Showing posts with label HerStory. Show all posts
Showing posts with label HerStory. Show all posts

31 March 2017

Herstory: Brittany and the Vendée – Secrets and Horrors of the French Revolution

By Laura Rahme


Drownings of Nantes in 1793, Joseph Aubert (1882)


“We must exterminate all men who have taken arms against the Republic 
and strike down their fathers, their wives, their sisters and their children. 
The Vendée must become a national cemetery.” 
      – General Turreau

The French Revolution is generally accepted as covering the period 1789 to 1799, ending with Napoleon’s coup d’état and the dissolution of the Directory. Prior to the formation of the Directory government, France was ruled by the National Convention, headed by Robespierre. This period, aptly known as the Terror, lasted from September 1793 to July 1794. 

For Western France, in the region of the Vendée, the Terror was accompanied by bloody and religious civil war, including a period of mass killings that some French historians have recently come to denounce as a genocide, and which led to the decimation of a third of the inhabitants in the Vendée. 

In the Western town of Nantes, the representative of the National Convention, Jean-Baptiste Carrier, was responsible for atrocities and massacres that defy imagination. 

In my latest novel, Julien’s Terror (July 2017), I was interested in portraying a female perspective for this turbulent period.






Origins of the Conflict


It is a misconception that aside from aristocrats and nobles, all French people were in favor of the beheading of their king and queen. 

The inhabitants of Brittany and of the newly named region of Vendée (comprising parts of Brittany, Poitou and Anjou regions) were never in favor of the guillotining of their king, Louis XVI, on 21 January 1793. They were staunch royalists and deeply Catholic. The execution of King Louis was not well received. 

To compound the people’s outrage, the new Republic had not only nationalized church property, but it also outlawed all priests who refused to forsake their oath on the Holy Bible.  According to these new laws, priests now had to swear upon the Constitution. Those who resisted were labelled ‘refractory’ and banished from preaching. There were persecutions involving both priests and nuns. In worst cases, such priests were hunted to death or murdered en masse, as happened in Nantes in December 1793, when hundreds of refractory priests were tied up, locked into a barge and drowned in the Loire River. 

Already unsettled, the Vendée peasants rose in arms against the Republic when in February 1793, the National Convention made a call for the conscription of 300000 unmarried men, from the age of 18 to 40 years. 

The people of the Vendée had already witnessed great injustices toward their beloved priests, whom they hid, but this new conscription law was the tipping point because it would have left thousands of peasants unable to fend for their families. Meanwhile they would be forced to enlist in support of a Republic they had come to see as tyrannical.

Determine to oppose the Republic, these men, often illiterate and attached to their land, elected nobles and landlords—local men whom they held in high esteem—to lead and train them in battle. The Great Vendéan Army was born. 

Initially this Great Army won many victories against the soldiers of the Republic but later from December 1793, its luck began to turn: from January to July 1794, Paris sent a giant army to sweep across the Vendée. Its orders were clear—annihilation with no quarters. 


The Infernal Columns


Children, women, the aged, even the sick and farm livestock were not spared from massacres. The Republican army practiced scorched-earth and sought to obey decrees from Paris aimed at starving or exterminating the population. 

The army possessed twenty columns, led by several Republican generals, some like those commanded by General Grignon, were crueller than others. These columns became known as the ‘infernal columns’ for the very hell they spawned. 



The living defend their dead. War of the Vendée. 
Georges Clairin, 19th century


The words pronounced by General François Joseph Westermann are powerful illustrations of the atrocities that followed: 

“There is no more Vendée. I have trampled the children to death with our horses, I have massacred the women, and they are no longer able to give birth to any brigands. I am not guilty of taking a single prisoner, I have exterminated them all… The roads are covered with corpses. There are so many of them at several places they form pyramids. The firing squads work incessantly… Brigands arrive who pretend that they will surrender as prisoners… but we are not taking any. One would be forced to feed them with the bread of liberty, but compassion is not a revolutionary virtue.” 


Her story


In Julien’s Terror, my desire was to convey what might have been the experience of a young girl in these violent times. The journey begins when she is a spoilt child, daughter a well-to-do merchant, living on the prestigious Île Feydeau in the middle of Nantes, and it ends just after the Terror, when she is a spirited but destitute orphan. What she sees and lives in-between, and the aftermath of her horrendous psychological journey provide both drama and mystery, but more importantly, it casts a light on the hardships faced by many French women in this period.

My female character is barely nine when she loses her parents to Carrier’s butchery. She is reunited with relatives in war-torn Vendée, staying with them first in Montaigu, La Guyonnière and then later in Les Epesses—all communes that were swept by the infernal columns.


