Showing posts with label Moorish Spain. Show all posts
Showing posts with label Moorish Spain. Show all posts

05 May 2017

Mad Mothers: Sultana Aisha of Moorish Granada

By Lisa J. Yarde

On January 2, 1492, when the Moors of Granada under Sultan Muhammad XI (commonly known as Boabdil) left their home of two centuries past at Alhambra Palace, legend has it that the monarch's mother Aisha upbraided him. "Do not weep like a woman for what you could not defend as a man." The place where this chastisement supposedly occurred in the Sierra Nevada mountains is called Puerto del Suspiro del Moro, the Pass of the Moor's Sigh.

El ultimo suspiro del Moro by Francisco Pradilla y Ortiz (1892) - Public domain

Over twenty years of research into Granada's last Muslim dynasty has revealed how much unreliable myth and anecdote tainted the available history. As with many personal interactions of the past, it's difficult to prove the event did nor did not occur. Of those who traveled with Muhammad and his mother into eventual exile in Fez, none included any chroniclers from the court of the Catholic monarchs, King Fernando and Queen Isabella. No Moors in the company who left Granada could have relayed the occurrence. Also, given Aisha's actions during her husband and son's reigns, it's hard to believe she considered women weak -- after all, she knew exactly what a woman with purpose could do. Through her influence, she had secured the throne for her son in a rebellion against his father. Perhaps disappointment over the loss of her heritage left her furious with her child, a mad mother.


Aisha's life began in turmoil as the daughter of Sultan Muhammad IX and an unnamed paternal cousin, one of three known children of the sovereign, who had no sons. He had lost and regained the kingdom of Granada no less than four times in clashes with his cousins over their legacy. Without a natural heir, he wed Aisha's elder half-sister to his paternal second cousin and successor Muhammad X, whose father had once been among the rivals for the throne. The marriage cannot have lasted because later Aisha found herself betrothed to Muhammad X. Fate denied them a future together when yet another cousin, Abu Nasr Saad invaded Granada. His son the future Sultan Abu'l-Hasan Ali (commonly known as Muley Hacen) killed Muhammad X along with his two young heirs and took Aisha for a wife. Abu'l-Hasan Ali likely regretted the choice for the rest of his life. Vengeance motivated Aisha's subsequent behavior.


Before she gained retribution, Aisha performed her duty and bore two sons for Abu'l-Hasan Ali, the eventual Muhammad XI, and Yusuf, as well as a daughter who shared Aisha's name. The Moorish queen bided her time while her husband refused to submit to demands for tribute from Fernando and Isabella. Aisha even endured the presence of her husband's beloved second wife, a former Christian slaved named Isabella de Solis, who converted to Islam and took the name Soraya. 


In the summer of 1482, Aisha's eldest son rebelled against Abu'l-Hasan Ali, who went into exile in Malaga and formed an alliance with the Catholic monarchs against Aisha and their child. The family Abencerrage supported the coup and Aisha. The clan had long reviled Abu'l-Hasan Ali after he and his father murdered many of their chieftains within Alhambra Palace. When young Muhammad became a prisoner of Fernando and Isabella after an ill-advised attack on the frontier during April 1483, Aisha helped negotiate the eventual release of Muhammad. As the enemy took city after city in a bid to destroy Moorish Spain forever, Aisha wanted even the women and children to fight in the defense of their homeland. But could she have also been desperate, maddened by the failures that bedeviled the kingdom? No one can know. 


History has relegated her to the role of a vengeful wife, a scheming mother, and a cunning rival for her husband's second wife. But for me, Aisha remains a true patriot of Moorish Granada. 



** An Excerpt from Sultana: The White Mountains**



Chapter 2

Uprising
Prince Muhammad


Gharnatah, Al-Andalus or Granada, Andalusia
8 Rajab 887 AH / Friday, August 23, AD 1482


An unbearable, dry heat hung over the vega of Gharnatah in the late afternoon. Despite the warmth, several dozen courtiers and a handful of advisors from the Diwan al-Insha gathered outside the courtyard of the council chamber. Ibn Kumasha stood among them, but not Abu’l-Hasan Ali’s secretary, Ibn Bannigash. With Abdul Wahid at his side, Muhammad stood apart from the ministers, wearied of the silent questions emanating from their intent gazes. They desired the answer to one inquiry. How could he respond?

