be void of human inhabitants. They fail to notice that, even should it be believed or demonstrated that the world is round or spherical in form, it does not follow that the part of the earth opposite to us is not completely covered with water, or that any conjectured dry land there should be inhabited by men. For Scripture, which confirms the truth of its historical statements by the accomplishment of its prophecies, teaches not falsehood; and it is too absurd to say that some men might have set sail from this side and, traversing the immense expanse of ocean, have propagated there a race of human beings descended from that one first man.

In other words, to these men of learning and Scripture, the idea of a round earth was as ridiculous as anything found in Alice’s Adventures Through the Looking-Glass—an anti-antipodean book if there ever was one.  Alice’s world is flat, and not only flat, but it is a chessboard.  Her movement is severely restricted; she may move forward, backward, and laterally—she has some latitude, but no height, breadth or depth that might allow her to escape from the game (or the Red Queen’s wrath).   Her experience is that of pure surface with all of its reversals, paradoxes, dead ends, and cliffhangers.

So where then did the inkling that the world might not be flat come from if not from the Bible, philosophers and theologians?  The troublemakers—and in this case they were seen as troublemakers—were merchants, sailors, and explorers who’d traveled far beyond the verses of Homer (remember Achilles’ shield depicts a flat earth), Scripture, and what is known as the up-down view of the world:  Heaven above, the earth a floating disk, and below a place you went if you were one of the unfortunate damned.   Eratosthenes has already been mentioned.  And there is Ptolemy, who Columbus supposedly cites in his plea to the King and Queen of Spain to fund his voyage.  The notion that the earth is a sphere is an ancient one:   it involves a long, on-going debate between what we might call flat-world idealists and round-earth visionaries.

Sources:
Reston, James, Dogs of God, Anchor Books, NY 2006
Sobel, Dava, Longitude, Walter and Company, NY 1995

Kathryn A.Kopple is the author of Little Velásquez, a novel set in 15th century Spain.

23 January 2013

Myths & Misconceptions: Bathing in the Middle Ages

By Kim Rendfeld

When I decided to write a novel based on one of the Roland legends, I knew very little about the Middle Ages, but I was certain of one thing: medieval people didn’t bathe. I recall being told by teachers that the folk thought it was unhealthy. As an author, all I needed to decide was whether the characters would notice how bad they smelled.

So imagine my surprise to find a section about bathing in Pierre Riche’s Daily Life in the World of Charlemagne. Carolingian princes took baths and changed their clothes once a week. OK, so that’s not as often as Americans who can’t live without their daily showers, but it’s a lot more frequent than what I was led to believe.

Commoners would have bathed less often than aristocrats because of the time and labor it took to fill a tub, but they would have bathed as often as they could.

So how did the misconception of medieval filthiness come into being? We can blame the plague for that, or rather belief about how the plague was spread in the 15th century—bad air that entered the body through the pores. Medical treatises of the time advised against frequent bathing, among other things, in order to keep the pores closed.

Go back to the Carolingians of the eighth and ninth centuries, and you’ll find a different attitude. Baths were a requirement for palaces, and bathhouses contained hot and cold pools. The bathhouse at the Charlemagne’s palace at Aachen (Aix-la-Chapelle in French) was spring fed and could accommodate up to 100 bathers.

Abbeys also had baths for the residents, guests, and the sick. Yes, you read that last part right, the sick, who were allowed baths on a mostly regular basis. So much for bathing being bad for health. Frequent hair-washing in the winter was to be avoided, but that’s not exactly a surprise when you consider how cold it was indoors.

Some medieval people didn’t bathe, but the reason had nothing to do with health. Abstaining from the bath was a form of penance, just like giving up wine or meat or something else you enjoy.

In later years, bathing would take place in tented tubs placed in bedchambers or public bathhouses, which were a flimsy cover for brothels. English HistoricalFiction Authors has excellent post with a lot of the particulars, even though I’ve never seen a reference to early medieval folk using the oils and strigils of the Romans in my daily life books.