The Underground and the Hidden Places of the Vendée


Less well-known about the conflict in Western France is how much the peasants’ knowledge of their natural surroundings supplied them with advantages for surviving the Republican army. Like the Viet Cong of Vietnam, the people of Brittany and Vendée crawled in secret undergrounds. They also waged a guerrilla war long before the word ‘guerilla’ officially surfaced, when Napoleonic French troops encountered fierce resistance in Spain.

As François Pagès describes in Secret History of the French revolution—the soldiers of the Catholic royalist army ceaselessly disappeared and then re-appeared to fight. The underground, the woods, the stones and the marshes in the West would conceal and then suddenly release hordes of former valets, brigands, priests, ex-nobles, and peasants. They were everywhere and yet they remained unseen. 

In his last novel, Quatre-Vingt Treize, Victor Hugo wrote of his father’s experience in the war against Breton royalists. He too mentions the forests that sheltered thousands of peasants in Brittany: 

“The peasant had two points on which he leaned: the field which nourished him, the wood which concealed him.”

“There were wells, round and narrow, masked by coverings of stones and branches, the interior at first vertical, then horizontal, spreading out underground like funnels, and ending in dark chambers. [ ] The caves of Egypt held dead men, the caves of Brittany were filled with the living.”


“The subsoil of every forest was a sort of mad repose, pierced and traversed in all directions by a secret highway of minds, cells, and galleries. Each one of these blind cells could shelter five or six men.”


In Les Epesses, my female character follows her great-uncle, a giant Breton man who walks everywhere with his large wooden staff, and seems to know all the secrets of the underground. He hides his family in an underground cavern where they remain for months. 

As the infernal columns advance in the Vendée countryside, my character witnesses horrors beyond her years. Later she will hide in the secret Gralas forest, south of Nantes, and meet one of the most courageous men to lead the Vendée rebellion – General François Athanase de Charette de la Contrie (Charette). In Gralas, she will also discover the strong, independent women who fought to death alongside Charette, and one of these women will change her life forever.


"Liberty, Equality, Fraternity or Death" 
- the original motto of the French Republic



Further Reading:

1. Histoire secrète de la Révolution française depuis la convocation des notables jusqu' a la 
prise de l'ile de Malthe..., François Pagès, 1798.
2. Quatrevingt-treize, Victor Hugo, 1874.
3. Souterrains de Vendée, Laurent et Jérôme Triolet, Editions Ouest-France, 2013.
4. Colonnes Infernales - Wikipedia 
5. A French Genocide: The Vendée, Reynald Secher, University of Notre Dame Press, 2003.


______________________________________


Laura Rahme is an Australian-French writer based in Sydney. She was born in Dakar, Senegal where she spent her early childhood. Her first novel, THE MING STORYTELLERS (2012), is a historical saga set in China's Early Ming Dynasty. THE MASCHERARI (2014), is a historical mystery with supernatural themes set in late medieval Venice. Her third novel, JULIEN'S TERROR (July 2017) is set during and after the French Revolution and pays homage to her Breton roots.


27 March 2017

Herstory: Isabella of Castile - the queen at war



...For me, Isabella of Castile will always remain a cruel villain. She couched the quest for Spain’s trade domination across the Mediterranean Sea and control of the kingdom of Granada’s gold supply from Africa as a religious crusade. She ensured the aid of the Catholic Church for her dynastic aims and brought about the ruin of Moorish Granada; ultimately, the end of Muslim Spain.

Civil war among the Moors allowed Isabella to take advantage of an already worsening situation. Through guile and ruthless calculation, she exploited the divisions between the last Nasrid rulers Abu’l-Hasan Ali, his brother Muhammad al-Zaghal and their rival Muhammad, respectively a son and nephew to both men.

Within a few years of Muhammad’s departure from his homeland, she had violated each of the terms offered on behalf of his people in the Capitulations of 1491, specifically the stipulation allowing the Moors to “…live in their own religion,” and “…not permit that their mosques be taken from them….” She unleashed the Inquisition on conquered southern Spain and bore responsibility for thousands of fiery deaths among innocents of the Muslim, Jewish and even Christian faiths. - From the author's note of Sultana: The White Mountains.
Isabella's portrait - a picture taken while
visiting Segovia Castle
Historians have often portrayed the Catholic monarch Isabella, the queen at war as a shining example of female courage in the struggle between Moors and Christians from 1482 to 1492. The sight of her on the edge of a battlefield or at a lengthy siege could boost morale and lead to victory. Against all odds, including difficult terrain and a determined enemy who could strike hard and fast against the Spanish Christians before disappearing through the mountain passes, Isabella and her husband secured the official surrender of Moorish Spain on January 2, 1492.  