Yusuf and his men mounted their horses and departed through the Bab al-Sharia. The gate remained open afterward. The Sarraj chieftains and their men waited along the wooded slopes of the Sabika hill.

The lone woman amid the crowd lowered her small hand and rested it on Muhammad’s forearm. Her fingernails, sharp and curved like the talons of a hunting hawk, pressed against the silk. She had remained at his side with her faithful eunuch Al-Siddiq since Yusuf gave his formal farewell, knelt at Muhammad’s feet, and kissed their mother’s hands. A fine display for the courtiers, some semblance of unity within their fractured family, and a son’s reverence for his honored mother. Lies but Muhammad would have none of them. His stare traveled up the length of her limb until at last, he saw the mirror of himself in her eyes. He blinked twice and turned away.

Her nails dug deeper. “You cannot relent now.”

“Unlike you, I don’t withdraw my pledges once given.”

She reached for his cheek and turned his face to hers. “You despise me now, so you speak petty cruelties. You will perceive the truth when your anger has faded. This is the correct choice for our futures and for Gharnatah.”

“Eight years ago, you would have plunged the khanjar of our illustrious ancestor, my namesake, into Father’s heart. For your folly with the dagger, he imprisoned you.”

When she would have withdrawn her touch, his hand covered hers. Although she gasped and pulled away, his hold tightened on her thin wrist. Bones so fragile he might have snapped them if he wished.

“After your release six months later, you made a promise. Do you remember, Ummi?”

“Muhammad, this time is different. Back then, your father had wronged me and taken the lives of two trusted companions. I struck out at him for vengeance’s sake, but today, I look to the future. Your destiny.”

“Lie to yourself if you wish. But your falsehoods will not sway me. I know you, likely better than my father did. Eight years past, I warned you not to make us, your children by Abu’l-Hasan Ali, choose between our parents. Now you have forced the decision on me. I will never forgive you. Keep far from me and my family. I forbid your presence wherever I am or may reside. Furthermore—”

Her fingers shook. “Muhammad, don’t….”

“You will not see my wife for any reason. You shall never hold my son again. You’ve deceived more than my father. You’ve betrayed every principle of family and love, which you taught my brother, sister and me in our childhood.”

Tears spilled down her cheeks. “My son, don’t hate me. Please.”

He pressed his lips to her lined brow, just below her veil. He whispered against her flesh, “I could never. But I won’t rely on you again. You’re a viper, vicious and ruthless. I’ve learned the lesson of your true nature, which my father would not accept. Stay away from me and those whom I love. I won’t let you destroy them, as you’ve ruined my father and our fates.”

As they drew apart, he caught the intent scrutiny of several courtiers and the ministers. He smiled and caressed Aisha's damp cheeks. “These tears. Beautiful. Purposeful. Those who observe would think you a loving mother, comforted by one dutiful son in the absence of another. The deception is complete. Well done, Ummi.”  
 


Lisa J. Yarde writes fiction inspired by the Middle Ages in Europe. She is the author of two historical novels set in medieval England and Normandy, The Burning Candle, based on the life of one of the first countesses of Leicester and Surrey, Isabel de Vermandois, and On Falcon's Wings, chronicling the star-crossed romance between Norman and Saxon lovers before the Battle of Hastings. Lisa has also completed a six-part series set in Moorish Spain, Sultana, Sultana’s Legacy, Sultana: Two SistersSultana: The Bride Price, Sultana: The Pomegranate Tree, and Sultana: The White Mountains, where rivalries and ambitions threaten the fragile bonds between members of a powerful family. Her short story, The Legend Rises, which chronicles the Welsh princess Gwenllian of Gwynedd’s valiant fight against English invaders, is also available.         