Between baths, people of all classes would wash using basins of cold water. Just like most of us, medieval people wanted to be clean.

Sources
Daily Life in the World of Charlemagne, Pierre Riche, translated by Jo Ann McNamara
Daily Life in Medieval Times, Frances and Joseph Gies

Kim Rendfeld is the author of The Cross and the Dragon, a tale of love amid the wars and blood feuds of Charlemagne’s reign. Her characters take full advantage of the baths. For more about Kim and her fiction, visit www.kimrendfeld.com.

21 January 2013

Myths & Misconceptions: The Six Fingers of Anne Boleyn

(Yes, it should be the 11 fingers of Anne Boleyn. But six sounds better. It's a theme.)

Anne Boleyn and her 10 fingers
The Tudor era is chock full of historical urban legends—Henry VIII writing Greensleeves, Katherine Howard dying "the wife of Culpepper", the list goes on—but one of the strangest is the myth that Anne Boleyn had a sixth finger on one hand. Even today you can find this legend listed as fact on the web and in popular trivia; it's only recently that the Wiki page on polydactyly was updated to list Anne's sixth finger as "rumored" and "likely not the truth". Where did such an odd legend come from? Is there any evidence it could have been true?

The tale of the sixth finger goes back to Nicolas Sander, a Catholic priest who wrote the anti-Protestant chronicle The Rise and Growth of the Anglican Schism in 1585, half a century after Anne's death. To say he was biased is an understatement; his account includes all sorts of wild allegations, including the claim that not only was Anne sleeping with her brother George, but that she was actually King Henry's daughter! His physical description of Anne begins like so:
Anne Boleyn was rather tall of stature, with black hair and an oval face of a sallow complexion, as if troubled with jaundice. She had a projecting tooth under the upper lip, and on her right hand six fingers.
Sander was the first to publish this rumor, but he did not invent it—Margaret More Roper (daughter of the executed Sir Thomas More), who lived in Anne's lifetime and had even more reason to hate her, lamented in one of her letters all the grief and trouble caused by the King "all for the love of a brown girl with a wen on her throat and an extra finger". Margaret died in 1544, just 8 years after Anne, so the story was around either during Anne's reign or in the years just after her death.

Margaret Roper:
not Anne's BFF
The first biography of Anne Boleyn was written by George Wyatt, grandson of Anne's former suitor Sir Thomas Wyatt, in the late 1500s. He was a fervent Protestant, and by the time of his book Anne had become a martyr in Protestant England; so where Sander did his best to demonize her, Wyatt did his best to canonize her. (This can be surmised by the full title of his biography, Extracts from the Life of the Virtuous, Christian, and Renowned Queen Anne Boleigne.) His description admits a flaw on one finger:
There was found indeed, upon the side of her nail upon one of her fingers, some little show of a nail, which yet was so small, by the report of those that have seen her, that with the tip of one of her other fingers might be and usually was hidden without any least blemish.
So on one side we've got an extra finger, and on the other side we've got a wonky fingernail. Which is more likely to be the truth?

In Tudor England, physical abnormality was believed to be evidence of inherent depravity. Henry VIII was notoriously phobic about corruption and disease; it's almost impossible to believe he would have chosen a "defective" woman to bear his coveted royal heir. A lumpy nail could be overlooked in the throes of infatuation—an entire extra finger, not so much. And if he had, it would have been much more widely gossiped about than one mention in a private letter. Eustace Chapuys, who gleefully reported all the juiciest gossip about Anne, never once mentioned an extra or misshapen finger; if she'd had one, he would have delighted in describing it. And when Anne's skeleton was exhumed and studied in 1876, there was no mention of any extra or deformed fingers; in fact, her hands were described as "delicate and well-shaped […] with tapering fingers".

