30 November 2011

Announcements: The Harlequin Historical Authors Holiday Giveaway! Win a Kindle Fire!


Win a Kindle Fire! The Harlequin Historical Authors Holiday Giveaway is back. In the spirit of an Advent calendar, the authors are giving away daily prizes and a Grand Prize of a Kindle Fire. Play every day for more chances to win.

The Rules:
Each participating author will have an activity planned on their website for their special day. You may be asked to comment on a blog, find an ornament, or visit a Facebook page. For each day you participate, your name will be entered into the Grand Prize drawing. At the end of the month on December 23, one day from the calendar will be randomly selected. One of the entrants from that day will then be randomly selected to win the Kindle. The more days you visit, the better your chances! 

More on the official rules can be found here.

For international readers: THE PROMOTION IS OPEN TO U.S., UNITED KINGDOM, IRELAND, CANADA, AUSTRALIA, NEW ZEALAND, AND EUROPEAN COUNTRIES WHERE A KINDLE MAY BE SHIPPED.

Participating Authors

THE SEPTEMBER QUEEN Winner

We have a winner of Gillian Bagwell's THE SEPTEMBER QUEEN! A free copy goes to:


Alison!


Contact Lisa with your information. The book must be claimed by next Sunday or another winner will be drawn. Please stop back later to let us know what you thought! Congratulations!

27 November 2011

The Life and Death of Port Royal, the Wickedest City on Earth


by Anna C. Bowling


Some might say that Port Royal, Jamaica had it coming. Founded in 1518, as a Spanish holding, the city, near Kingston, proved a valuable asset for Spain, less for what its natural resources than for its strategic location. If the Spanish could keep control of Port Royal, they had control of important trade routes in the Carribbean.


At least until the English arrived in 1655, overtaking Spanish forces and seizing control of the valuable port, which functioned as Jamaica’s capitol. Taking such a prime location and holding it, the English forces soon realized, could be two different matters altogether and in 1657, Governor Edward D'Oley recruited what some might see as an unlikely but very useful ally – the Bretheren of the Coast. These pirates, many of them having turned to piracy after themselves being attacked by the Spanish, provided protection and a boost to the economy. Letters of marquee from the governor gave them the legal right to attack Spanish vessels and coastal settlements, while the harbor itself gave them a prime location to careen and tend to their vessels.


Thus licensed, the newly minted privateers took on their duties with gusto, keeping the Spanish far too busy dealing with them to make any decent effort at taking back the port. The Spanish weren’t happy with this new arrangement, but the pirates certainly were. Piracy and prostitution became booming businesses, along with such widespread drunkenness that contemporary accounts include descriptions of local animals partaking of strong spirits and men and women reduced to poverty, all due to drink. Infamous pirates such as Edward “Blackbeard” Teach, Henry Morgan (later to be named lieutenant governor) and the treacherous trio of Calico Jack Rackham, Anne Bonny and Mary Read called Port Royal home at some point. How long, some of the more conservative might have wondered, would such wickedness be allowed to go unchecked?


If we count from Governor D’Oley’s invitation, about thirty-five years. Shortly before noon on June 7th, 1692, a vicious earthquake shook the island of Jamaica, taking out the worst of its fury on Port Royal. As if that weren’t enough, the tsunami that followed destroyed even more of the city, including three forts. Historical accounts cite that local authorities were unable to dispose of all the dead bodies in and around the city, due to the sheer number and in many cases, inaccessibility, as two thirds of the city was now under water.


An attempt to rebuild in the early part of the next century proved moot, as a fire tore through the rebuilt city in 1703. A series of severe storms preceded a pair of earthquakes that ultimately sank the once-great city in 1722, never to regain her former glory. Modern Port Royal is a small fishing village, her scandalous past frozen in time beneath the Carribbean waters.


Writing historical romances allows Anna C. Bowling to travel through time on a daily basis and make the voices in her head pay rent. Her current release, ORPHANS IN THE STORM, is available from Awe-Struck E-books.

Guest Blog: Jeanne Kalogridis


This week, we're welcoming best-selling historical author Jeanne Kalogridis, as she celebrates the release of her DIARIES OF THE FAMILY DRACUL trilogy on Kindle. The novels are available now. Jeanne is here to talk about her series and give away a copy of each of the books in the series, COVENANT WITH THE VAMPIRE, CHILDREN OF THE VAMPIRE and LORD OF THE VAMPIRES! Here's the blurb:
A sensual, terrifying, incredibly accomplished novel, this fascinating prequel to the classic and most popular horror novel of all time, Dracula, focuses on Dracula's great-nephew, who inherits the job of managing his great-uncle's estate...and his appetite. 