  

27 March 2017

Herstory: Isabella of Castile - the queen at war



...For me, Isabella of Castile will always remain a cruel villain. She couched the quest for Spain’s trade domination across the Mediterranean Sea and control of the kingdom of Granada’s gold supply from Africa as a religious crusade. She ensured the aid of the Catholic Church for her dynastic aims and brought about the ruin of Moorish Granada; ultimately, the end of Muslim Spain.

Civil war among the Moors allowed Isabella to take advantage of an already worsening situation. Through guile and ruthless calculation, she exploited the divisions between the last Nasrid rulers Abu’l-Hasan Ali, his brother Muhammad al-Zaghal and their rival Muhammad, respectively a son and nephew to both men.

Within a few years of Muhammad’s departure from his homeland, she had violated each of the terms offered on behalf of his people in the Capitulations of 1491, specifically the stipulation allowing the Moors to “…live in their own religion,” and “…not permit that their mosques be taken from them….” She unleashed the Inquisition on conquered southern Spain and bore responsibility for thousands of fiery deaths among innocents of the Muslim, Jewish and even Christian faiths. - From the author's note of Sultana: The White Mountains.
Isabella's portrait - a picture taken while
visiting Segovia Castle
Historians have often portrayed the Catholic monarch Isabella, the queen at war as a shining example of female courage in the struggle between Moors and Christians from 1482 to 1492. The sight of her on the edge of a battlefield or at a lengthy siege could boost morale and lead to victory. Against all odds, including difficult terrain and a determined enemy who could strike hard and fast against the Spanish Christians before disappearing through the mountain passes, Isabella and her husband secured the official surrender of Moorish Spain on January 2, 1492.  

Isabella may have never anticipated a future as queen of Castile. In the line of succession, two elder brothers Enrique and Alfonso preceded her. She might not have imagined a union with Ferdinand of Aragon or how their marriage would lay the groundwork for a future Spanish dynasty. Like her ancestors, she could have idled and watched the Moors of southern Spain destroy each other in foolish civil war. Instead, she pursued a ten-year campaign against them and sought the hegemony of Spain under Christian rule.

The campaign against the Moors didn't begin at the direction of Isabella or her husband. For centuries beforehand, Isabella's ancestors had struggled against the kingdom of Granada, which encompassed most of modern-day Andalusia, in a series of intermittent border raids and sieges. When they were not fighting. the Castilian sovereigns accepted payments of tribute from the Moorish rulers, whom they considered their vassals. It's clear the Moors did not always accept this subordinate role because several Sultans refused to submit the gold coins. Last among them was Abu'l-Hasan Ali, known among the Spanish as Muley Hacén. 

His soldiers seized the city of Zahara in December 1481, provoking the response of Rodrigo Ponce de León, Marqués of Cádiz, who then attacked and claimed Alhama. Isabella and the Marqués did not always enjoy good relations; at the death of her elder brother Enrique, Rodrigo Ponce de León first supported the rival claim of the princess Juana, Enrique's daughter and Isabella's niece. The propaganda of Isabella's supporters made the supposed heir of Castile the illegitimate child of another man. Juana eventually resigned herself to a convent. Although Isabella and Ferdinand had not ordered the reprisal at Alhama, they planned to use it as a base for future conquests. Ferdinand came south to attack Loja, but the forces of Abu'l-Hasan Ali turned his quest into a resounding defeat. 

What happened to the momentum after the victory at Alhama? At Loja, Isabella's husband became aware of the difficulties their campaign would face in every Moorish territory. The cities of Andalusia were not only defended by stout walls and cannon, but the terrain itself made the movement of massive armies and siege weapons a struggle. Men and artillery required money the monarchs did not have. So, the king and queen sent a delegation to the Pope Sixtus IV seeking a papal bull. 

The words, "We have not been moved to this war by any desire to enlarge our realms...but our desire to serve God, and our zeal for His Holy Catholic faith, made us put all other interests aside...." had the intended effect and the Pope granted the bull. It turned centuries-long warfare between the kingdoms into a religious crusade. The indulgences the Church gave to those who fought against the Moors, including absolution for any violence committed, bolstered the numbers in the army and brought the funds the king and queen required. To secure future victories and avoid the embarrassment at Loja, they employed the services of Francisco Ramírez de Madrid, Master of Artillery.