Isabella may have never anticipated a future as queen of Castile. In the line of succession, two elder brothers Enrique and Alfonso preceded her. She might not have imagined a union with Ferdinand of Aragon or how their marriage would lay the groundwork for a future Spanish dynasty. Like her ancestors, she could have idled and watched the Moors of southern Spain destroy each other in foolish civil war. Instead, she pursued a ten-year campaign against them and sought the hegemony of Spain under Christian rule.

The campaign against the Moors didn't begin at the direction of Isabella or her husband. For centuries beforehand, Isabella's ancestors had struggled against the kingdom of Granada, which encompassed most of modern-day Andalusia, in a series of intermittent border raids and sieges. When they were not fighting. the Castilian sovereigns accepted payments of tribute from the Moorish rulers, whom they considered their vassals. It's clear the Moors did not always accept this subordinate role because several Sultans refused to submit the gold coins. Last among them was Abu'l-Hasan Ali, known among the Spanish as Muley Hacén. 

His soldiers seized the city of Zahara in December 1481, provoking the response of Rodrigo Ponce de León, Marqués of Cádiz, who then attacked and claimed Alhama. Isabella and the Marqués did not always enjoy good relations; at the death of her elder brother Enrique, Rodrigo Ponce de León first supported the rival claim of the princess Juana, Enrique's daughter and Isabella's niece. The propaganda of Isabella's supporters made the supposed heir of Castile the illegitimate child of another man. Juana eventually resigned herself to a convent. Although Isabella and Ferdinand had not ordered the reprisal at Alhama, they planned to use it as a base for future conquests. Ferdinand came south to attack Loja, but the forces of Abu'l-Hasan Ali turned his quest into a resounding defeat. 

What happened to the momentum after the victory at Alhama? At Loja, Isabella's husband became aware of the difficulties their campaign would face in every Moorish territory. The cities of Andalusia were not only defended by stout walls and cannon, but the terrain itself made the movement of massive armies and siege weapons a struggle. Men and artillery required money the monarchs did not have. So, the king and queen sent a delegation to the Pope Sixtus IV seeking a papal bull. 

The words, "We have not been moved to this war by any desire to enlarge our realms...but our desire to serve God, and our zeal for His Holy Catholic faith, made us put all other interests aside...." had the intended effect and the Pope granted the bull. It turned centuries-long warfare between the kingdoms into a religious crusade. The indulgences the Church gave to those who fought against the Moors, including absolution for any violence committed, bolstered the numbers in the army and brought the funds the king and queen required. To secure future victories and avoid the embarrassment at Loja, they employed the services of Francisco Ramírez de Madrid, Master of Artillery.

Internal divisions within Granada also buoyed their efforts. Abu'l-Hasan Ali's eldest son Muhammad then claimed the throne in the summer of 1482, relegating his father to the area around Malaga, which was then the governorship of Muhammad Al-Zaghal, brother of Abu'l-Hasan Ali. During April 1483 in an attempt to raid the Castilian border, the new Sultan fell into the hands of Isabella and Ferdinand. They gave him an ultimatum; he would gain release if he fought against his father and turned his toddler son and younger brother over as hostages. In the interim, the Castilian forces kept up the attacks on Abu'l-Hasan Ali. They also built up the Castilian navy's presence in the Mediterranean Sea and interrupted the centuries-long supply of Muslim troops from Morocco in defense of Granada, as well as gold from the mines of Africa.

Isabella and Ferdinand released the young Sultan in exchange for his son, whom they kept at their court until 1492. Then they began the campaign in earnest with the siege weapons the master of artillery had developed. Faced with merciless bombardment under heavy mortar and cannon, city after city fell into their hands. Ronda surrendered in 1485, as did Marbella. Then Malaga in 1487, Vera in 1488, Guadix, Almeria and Baza in 1489, and finally Granada in 1492. At almost every siege, which sometimes occurred during Isabella's numerous pregnancies, she joined her husband, even with their children as at Los Ojos de Huescar where an eight-month siege culminated in June 1491.

The Capitulations, Pradilla - from Wiki Commons
Despite the ravages of the campaign and the abandonment of the treaty terms between the Catholic monarchs and the last Muslim ruler of Spain, Isabella is largely responsible for the preservation of the fragile beauty of Muhammad’s Alhambra palace as we see it today. She lies buried at Granada, the city she claimed through determined efforts, accomplishing in ten years what none of her ancestors had done in centuries past.