At the castle of Prince Vlad Tsepesh, also known as Dracula, Vald's great-nephew Arkady is honored to care for his beloved though strange great-uncle...until he beings to realize what is expected of him in his new role. It seems that either he provides his great-uncle with unsuspecting victims to satisfy his needs, or Vlad will kill those Arkady loves. He is trapped into becoming party to murder and sadistic torture. And it is in his blood. When Arkady learns that his newborn son is being groomed one day to follow in his footsteps, he knows that he must fight Dracula, even if it means death.



**Q&A with Jeanne Kalogridis** 


Tell us about the Diaries of the Family Dracul series.

There are three books in the trilogy:  COVENANT WITH THE VAMPIRE, CHILDREN OF THE VAMPIRE, and LORD OF THE VAMPIRES.  The first novel, COVENANT, deals with our hero Arkady Tsepesh, who is summoned from England upon his father's death to take over his role as caretaker of the estate where his ancient "Uncle Vlad" resides.  Slowly, Arkady begins to realize who and what Vlad is (none other than Dracula the vampire), and learns that as a descendant of Vlad Dracula, he is bound to him through a pact:  Dracula wins his immortality by corrupting the soul of the eldest son of each generation.  It's the story of Arkady's desperate struggle to free himself from the covenant.
The second and third novels, CHILDREN and LORD, are the story of Arkady's descendant, Bram (who, in an attempt to hide from Dracula and the covenant by moving to Holland and taking the name Van Helsing).  The novel LORD overlaps with the events of Stoker's novel DRACULA.

What inspired you to write this series?

I've been a huge fan of the novel DRACULA since I was a kid.  I've always wanted to add to Dracula lore and still do.  I remember reading DRACULA: PRINCE OF MANY FACES, a biography, and wondering what became of Vlad's kin.  The genealogical tree in the book was the "aha!" I needed to get the plot rolling.

What challenges did you face in researching the novels?

I had a pretty easy time, actually, since a marvelous new biography of Vlad, DRACULA: PRINCE OF MANY FACES, had just been released.  I also had Stoker's novel to serve as my guide for style, tone, details and timelines, and I had the good fortune to find his original source material of Transylvanian folklore, THE LAND BEYOND THE FOREST, in my nearest university library.

How do the protagonists change and grow with each new challenge?

In some cases, the changing is from living to undead; of course, the story of my hero is one of finding the courage to combat the evil that surrounds him.  He moves through denial, terror, acceptance, and finally grows brave enough to consider self-sacrifice.

What’s next for you?

I'm under contract to write two more historical novels.  Once I'm free, I'd love to visit the world of the FAMILY DRACUL again!

24 November 2011

Excerpt Thursday: Covenant with the Vampire by Jeanne Kalogridis

This week on Excerpt Thursday, we're welcoming best-selling historical author Jeanne Kalogridis, as she celebrates the release of her DIARIES OF THE FAMILY DRACUL trilogy on Kindle. The novels are available now. Join us Sunday, when Jeanne will be here to talk about her series and give away a copy of each of the books in the series, COVENANT WITH THE VAMPIRE, CHILDREN OF THE VAMPIRE and LORD OF THE VAMPIRES! Today, Jeanne offers an excerpt from the first book in the trilogy. Here's the blurb:


A sensual, terrifying, incredibly accomplished novel, this fascinating prequel to the classic and most popular horror novel of all time, Dracula, focuses on Dracula's great-nephew, who inherits the job of managing his great-uncle's estate...and his appetite. 

At the castle of Prince Vlad Tsepesh, also known as Dracula, Vald's great-nephew Arkady is honored to care for his beloved though strange great-uncle...until he beings to realize what is expected of him in his new role. It seems that either he provides his great-uncle with unsuspecting victims to satisfy his needs, or Vlad will kill those Arkady loves. He is trapped into becoming party to murder and sadistic torture. And it is in his blood. When Arkady learns that his newborn son is being groomed one day to follow in his footsteps, he knows that he must fight Dracula, even if it means death.