Internal divisions within Granada also buoyed their efforts. Abu'l-Hasan Ali's eldest son Muhammad then claimed the throne in the summer of 1482, relegating his father to the area around Malaga, which was then the governorship of Muhammad Al-Zaghal, brother of Abu'l-Hasan Ali. During April 1483 in an attempt to raid the Castilian border, the new Sultan fell into the hands of Isabella and Ferdinand. They gave him an ultimatum; he would gain release if he fought against his father and turned his toddler son and younger brother over as hostages. In the interim, the Castilian forces kept up the attacks on Abu'l-Hasan Ali. They also built up the Castilian navy's presence in the Mediterranean Sea and interrupted the centuries-long supply of Muslim troops from Morocco in defense of Granada, as well as gold from the mines of Africa.

Isabella and Ferdinand released the young Sultan in exchange for his son, whom they kept at their court until 1492. Then they began the campaign in earnest with the siege weapons the master of artillery had developed. Faced with merciless bombardment under heavy mortar and cannon, city after city fell into their hands. Ronda surrendered in 1485, as did Marbella. Then Malaga in 1487, Vera in 1488, Guadix, Almeria and Baza in 1489, and finally Granada in 1492. At almost every siege, which sometimes occurred during Isabella's numerous pregnancies, she joined her husband, even with their children as at Los Ojos de Huescar where an eight-month siege culminated in June 1491.

The Capitulations, Pradilla - from Wiki Commons
Despite the ravages of the campaign and the abandonment of the treaty terms between the Catholic monarchs and the last Muslim ruler of Spain, Isabella is largely responsible for the preservation of the fragile beauty of Muhammad’s Alhambra palace as we see it today. She lies buried at Granada, the city she claimed through determined efforts, accomplishing in ten years what none of her ancestors had done in centuries past.

--Images are mine or derived from Wiki Commons. Sources include:

Ferdinand and Isabella – Profiles in Power by John Edwards (Routledge – 2013), Granada 1492: The twilight of Moorish Spain by David Nicolle, illustrated by Angus McBride (Osprey Publishing -1998), Isabel the Queen: Life and Times by Peggy K. Liss (University of Pennsylvania Press – 2004) and The Military Orders and the War of Granada (1350-1492) by Enrique Rodríguez-Picavea, Mediterranean Studies, Vol. 19 (2010), pp. 14-42 http://www.jstor.org/stable/41167026 (published by Penn State University Press - 2010)

** An Excerpt from Sultana: The White Mountains**

Chapter 25

Losses
Sultana Moraima

Gharnatah, Al-Andalus or Granada, Andalusia
15 Ramadan 896 AH / Friday, July 22, AD 1491


“Welcome to Santa Fe.”


Moraima and Aisha whirled as the queen of Castilla-León entered the enormous tent from some adjoining quarter concealed behind a gap in the diamond-patterned fabric. She had not arrived alone, without protections. Plate armor contrasted with vibrant green silk, trimmed in black lace and shimmery pearls. So much fabric, for the sovereign had thickened since they last saw her at the bridge over the Guadalquivir River. The white material atop her head evoked the odd combination of a Moorish veil and a Jewish skullcap, except for two flaps draped on either side of her sallow, puffy cheeks.


The burly officer Gonzalo Fernández de Córdoba followed his queen. The one who had aided Muhammad against his uncle and concealed his awareness of the Berber tongues. Moraima shuddered at the memory of his cruel touch. Muhammad should have known the truth. As his beloved, she could have exposed the Castillan.


His mistress strolled to the twin thrones at the opposite end of the tent and sat. Although other chairs lined the space, she offered no comfort. Córdoba joined her, hovering at her right. His palm rested atop the pommel of the sword girded at his stout waist. His black gaze, like the portent of a terrible storm, roved over Moraima and Aisha. Did he recall the threat once brandished against them? Would he kill them now if given another chance?