--Images are mine or derived from Wiki Commons. Sources include:

Ferdinand and Isabella – Profiles in Power by John Edwards (Routledge – 2013), Granada 1492: The twilight of Moorish Spain by David Nicolle, illustrated by Angus McBride (Osprey Publishing -1998), Isabel the Queen: Life and Times by Peggy K. Liss (University of Pennsylvania Press – 2004) and The Military Orders and the War of Granada (1350-1492) by Enrique Rodríguez-Picavea, Mediterranean Studies, Vol. 19 (2010), pp. 14-42 http://www.jstor.org/stable/41167026 (published by Penn State University Press - 2010)

** An Excerpt from Sultana: The White Mountains**

Chapter 25

Losses
Sultana Moraima

Gharnatah, Al-Andalus or Granada, Andalusia
15 Ramadan 896 AH / Friday, July 22, AD 1491


“Welcome to Santa Fe.”


Moraima and Aisha whirled as the queen of Castilla-León entered the enormous tent from some adjoining quarter concealed behind a gap in the diamond-patterned fabric. She had not arrived alone, without protections. Plate armor contrasted with vibrant green silk, trimmed in black lace and shimmery pearls. So much fabric, for the sovereign had thickened since they last saw her at the bridge over the Guadalquivir River. The white material atop her head evoked the odd combination of a Moorish veil and a Jewish skullcap, except for two flaps draped on either side of her sallow, puffy cheeks.


The burly officer Gonzalo Fernández de Córdoba followed his queen. The one who had aided Muhammad against his uncle and concealed his awareness of the Berber tongues. Moraima shuddered at the memory of his cruel touch. Muhammad should have known the truth. As his beloved, she could have exposed the Castillan.


His mistress strolled to the twin thrones at the opposite end of the tent and sat. Although other chairs lined the space, she offered no comfort. Córdoba joined her, hovering at her right. His palm rested atop the pommel of the sword girded at his stout waist. His black gaze, like the portent of a terrible storm, roved over Moraima and Aisha. Did he recall the threat once brandished against them? Would he kill them now if given another chance?


Aisha matched his fury. “This region is called Atqa! Still a part of the kingdom of Granada.”


Queen Isabella settled back against the plush cushion behind her. “I have claimed this territory for the kingdom of Castilla-León. You should be accustomed to the conquests of my husband by now, Sultana.”


“I'm aware of his actions, la reina. The enslavement of Moors. The brutal deaths of renegados who had embraced the true faith, burnt as apostates by your inquisitors. You Trastámaras have a long history of violence and theft. You’ve always murdered and stolen for your gains. Even for a crown.”


As the Christian monarch stiffened, Moraima cautioned her mother-in-law with a tug of her long sleeve. “Ummi, please! We didn’t come to argue but to recover my son. You promised me before we arrived. Ahmad must be the focus of our negotiations. If you love your grandson….”


“You do not have to ask. Forgive me, dear daughter.” Aisha leaned closer. “Ours is an ancient hatred. Nasrids have despised the Trastámaras and their descendants since their murder of the legitimate king of Castilla-León, Pedro, half-brother of the Conde de Trastámara, Enrique. My noble ancestor Muhammad al-Ghani bi-llah, may Allah sustain his memory, shared a strong bond with Pedro. Then the Conde Enrique killed his brother like a coward and ushered in a new dynasty bent upon our annihilation. This queen of war descends from such evil. But she forgets who we are. Nasrids. Our memories are long. Our vengeance is unyielding. Although more than a century has passed, we have never forgotten our allies. We also do not forgive enemies, theirs or ours.”




Lisa J. Yarde writes fiction inspired by the Middle Ages in Europe. She is the author of two historical novels set in medieval England and Normandy, The Burning Candle, based on the life of one of the first countesses of Leicester and Surrey, Isabel de Vermandois, and On Falcon's Wings, chronicling the star-crossed romance between Norman and Saxon lovers before the Battle of Hastings. Lisa has also completed a six-part series set in Moorish Spain, Sultana, Sultana’s Legacy, Sultana: Two SistersSultana: The Bride Price, Sultana: The Pomegranate Tree, and Sultana: The White Mountains, where rivalries and ambitions threaten the fragile bonds between members of a powerful family. Her short story, The Legend Rises, which chronicles the Welsh princess Gwenllian of Gwynedd’s valiant fight against English invaders, is also available.

24 March 2017

Herstory: Beyond Baby-Making - The Role of Carolingian Queens


Although seldom mentioned in annals, queens in Carolingian era (eighth and ninth century Francia) had a much more important role than a casual 21st-century observer might think.