So did Anne Boleyn have a sixth finger? Signs point to no. It's much more likely she had a wart on one finger, or possibly a clubbed nail or knob of overgrowth (onychogryphosis)—unsightly enough to be hidden with her famous bell sleeves, but not enough to be considered an actual deformity. If you're trying to portray someone as the witchiest witch who ever witched, though, an unnatural number of appendages makes a great start, especially when added to a laundry list of defects (including a mannish Adam's Apple, keratosic skin, and that whole incest thing). This bit of Tudor lore has likely persisted for so long simply because it's so weird—to the Tudor mind it made perfect sense, but to the modern mind it seems an odd way to slander someone. Because fortunately, in these educated times, we've evolved past the prejudice of using physical differences to make villains seem more evil.



Oh wait.


sources:
Sander, Nicolas - The Rise and Growth of the Anglican Schism
Weir, Alison - The Six Wives of Henry VIII
Wyatt, George - The Life of Queen Anne Boleigne

Wiki Commons (portraits)
www.aveleyman.com (screencaps)





Heather Domin is the author of The Soldier of Raetia, set in Augustan Rome, and Allegiance, set in 1922 Dublin. Her next two novels are due in 2013. She's been a reviewing member of the Historical Novel Society since 2007 and a contributor at Unusual Historicals since 2011.

16 January 2013

Myths and Misconceptions about the Roaring Twenties: It Wasn’t All One Big Party


Chances are that when you think of the 1920’s you think of wild liquor-soaked parties in speakeasies, incendiary Jazz music, and flappers wearing feather headbands dancing the Charleston. Consumers embraced new gadgets and inventions, the stock market was soaring and a Renaissance broke out in Harlem.

All of these things are a true reflection of the time, but they’re only part of the picture. Underneath the glitz and glam, a turbulent culture war took place in the country--one we’re still fighting, in many ways, today.

The Roaring Twenties were a time of sexual liberation, experimentation and exploration. Having just won the vote, women were at the forefront of social causes and societal change. In spite of—or perhaps because of—Prohibition, the Twenties were boom times. Young women attended college, flocked to major cities to find work and lived on their own in numbers never before seen in the history of the nation. Homosexuality was more public and more tolerated. Rules for dating changed. Non-marital sex became common and women began to demand and use birth control.

Flappers changed the world of business, fashion, politics and popular entertainment. The Hays Code wouldn’t be adopted and enforced until 1930, which meant major Hollywood films pushed the boundaries of propriety and gave the country some of its sexiest stars, including Clara Bow.

In short, the Twenties were a period of social transition—one of those pivotal times in history when women took one step forward, before being shoved two steps back. People from all walks of life came together to agitate for progressive change in the Twenties and, in many instances, African Americans led the way.

At the same time, the era was marked by the resurgence of the Ku Klux Klan, inspired by D. W. Griffith’s race-baiting incendiary film of 1915, The Birth of a Nation. Immigration was suppressed and racial tensions rose. Even the nascent birth control movement was caught up in it, with Margaret Sanger arguing on behalf of eugenics. The suspicion of foreigners helped lead to the execution of two Italian immigrants, Sacco and Vanzetti, under suspicious circumstances. And the general fervor led to a red scare against suspected communists.

Much of the liberation of women in the twenties came about as a rebellion and reaction against the mores of previous generations. Whereas the women of the 1910's fought for the right to vote, the women in the 1920's had it--and didn’t do terribly much with it. The Equal Rights Amendment was introduced in 1923, but was never passed. And while women entered the workforce in great numbers, most of them left it upon marriage.

Another thing that harshed the buzz of the 1920's was the mob. Mob violence rose dramatically with Prohibition and organized crime used the ban on liquor sales to create criminal empires.

Of course, all this social turmoil makes the era not entirely unlike our own--and a perfect backdrop for fiction!