Aisha matched his fury. “This region is called Atqa! Still a part of the kingdom of Granada.”


Queen Isabella settled back against the plush cushion behind her. “I have claimed this territory for the kingdom of Castilla-León. You should be accustomed to the conquests of my husband by now, Sultana.”


“I'm aware of his actions, la reina. The enslavement of Moors. The brutal deaths of renegados who had embraced the true faith, burnt as apostates by your inquisitors. You Trastámaras have a long history of violence and theft. You’ve always murdered and stolen for your gains. Even for a crown.”


As the Christian monarch stiffened, Moraima cautioned her mother-in-law with a tug of her long sleeve. “Ummi, please! We didn’t come to argue but to recover my son. You promised me before we arrived. Ahmad must be the focus of our negotiations. If you love your grandson….”


“You do not have to ask. Forgive me, dear daughter.” Aisha leaned closer. “Ours is an ancient hatred. Nasrids have despised the Trastámaras and their descendants since their murder of the legitimate king of Castilla-León, Pedro, half-brother of the Conde de Trastámara, Enrique. My noble ancestor Muhammad al-Ghani bi-llah, may Allah sustain his memory, shared a strong bond with Pedro. Then the Conde Enrique killed his brother like a coward and ushered in a new dynasty bent upon our annihilation. This queen of war descends from such evil. But she forgets who we are. Nasrids. Our memories are long. Our vengeance is unyielding. Although more than a century has passed, we have never forgotten our allies. We also do not forgive enemies, theirs or ours.”




Lisa J. Yarde writes fiction inspired by the Middle Ages in Europe. She is the author of two historical novels set in medieval England and Normandy, The Burning Candle, based on the life of one of the first countesses of Leicester and Surrey, Isabel de Vermandois, and On Falcon's Wings, chronicling the star-crossed romance between Norman and Saxon lovers before the Battle of Hastings. Lisa has also completed a six-part series set in Moorish Spain, Sultana, Sultana’s Legacy, Sultana: Two SistersSultana: The Bride Price, Sultana: The Pomegranate Tree, and Sultana: The White Mountains, where rivalries and ambitions threaten the fragile bonds between members of a powerful family. Her short story, The Legend Rises, which chronicles the Welsh princess Gwenllian of Gwynedd’s valiant fight against English invaders, is also available.

01 February 2017

Mistresses: Isabel de Solis / Sultana Soraya of Granada

By Lisa J. Yarde

Mistress. The word has many connotations but in history most often conjured the definition as in Merriam-Webster of, "a woman other than his wife with whom a married man has a continuing sexual relationship."

Nani Jimenez as Isabel de Solis /
Sultana Soraya of Granada
in Isabel series 
In medieval Moorish Spain, the concept of mistress didn't necessarily exist. Islam, the predominant religion of the region, gave men the right to have four wives and as many concubines as they chose. Importantly, any Christian or Jewish woman made a wife or captive could keep her faith under Islamic law, although the children with her husband or master would be raised as Muslims. Throughout my twenty-year study of Muslim rule in Spain, the stories of captives who became the wives and concubines of rulers have come to light. None fascinated me more than Isabel de Solis, later known as Soraya, the eventual second wife of the Nasrid Sultan Abu'l-Hasan Ali of Granada (Muley Hacén in Spanish sources). A true survivor, she's been portrayed in other novels, most recently Geraldine Brooks' People of the Book and onscreen by Nani Jimenez in season two of the Spanish dramatic series, Isabel, about the unification of the kingdoms of Castile and Aragon. 

Most of Isabel's history remains murky, but some facts are certain. Reputedly, she was the daughter of Sancho Jimenez de Solis, leader of Martos, which is a Castilian town on the border with Moorish Spain. There's no mention of whether Isabel had brothers or sisters in the sources. However, her father is noted as having a second wife whom people called Arlaja the Moor. During Isabel's youth, a Muslim prince Muhammad al-Zaghal, the brother of Sultan Abu'l-Hasan Ali, raided at Martos and captured Isabel in a church. By this time, Isabel had anticipated a different future, with her betrothal to Pedro de Venegas of Luque. Her father did not pay the usual ransom for Isabel became a slave in Granada's Alhambra palace.
Eastern view of the Torre de la Cautiva, taken during
my 2013 visit to Granada
Purportedly, she lived the palace's Torre de la Cautiva at some point. 