If the king did not already have heirs, the queen’s primary role was to produce healthy sons to inherit the realm, and some kings tried to divorce wives unable to bear children. My main characters’ inability to conceive becomes a point of contention in my first novel, The Cross and the Dragon(Paradoxically, a Carolingian king would not want too many sons born in wedlock because each one of them would expect kingdom when his father died, and the realm would not pass to the next generation intact.)

Yet a queen’s responsibilities went beyond baby-making, and if the question of heirs was already settled, she could have tremendous influence.

The ninth-century treatise The Government of the Palace says the queen’s role is “to release the king from all domestic and palace cares, leaving him free to turn his mind to the state of his realm.”

This does not mean the queen is relegated to the role of housewife. In the Middle Ages, the personal and political were intertwined. The queen was the guardian of the treasury, and she controlled access to her husband. The courtier and scholar Alcuin wrote to the queen to find out where Charlemagne was spending the winter.

When houseguests were foreign dignitaries, royal hospitality was key to international relations. Hospitality was more than just showing good manners. Frankish royalty would want their guests to report to their own rulers that the palace was beautiful and sturdy, the baths were hot, the table was laden, the host well dressed, and the guards and servants well cared for. All signs of power, important to project even to one’s own allies whose support could shift.

Of course, this time period was hardly ideal for women. Girls as young as 12 or 13 were considered marriageable and their families chose their husbands. Among aristocrats, marriage was most often for political reasons. Canon law gave women the right to consent to a marriage at age 15 or 16, but that could be beaten or starved out of them.

However, the reason for Women’s History Month and for posts like these is that too often women are portrayed only as victims and not as full human beings who could influence events around them and contribute to their societies. Carolingian queens certainly did both.

Illustrations are from Costumes of All Nations (1882).

Sources

Women at the Court of Charlemagne, Janet Nelson

Daily Life in the World of Charlemagne, Pierre Riché (translated by Jo Ann McNamara)

**An Excerpt from The Ashes of Heaven's Pillar**

"What are the furs the girl is holding?" Hildegard asked.

"Rabbit, my queen."

"Child, bring them to me. Oh, she holds them up without being asked. She is a good servant, Ragenard, and will fetch a good price should you want to sell her."

Sunwynn stood rigid and trembling. Leova swayed and steadied herself. She turned and fixed her gazed on Ragenard's face. For a moment, they locked eyes.

"Thank you, my lady queen," he said, "the girl is a good servant, and if you run your hand over the rabbit furs she is holding, you will find they are of the finest quality."

Fury rose from Leova's gorge, causing her hands to shake under the furs. Her child could be lost to her because of a Frank's whim!

Stroking the rabbit furs, Hildegard gazed at her husband across the room, smiled, and nodded as if to herself. "I want the rabbit furs, some leather, and the bolts of linen and wool. I'll pay two hundred dernier."

"My lady queen, they are worth more than that. Let the linen flow between your fingers; feel the fine texture of the wool. They are worth two hundred fifty dernier."

"I must be a good wife and spend my husband's treasure wisely. Two hundred twenty-five."

"You are a good wife and a good queen. Two hundred twenty-five it is." He bowed.

Relief washed through Leova. She barely noticed the clerk scribbling on the wax tablet. Sunwynn would stay with her—for now.


 Kim Rendfeld is the author of two novels set in 8th century Francia: The Cross and the Dragon, a tale of love set amid wars and blood feuds, and The Ashes of Heaven’s Pillar, about a peasant going to great lengths to protect her children. Her work in progress, Queen of the Darkest Hour, features Fastrada, Charlemagne’s influential fourth wife. Connect with Kim on her website (kimrendfeld.com), her blog (kimrendfeld.wordpress.com), Facebook (facebook.com/authorkimrendfeld), and Twitter (@kimrendfeld).


22 March 2017

Herstory: An Ancient Cold War Resolved by a Marriage

By Judith Starkston

Toward the end of the Late Bronze Age, in the decade after their colossal confrontation at Kadesh in
Ramses II,  Temple at Abu Simbel
1274 BCE, the two major world powers, Egypt and the Hittite Empire, eyed each other with hostility. Rather like the U.S. and Russia during the Cold War, neither could afford to restart open warfare, but the treaty they had signed formed an uneasy peace.

(If you are caught by surprise at the mention of the Hittites as a major world power at any period, you are merely a victim of what we might call the Forgotten Empire Syndrome. The Hittites got buried and lost to memory until not so long ago when modern archaeology dug them up.)