STEPHANIE DRAVEN is a bestselling, award-winning and RITA-nominated author of historical, paranormal, and contemporary romance. Her new 1920's historical erotic romances celebrate sex, women, and the Jazz Age. Stephanie is currently a denizen of Baltimore, that city of ravens and purple night skies. She lives there with her favorite nocturnal creatures–three scheming cats and a deliciously wicked husband. And when she is not busy with dark domestic rituals, she writes her books. StephanieDraven.com

01 January 2013

Myths & Misconceptions: Godiva's Naked Ride

By Lisa J. Yarde

"...The woman of a thousand summers back, Godiva, wife to that grim Earl who ruled in Coventry: for when he laid a tax upon his town, and all the mothers brought their children, clamoring, "If we pay, we starve!"                                                   

She sought her lord, and found him, where he strode about the hall, among his dogs, alone, his beard a foot before him, and his hair a yard behind. She told him of their tears, and prayed him, "If they pay this tax they starve."
                                                                          
Whereat he stared, replying, half amazed, "You would not let your little finger ache for such as these?"  

"But I would die," said she.
                                                                          
He laughed, and swore by Peter and by Paul: Then filliped at the diamond in her ear;  "O, ay, ay, ay, you talk!"

"Alas!" she said, "But prove me what it is I would not do."        

And from a heart as rough as Esau’s hand, he answered, "Ride you naked through the town, and I repeal it;” and nodding, as in scorn, he parted, with great strides among his dogs..."
    
Lady Godiva by Edmund Blair Leighton. Source - Wiki Commons
The legend of Godiva's naked ride through the streets of Coventry in response to her husband's dare stirred Alfred, Lord Tennyson to write his poem Godiva in 1840, more than  six centuries after the story first became popular. Thanks to Roger of Wendover, a 13th century monk of St. Albans Abbey, this is the most commonly held view of Godiva, inspiring books, films, statues and paintings:


Lady Godiva by John Collier. Source - Wiki Commons
Is the account of Godiva in Roger of Wendover's Flowers of History true? To unravel the mystery, consider her origins. Godiva is a Latin form of the Anglo-Saxon name Godgifu, meaning God's gift. In the early eleventh century, Godiva married Earl Leofric of Mercia, one of the most powerful men in medieval England and a supporter of King Cnut. Earl Leofric and Countess Godiva became the patrons of several Benedictine monasteries throughout England. They first endowed a priory at Coventry. A settlement had grown up around the religious house and when Leofric died in the years before the Norman Conquest, he was buried on the priory land. During his lifetime, the couple were also benefactors at the monasteries of St. John's and St. Werburg's in Chester, at Leominster and Much Wenlock, and in Worcester and Evensham. Leofric's widow survived him by several years, continuing the good works she and Leofric started. The Domesday Book indicates the lands Godiva once held in her own right after her husband's death.

Statue of Godiva in Coventry. Source - Fotolia
By the time of the Domesday Book, 69 families lived in Coventry, best described as a hamlet. The famous ride would have taken place at least forty years earlier. Yet, writers of the period do not mention the event. Even the Anglo-Saxon Chronicle, which recorded English history, does not include it. It's unlikely chroniclers of the time would have ignored the naked display of a high-ranking Christian noblewoman, a countess of England and wife of one of its most powerful earls, noted for her beauty and piety. Earl Leofric might have had something to say before it happened too, though perhaps nothing so humorous as:


Part of the legend states that Godiva was able to ride through Coventry, long hair strategically covering parts of her body, after a proclamation ordered everyone to stay indoors. It's given rise to another aspect of the story, Peeping Tom. Supposedly, no one in Coventry defied the proclamation except a tailor, forever after known as Peeping Tom, who witnessed Godiva's nakedness and instantly became blind. The idea of Peeping Tom became popular in the 17th century, as part of the growing myth embellished by successive generations. 

Sources: Historic Coventry, The Anglo-Saxon Chronicle, The Blackwell Encyclopaedia of Anglo-Saxon England and The Domesday Book Online.

Lisa J. Yarde writes fiction set in the medieval period. She is the author of historical novels set in medieval England and Normandy, The Burning Candle, based on the life of Isabel de Vermandois, and On Falcon's Wings, chronicling the star-crossed romance between Norman and Saxon lovers. Lisa has also written Sultana and Sultana’s Legacy, novels set during a turbulent period of thirteenth century Spain,where rivalries and ambitions threaten the fragile bonds between members of a powerful family.