She attracted the attention of the Sultan, who eventually wed her, although he already had a first wife in his second cousin, Aisha. One somewhat strange legend of Isabel's life says that as she came to his bed as a virgin, Abu'l-Hasan Ali fell under her spell, ignored his spouse to his detriment, and once invited his subordinates to smell Isabel's bathwater! During her marriage, she had two sons Nasr and Saad. By then she also had a new name, Soraya, which means 'star' in Arabic and a new religion because she converted to Islam. Given that Muslim law would have allowed her to remain a Christian, why didn't Isabel do so? Had she abandoned her faith by choice or under some duress?

The enigmas of Isabel's life as a mistress and later wife of the Sultan begin with her age; some sources state she became a captive as a child while others indicate she was older. It's also impossible to judge how long she had been in the harem before the Sultan noticed her. No one can know when their sexual relationship began, the full circumstances in which it originated, or when she married him. Sources have also suggested that the union between Isabel and Abu'l-Hasan Ali caused the eventual end of Moorish Spain because supporters of his first wife Aisha rebelled against the idea.

Isabel pleads for her freedom with the Sultan's first wife, Aisha
in Isabel series
It's a simple, tidy approach to the reason for Moorish Spain's eventual demise on January 2, 1492, but there were other factors in play long before the Nasrids surrendered to the Catholic monarchs Isabella of Castile and Ferdinand of Aragon. Another mystery is Isabel's final fate. After the death of her husband, she returned to the Christian faith and her sons were baptized. Nasr became Fernando de Granada and Saad took the name Juan de Granada. Both married wives from Spanish Christian nobility. But again, their mother's reversion to the faith of her birth is equally intriguing; considering that Castilian law gave the death penalty to apostates - did Isabel regret her life in Muslim Granada or was she a pragmatist who wanted to live at all costs?
       
Isabel de Solis / Sultana Soraya of Granada features as an antagonist in the last two novels of my series set in Moorish Spain, Sultana: The Pomegranate Tree, and Sultana: The White Mountains. In the earlier novel, she came to the harem as a slave of the Sultan's first wife Aisha at the age of ten and served for six years before she attracted attention, conceived her first son Nasr and became a rival. Here's an excerpt of her perspective on the title of "mistress" in the following scene from Sultana: The White Mountains.


Chapter 1

The House of God
Sultana Moraima

Gharnatah, Al-Andalus or Granada, Andalusia

29 Jumada al-Thani 887 AH / August 15, AD 1482
  
Soraya inhaled the hashish before she extended the pipe to Moraima, who declined.

“Ah. You don’t indulge. Another of your supposed virtues. Those which you must believe I lack because Abu’l-Hasan Ali desired me and made me his second wife.”

The queen’s swift return to the earlier topic made Moraima straighten. She gripped the edge of the table. “You promised to tell me truths about your love for the Sultan.”

“And I shall. It may surprise you, but I never sought my master’s heart. Among my former duties as a slave, I cared for his young daughter. A sweet and dutiful child. I escorted her daily from her mother’s apartment to the home of her governess or the Sultan’s chambers. At first, he ignored me, as any great man would have.”

Smoke billowed as she relaxed on her back and cast the water pipe to the waiting slave. With a faraway look in her eyes, her gaze traipsed over the extensive gardens, orange groves, and the forests bordering the Hadarro River to the hillside neighborhood of Al-Bayazin, sunbaked in the midafternoon heat.

Soon Moraima doubted the queen truly saw the landscape beneath her drooping stare. “You were speaking, Sultana.”