Rock carving of Queen Puduhepa (far right) making an offering
Into this diplomatic breach stepped Great Queen Puduhepa, the indomitable leader of the Hittites, who frequently took state and judicial affairs into her own hands on behalf of her husband Great King Hattusili III. Theirs was a genuine partnership of equals. Hittite law and custom allowed queens plenty of latitude but few took every inch of that power the way Puduhepa did. She reigned until she was at least 80 and probably started before she passed 20. An impressive run, with many impressive accomplishments.

We often think of the power of women through much of history as arising from their use as brides to kings, sealers of bonds between two dominant men. This reeks more than a bit of chattel. Certainly it isn’t the role we most admire and celebrate when we study women’s history.

But in Puduhepa’s case we get the bizarre mixture of a powerful woman using a lot of mostly anonymous young women as guarantors of her country’s peace and power. She arranged politically adept marriages for her husband’s many daughters and sons, both sending out Hattusili’s girls and bringing in foreign potentates’ daughters for his sons. (Only some of these children were literally Puduhepa’s. Concubines were the norm, but only for the royal family. Before Puduhepa arrived in the palace, there was already a good stock of future political brides and loyal generals. The loins of the king were the supplier of the state department staff and military leadership, so to speak…)

Of all the marriages Puduhepa arranged, the most complicated and tricky was between Pharaoh Ramses II and one of Puduhepa’s own daughters. She had to negotiate for months—years—the appropriate size of dowry, the travel arrangements, the status once of this wife within Pharaoh’s court, and most challenging, she had to first convince Pharaoh that he wanted a new wife.

This marriage was the crowning achievement of her peacemaking. The Hittite Empire needed this surety that Pharaoh would not back Hattusili’s challengers far more than Pharaoh needed anything from the Hittites. Hattusili and Puduhepa had usurped the throne from a secondary son of a concubine who as near as history can tell us was singularly untalented at ruling judiciously. They may have been right to take the throne, but that didn’t eliminate all the challenges of establishing a legitimate claim. Marriage with Pharaoh settled the question.

Rameses smiting the Hittites
A really BIG Pharaoh
in Egyptian iconography
Puduhepa’s other difficulty in making this peace-sealing marriage happen lay in Ramses’s personality. He shows clear signs of an ego even bigger than the one of a certain recently elected U.S. president. Not an easy guy to talk into doing something that might imply that he is equal to, not greater than, his least favorite “Brother” king. (If you were important enough, you got to address your fellow king as brother. Most kings didn’t qualify.)

In defense of Puduhepa’s chattel-like use of her daughter, other than that it was the norm and the best expected outcome for said daughter, the queen took extreme precautions to assure her daughter’s status as Ramses’ “first wife.” He was an old man with a large harem and women tended to disappear into oblivion at his court. They probably led comfortable lives, but who knew for sure? None of the ambassadors Puduhepa sent could reassure her on this point. The Babylonian princess had been denied access to her family’s messengers once the marriage was consummated. Sadly, Ramses went back on his promise to keep this newest wife as the top lady. But Puduhepa tried. If he hadn’t lied, she’d have won that one, too. Along with world peace and economic well being for her country. Not too bad with one marriage deal.

Here are some trimmed excerpts from her most famous letter to Ramses, giving him a hard time
A cuneiform letter similar to Puduhepa's
next to its clay envelope
Istanbul Archaeological Museum
about his complaints. He has accused her of stalling, but she points out putting a dowry together is tricky because the king before Hattusili (whom Hattusili usurped and who is now living in exile with Ramses) stole most of the state treasury (or something like that, the words aren’t totally clear, as is true with pretty much every word in every Hittite document for reasons I won’t go into, but that are fascinating.)

After her dig about the missing treasury, which she tells Ramses to ask his pal the ex-king about, she carries on with some salesmanship:
“To whom shall I compare the daughter of heaven and earth whom I will give to my brother: Should I compare her to the daughter of Babylonia, of Zulabi, or of Assyria? [absolutely not, she’s way better]

[Then back to the dowry quarrels, Ramses wants a lot] Does my brother have nothing at all? Only if the Son of the Sun God, The Son of the Storm God, and the Sea have nothing, do you have nothing! Yet, my brother, you want to enrich yourself at my expense! It (i.e., such behavior) is unworthy of name and lordly status.”

A later bit of salesmanship about the daughter Puduhepa has chosen for Ramses comes in this sentence: “And may the gods likewise endow the daughter whom I will give to my brother with the Queen’s experience and capacity for nurture.”


As she hints in the letter, Puduhepa counted as one of her greatest accomplishments her mothering and loving raising of her children and, quite inclusively, Hattusili’s children by his concubines. Sometimes that poses challenges for the modern mind to get around—just what was this equal partnership really like?