**An Excerpt from COVENANT WITH THE VAMPIRE** 

In the excerpt, "Stefan" is the ghost of the narrator’s, Arkady, brother.  Arkady drives the carriage (caleche) into the Transylvanian forest in search of a missing houseguest (Jeffries) of his "Uncle" Vlad's; Arkady fears something sinister has happened to Mr. Jeffries.  Arkady does not yet realize who and what his Uncle Vlad is:  Dracula, who has exerted mental control over him to keep him from seeing the truth.  But Arkady's subconscious, in the form of the ghost of his younger brother Stefan, is urging him to seek the truth.  

It was a warm spring day.  Dawn had been clear, but early afternoon saw iron clouds filling the sky, and the air had the smell and feel of an approaching storm.  Some inexplicable compulsion drove me towards the edge of the forest where I had last seen Stefan.  As I urged the horses between the trees, a gentle rain began to fall, but the thick foliage protected us.  Even so, we grew wet as the sweeping branches sprinkled us with dew.
            The animals tossed their heads and whinnied their disapproval of my foolish decision to re-enter the forest.  I told myself that I was not afraid, though my mouth was suddenly so parched my tongue adhered to the inside of my cheek, and I held the reins taut in slightly trembling hands.  Not afraid, though I could not keep from peering up at the tops of the tallest trees, to see whether Jeffries lay swaying there with the wind.
            It was day and it was warm.  Wolves did not attack in daytime in warm weather, nor singly, but in packs, and then usually only on winter nights.  That was the prevailing folk wisdom, yet Stefan had died on a beautiful, glistening summer's day, killed by a solitary half-wolf.  I remembered Father's revolver, beside me on the seat where I had stowed it for just such an occasion.  I set it on my lap.
            There was no sign of Stefan.  I drove the horses forward a bit, slowly, straining my eyes in the showy dimness for my dead brother's small form.  We retraced the progress I remembered, finally coming to a stop at the place I decided was the one where the wolves had attacked.
            The horses lifted their hooves and snorted, impatient, nervous.  I held very still, watching the same spot in the shade of an alder tree where I believe Stefan had last been.  Watching, and listening, to a distant rustling in the trees--most likely of birds and squirrels.  A crow cawed, reproachful; a bird sang.
            I sat watching several minutes, aware of every sound around me, of the muted patter of rain against trees, of my own breathing.  At last, slowly, slowly, out of the reticulate pattern of light and sepia shadow against trembling leaves, Stefan emerged.
            And gestured onward, at the deep recesses of the forest.
            We followed, the wheels rolling against the damp, needle-strewn ground with the snap of breaking twigs.
            Once again, my brother's spectre vanished, only to reappear once I progressed a fair distance in the direction indicated.  We continued a good half hour into the forest in this manner.
            At last, Stefan appeared but gestured no more; only stared intently at me a time, as might a living loved one trying to memorise the details of my face upon parting.
            And then he disappeared.
            Confused, I looked round, and saw nothing but the same alder and pine trees.  I waited some minutes, then slipped the waist of my trousers and crawled out of the caleche.  I tethered the horses to a branch, then commenced investigating the area.  There was nothing remarkable, just the same dense foliage as before, and dark soil almost entirely covered by a carpet of dead leaves and pine needles.
            But when I walked over to the large tree where Stefan's ghost had stood, the ground abruptly sank, soft and spongy, beneath my feet.  I pushed away the damp, vegetal detritus and discovered fresh dug earth, darker and more loosely packed compared to the surrounding soil.
            My heart began to beat more swiftly.  Quickly, I swept more of the dead foliage aside.  As I did, I discovered something hard and white--a fragment of bone, from an animal, I thought.  But before I could examine it, the horses emitted high-pitched, panicked whinnies.
            I looked up to see a wolf, running swift and low between the trees, headed not towards the caleche and the captive horses, but toward me.  
            I straightened and in a split second entertained the grisly notion that Stefan had enticed me here to suffer the same fate as my two brothers; I imagined my bright blood merged with the gentle rain and bejeweling the forest with crimson dew.
            The wolf lunged.  I drew the pistol from beneath my coat and fired.  Not four feet away, the animal emitted a shrill, canine yelp and dropped in mid-leap, at the highest point of the arc, blooded at the juncture of leg and shoulder.