Roused from the stupor, Soraya rolled her head on the cushion. “Of what?” She swiped a hand across her brow and shooed a fly. “Ah, yes, about the Sultan. I will never forget the day he first spoke with me. I had come for Aisha’s daughter. She frolicked with her dolls, dancing beside her father’s table. Her happiness overwhelmed me, for I recalled having been such a little girl at play. Before the army of the Sultan’s father attacked my home at Martus. My father, the town leader, took me to the church and bid me remain quiet as a mouse. His new wife, whom people called Arlaja the Moor, hid with me. She was kind, had always given me sweetmeats from the kitchen when Father was not looking. She taught me Arabic in private, too. Father would have never approved, so she said it must remain our secret. And it did. When the marauders broke down the doors, she confronted them alone, while I hid beneath the altar cloth. She swore no one else remained with her. But they found me still. She died defending me, as they shoved a spear in her belly and dragged me away.

“While I sobbed at the memory in the corner, Abu’l-Hasan Ali came from his library with a book in hand. He approached me. I pretended not to understand the whispered consolation he offered. Still, when he took in his arms, I wept like a child. He patted my head and rubbed my shoulders, just as my father would have done. Then he sent me away. Each day afterward, he spoke with me about mundane matters, his favorite book or his success in the hunt. I believe he simply wanted someone to talk to, not a concubine with her cloying desperate attempts to gain a son or a wife who despised him. He seemed untroubled by my apparent lack of awareness. For I hid my knowledge of Arabic still.

“Until the day I could no longer pretend as he kissed my forehead and my cheeks. He begged me not to be so unhappy in his presence again, for the sight had almost broken his heart. Then I confessed I was never sad in his company. He cupped my chin and smiled at me. From such time, he knew my secret and kept it from his first wife, as I also buried my growing admiration and eventual love of him deep within my heart. Until those feelings shone brighter than the stars. That’s why he named me his ‘star’ on the night I gave myself to him and conceived our son Nasr. The night in which I confessed my eternal devotion. He showed me compassion, you see, and held no expectation. Not even of words. For him, I converted to the true faith of Islam, bore sons, and wed, because of our love. Gharnatah is a strange world, where one may enter the palace as a slave only to become a queen. A Sultana to rival her former mistress.”




Lisa J. Yarde writes fiction inspired by the Middle Ages in Europe. She is the author of two historical novels set in medieval England and Normandy, The Burning Candle, based on the life of one of the first countesses of Leicester and Surrey, Isabel de Vermandois, and On Falcon's Wings, chronicling the star-crossed romance between Norman and Saxon lovers before the Battle of Hastings. Lisa has also completed a six-part series set in Moorish Spain, Sultana, Sultana’s Legacy, Sultana: Two SistersSultana: The Bride Price, Sultana: The Pomegranate Tree, and Sultana: The White Mountains, where rivalries and ambitions threaten the fragile bonds between members of a powerful family. Her short story, The Legend Rises, which chronicles the Welsh princess Gwenllian of Gwynedd’s valiant fight against English invaders, is also available.

17 August 2016

The Arts: Mozarabic Manuscript Illumination

Musicians from a Beatus of Liébana ms. from the first half of the tenth
century. Wikimedia Commons 

The complexity of the Iberian Peninsula in the Middle Ages has led to many different terms to refer to the distinct sectors of its multireligious, multicultural society. “Mozarabic” originally referred to the Christians who were allowed to continue practicing their faith under Muslim government, and later expanded to include the Iberian Christians who lived outside those territories as well. The time frame remains strict: it describes Moorish political dominance, from the seventh through the eleventh centuries.

Christ in Majesty from a Moralia in Job completed in
Valeranica, 945.  Wikimedia Commons 
This time frame sets the characters from my Seven Noble Knights, which takes place in 974 and 990, squarely within the Mozarabic culture. I’m fascinated with the distinctive art of this culture because it’s the aesthetic my characters would have been surrounded by.

From a Beatus of Liébana completed in Osma.
Wikimedia Commons 
In the most abundant type of art, manuscript illumination, bright colors, almond-shaped eyes, elongated hands, and disregard for realism are the characteristics that most stand out for me. Perhaps the colors, bright enough to burn modern eyes, are the result of dim lighting in buildings with small windows. The lack of realism may have come about in part because the most popular work of literature at the time was a commentary on the Apocalypse, with all its fantastic creatures and events, by a monk called Beatus of Liébana.