About the author

Judith Starkston is the author of Hand of Fire: A Novel of Briseis and the Trojan War

Her website is a great place to subscribe to if you enjoy engaging windows into ancient history and archaeology. You can follow her on Facebook and Twitter

07 March 2017

Herstory: Writing from the female gaze

Boadicea, John Opie 1807 (Public domain)
History is full of remarkable women:
  • Boudica, queen of the British Iceni tribe who led an uprising against the occupying forces of the Roman Empire
  • Livia, whose background, strength of will and character made her the perfect partner for Augustus the first Roman emperor
  • Violette Szabo, Resistance operative in German occupied France a true story immortalised in Carve her Name with Pride – courageous, understated, self-sacrificing
  • Elizabeth I, who refused every marriage alliance as she declared herself married to her kingdom and ‘makes herself feared by Spain, by France, by the Empire, by all.’ (Pope Sixtus V).
  • Mary Wollstoncraft who against all convention called for the equality of men and women in A Vindication of the Rights of Woman
But these women shouldn’t be called remarkable; they should be noted as exceptional human beings, their gender ignored. But without doubt, they had to be tough, persistent and gifted. But for the average woman, her actions were often jotted down as a footnote, noted as unimportant or even omitted from the historical record by official sources. Their lives, the information that has come down to us, and much of the interpretation of them and their times has been through the eyes and work of mostly male historians. This has changed in recent years and is still changing as old sources are re-interpreted, new information is discovered and new, more ‘herstory’ approaches are used.

So how do you write a strong historical heroine today?
Readers need to see where a heroine came from, what turned her from an ordinary girl into the book’s heroine. Often she passes through a formative traumatic event but writers need to give hints about resilience, integrity and an ability to develop confidence as well as physical abilities. Undoubtedly, a strong female character has to have an equally strong will and a passion to drive through what she believes in.

In my first alternate history thriller, INCEPTIO, Carina starts off as an office worker, but we see from the first page that she’s prepared to stand her ground against people doing wrong. Within the first chapters we know she goes to the gym, we’re with her when she jogs in the park; she’s outdoorsy and sporty. Her disrupted childhood with a barren and loveless adolescence has made her learn to protect herself emotionally, and question everything. She demonstrates signs of mental and physical toughness and resilience, even when living in a ‘normal’ existence, to the level of not feeling completely at ease in her own skin. So when she becomes an undercover operative in a tough Roman society, she already has many of the latent characteristics required.

Beware of bunny rabbits and kittens…
The second challenge is not falling into the trap of making a strong character have moments of unbelievable weakness. Doubt, a temper, love for music, joking with other characters, buying gifts for friends round out a character, but writers must not go too far into fluffy-bunny-land and over-compensate for the toughness. That risks slotting her back into the ‘caring soft female’ stereotype.

Under pressure, a strong heroine often feels aggressive towards people who wish to hurt her family, friends or peers, but it’s her way of showing she cares. Other times she finds everything too much and we see tears and fears. But a habit of picking herself up and facing up to what has to be done is often not depicted as a normal female attribute in stories.

Courage doesn’t come from ‘boldly going’, but from ‘boldly going’ when you are half scared to death and not at all sure you’re going to get out of the situation without being injured or killed.

The Bechdel test
Now, the cliché of tough male hero leading the action and loyal, supportive heroine tagging along or carrying out secondary tasks is being challenged, albeit slowly. The Bechdel test, developed further since its origin in 1985, asks whether a work of fiction features at least two named women who talk to each other about something other than a man. Although there are excellent examples such as Elizabeth Chadwick’s Lady of the English, many contemporary works fail this basic test of gender bias.

So in an age still stumbling towards equality, it’s a good test to apply to one’s own writing and reading. Are the women instrumental in pushing the story forward? Do they make decisions at the critical points in a novel? But historical writing should always be in context; societal dynamics of history cannot be altered by parachuting in a 21st century feisty young miss against the norms of the period and locality even when writing in subgenres such as historical fantasy or alternative history.

Writing then and now
Writers write in the context of their own societal mores; we can’t help it, that’s what we are immersed
Livia Drusilla (Author photo)
in from babyhood. I remember the rather twee Ladybird history books of the 1960s; by today’s standards condescending, sexist and paternalistic, but at the time perfectly normal. Writing the same children’s history books now a historian would, I hope, take a startlingly different point of view. Today we still can’t have feisty Roman empresses ruling openly, but we can explore the sources containing information about them and their influences with a more open mind-set. Berenice, the queen of Judea and Livia Drusilla, the wife of Augustus, would be splendid examples of women of power to investigate.

In our modern historic fiction, we can transfer this openness into our stories and make connections between women characters unknown from the sources. Women acting together can become agents in the plot rather than the token ‘love interest’ or mother/daughter/sister of the male protagonist.

An egalitarian example
In my alternate history thrillers, I’ve taken this much further and developed a society descended from fourth century Roman dissidents where women rule, but men are not disadvantaged. You can read the whole story here, but Roma Nova’s first few hundred years were unstable and dangerous so daughters as well as sons had to put on armour and carry weapons to defend their homeland and their way of life. Fighting danger side-by-side with brothers and fathers reinforced women’s status and roles. And they never allowed the incursion of monotheistic paternalistic religions. So it’s reasonably logical that in this context women developed leadership roles in all parts of Roma Novan life over the following centuries.

In the present day, my female protagonist’s story in INCEPTIO begins in a standard Western society. When she is compelled to flee to her dead mother’s homeland in Europe, Roma Nova, she finds the Roman-infused culture unnerving, but in a strange way liberating. Other strong female characters surround her; her grandmother, cousin, female colleagues and friends all drive the action. The ‘love interest’ is male and an integral part of the story, unlike many female love interests in standard historical thrillers. And I pursue this female hero/male love interest through the second trilogy starting in the 1960s.

Holding an alternate historical mirror up to the standard timeline produces very interesting reflections. As I write, I try to ensure that my heroine and other ‘active women’ are driving the story, but sometimes when I read through what I’ve written I see I may have fallen into the cliché hero/heroine placements.  I then switch the gender of the speakers in the dialogue and/or the actors in the scene. I give this the rather grand name of ‘gender mirroring’; this technique clarifies the roles wonderfully.

The natural view of women’s and men’s status and roles in my imaginary Roma Nova is not oriented around how people see things in most of the rest of the world – the often unconscious ‘male gaze’. In Roma Nova, men are not disadvantaged – they are just equal. Not only does this make throw up delicious conflict when my characters interact with nationals from other countries, it piques the reader’s interest and starts them thinking about the gender roles in our real timeline. Of course, it’s an optimistic view, but as we see in Roma Nova, perfectly possible.

And historical fiction now?
When we read older historical fiction, it can seem very outdated in its gender attitudes, even our very favourite titles from childhood and early adulthood. Today, fiction explores a wider variety of possibilities and points of view. With writers like Philippa Gregory, Elizabeth Chadwick, Diana Gabaldon and Tracy Chevalier (and the writers contributing to this blog!) we see women portrayed as agents and influencers and their impact on lives and events in the past.

Making women as present as men in historical events and stories should be the norm whether the writer is female or male. But even now, the idea of women writing fiction in niche historical fiction areas or areas that have been seen as traditionally male still persists.  Last year a prominent book programme presenter stated on air that there were no women writing alternative history fiction. She was quickly disabused as was the featured academic. After we discussed it, my writing friend Shannon Selin blogged about it in no uncertain terms.

While it isn’t possible for every female historical protagonist to be a tough heroine, writers are bringing forward more positive and active representations of women as courageous, decision-making and resilient. And stories of known events, but from a female point of view, the "female gaze", are filling the real and virtual bookshelves.

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Alison's latest Roma Nova thriller
‘The second fall of Rome?’
Aurelia Mitela, ex-Praetorian and imperial councillor in early 1980s Roma Nova, scoffs at her intelligence chief when he throws a red file on her desk. But it may be too late to save Roma Nova from meltdown and herself from destruction by her lifelong enemy.…

Early 1980s Roma Nova, the last province of the Roman Empire that has survived into the twentieth century, has problems – a ruler frightened of governing, a centuries-old bureaucracy creaking for reform and, worst of all, a rising nationalist movement with a charismatic leader who wants to destroy Aurelia.

Horrified when her daughter is brutally attacked in a demonstration turned riot, Aurelia tries to rally resistance to the growing fear and instability. But it may already be too late to save Roma Nova from meltdown and herself from entrapment and destruction by her lifelong enemy.…

Available as
- eBook from Amazon,  iBooks,  Kobo,  B&N Nook
- paperback, author signed paperback and from other retailers



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Alison Morton is the author of the acclaimed Roma Nova thrillers INCEPTIO, PERFIDITAS, SUCCESSIO, AURELIA and INSURRECTIO.

Connect with Alison on her Roma Nova site: http://alison-morton.com
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Twitter https://twitter.com/alison_morton @alison-morton
Goodreads  https://www.goodreads.com/author/show/5783095.Alison_Morton