The Monastery "de Suso" at San Millán de la Cogolla is a
rare example of Mozarabic architecture. Jessica Knauss 
It’s assumed that the driving force of Mozarabic art is a blending of older, revered Visigothic styles with adaptations from Arabic sources. However, it’s hard to trace the continuance of Visigothic style due to a general lack of surviving Visigothic sources. Much important architecture constructed during the Visigothic and Mozarabic periods no longer exists because in later generations it was demolished to make way for new styles. Although the Arabic inspirations in Mozarabic art are more obvious, they’re not easy to interpret. Some see a criticism of these borrowings embedded in the borrowings themselves because of the frontier nature of this art and the antagonism between the religions. Others prefer to think Mozarabic artists admired Arabic styles for their elegance as much as they admired Visigothic styles for their heritage.

The Ark of the Covenant in the San Isidoro Bible, 960.
Wikimedia Commons 
In The Art of Medieval Spain, O. K. Werkmeister illustrates that the Mozarabic attitude toward Arabic art sources seems to reflect the current state of the prolonged conflict. These monks were often working on the front lines and witnessed skirmishes and battles firsthand. The San Isidoro Bible of 960 illustrates Philistines riding in a style probably copied from Islamic art. In this way, the Bible story of intense fighting against frightening enemies became an allegory for the conflict the monks and lay people saw all around them.

From the Beatus of Liébana of Girona, 975.
Wikimedia Commons 
Fifty years later, the attitude seems to have flipped. A decorative casket Caliph Hisham II gave to his Sword of the Realm as part of a reward for conquering León was looted in a raid and brought back to a Christian church to serve as a reliquary for the bones of two Mozarabic martyrs. This reappropriation is the ultimate form of adaptation from Arabic sources. The casket could only be accepted as Christian at this exact moment in history, when the Caliphate of Córdoba was in decay and the enemy forces didn’t seem as threatening as before.

The Whore of Babylon in the Girona Beatus.
Wikimedia Commons 
Unique among European manuscript illumination of this period, the frontier monks nearly always left detailed colophons signing their work and stating the reasons and patrons for which it was made. Such signatures likely imitated the way artists claimed their work in the Muslim-governed territories, where artists had considerable social standing. It seems reasonable that the Mozarabic monks had similar artistic and cultural aspirations. Historians thank them for leaving such accurately self-conscious records.

From "Facundus" ms. of Fernando I and Sancha of Castile,
mid-eleventh century. Wikimedia Commons 
The Mozarabic monastic tradition wouldn’t last long after the rise of the Romanesque artistic style. The only example of work attempting to bridge the styles or to absorb Mozarabic sensibilities into international Romanesque are the manuscripts patronized by Fernando I and Sancha of Castile in the mid-eleventh century. For me, these manuscripts happily combine the old surrealism with a new, more complex control of contours. But there were no monastic centers that could juggle the two styles for long.

Noah's ark, painted in Urgell. Wikimedia Commons 
Nevertheless, Mozarabic art was no flash in the pan. Something essential about it, perhaps its severity or its emotional impact, has remained in Spanish art. Many commentators draw a straight line between the San Isidoro Bible of 960 and Picasso’s Guernica.


Jessica Knauss earned her PhD in medieval Spanish with a dissertation on the portrayal of Alfonso X’s laws in the Cantigas de Santa Maria, which has been published as the five-star-rated Law and Order in Medieval Spain. Look for her book of stories based on the Cantigas, coming 2021. A driven fiction writer, Jessica Knauss has edited many fine historical novels and is a bilingual freelance editor. Her historical epic, Seven NobleKnights, will be published in December 2020 by Encircle Publications. Her contemporary paranormal Awash in Talent is now available from Kindle Press. Find out more about her writing and bookish activities here. Follow her on Facebook and Twitter, too!