            Yet it gathered itself and rose, unsteady, limping on three legs, and came at me.  I was forced to shoot again; this time, the proximity permitted me to make a clean kill, and lodge a bullet just above and between its stark white eyes.  The creature sank to the forest floor with a whine that terminated in a death rattle.
            I wanted nothing better than to sag weakly against the nearest tree trunk and master my trembling--but the ominous recollection of the two dead wolves lying at the open gate of our family tomb persuaded me to remain with pistol at the ready.
            There came a crashing of twigs and leaves; the second wolf appeared bare seconds afterwards.  I forced myself to wait until he was near enough for my aim to be certain, and when at last I prepared to fire, I had to steady my shaking right arm with my left.  The wolf charged and I squeezed the trigger, but the sparse rain that dripped down through the forest canopy left the weapon beaded with moisture; it slipped in my grasp as it discharged, sending the bullet wide of its mark.
            In the fraction of a second it took to realise I had missed my target, I knew all was lost.  The wolf leapt for my throat.  Its body collided with mine, knocking the pistol from my hand.  Huge paws struck my shoulders, slamming them against damp ground.  I steeled myself for the pain of those cruel teeth upon my neck, thinking not of the irony of my fate, nor the treachery of my brother's ghost, but only of Mary and the child.
            The wolf lowered its face to mine and peered at me with large, colourless, feral eyes; its panting mouth revealed a long pink tongue and yellowed fangs glistening with saliva.  It snarled, and opened its mouth wide in preparation for the kill.  I felt its breath, hot upon the exposed, tender skin of my throat, Gasping, I squeezed my eyes shut and braced for death.
            And then the impossible occurred.
            I sensed movement beyond my closed eyes, but it was not accompanied by the pain of my throat being flayed asunder.  The heat on my neck was replaced by the cool damp of the forest; the pressure of paws against my shoulders disappeared.
            I opened my eyes and saw that the wolf had withdrawn.  He now sat on his haunches at my feet like an obedient, panting dog, tongue lolling out the side of his deadly mouth.
            I pushed myself to a half-sitting position.  The wolf snarled and snapped, and moved to charge again--but reluctantly held himself back at the last instant, as though an invisible, unwanted barrier held him in check. 
            I wasted no time questioning the reason for this remarkable phenomenon.  I found the revolver nearby on the ground and moved slowly, stealthily towards it as the wolf growled his displeasure, but remained otherwise still.  At last, I reached swiftly for the gun and fired point-blank at the creature, who remained so unresisting that I felt a stab of pity.  It died with a soft whine as its head sank onto its forelegs.
            Afterwards, there was only silence--not even the scurrying of a squirrel, or the singing of a bird, only the soft, steady drum of rain upon foliage.  The third wolf never appeared.  When my trembling eased, I determined with footsteps the limits of the sinking soil.  It was much smaller than I expected, perhaps only three square feet--far too small for a body.  With dark mirth that verged on hysteria, I began to laugh:  perhaps the tales of the moroi were true.  Perhaps my brother had led me to a buried cache of jewels or golden coins.
            Obsessed, I began to do with nothing more than my hands.
            It was sweaty work.  The soil was heavy with moisture and after an hour, perhaps two, I was soaked, covered with mud, aching.  The rain was coming down hard.  I was on the verge of giving up when my chilled fingers finally struck something soft and yielding beneath the inch of muddy water.
            It felt like a thick layer of fabric.  I frantically cleared away enough mud to determine the dimensions of the hidden prize:  it was a square roughly twelve inches on each side, and when I dug deep enough to get my fingers beneath it, I could feel that it was apparently a perfectly square box of some very hard material, either metal or wood, beneath the cloth.
            I knelt on the wet, yielding ground and leaned forward, wriggling first fingers, then hands, beneath the box.  It took several moments before I could get a good enough grip and enough momentum to pull it from the wet earth, but at last I gave a mighty yank and it came forth with a loud sucking sound.  
            I fell back onto m haunches and studied my treasure:  it had been wrapped in several layers of fine black silk, now soaked and filthy, but too new and in too good shape to have been more than a day in the earth.  Eagerly, I unwrapped it, and discovered beneath a simple, unvarnished wooden box fashioned from the native pine, with a crude brass latch.
            I set the box on the ground and unfastened the latch, cutting my thumb on its sharp, unpolished edge, but in my fearful excitement, I did not care.  I flung back the latch, slipped my fingertips over the top, and attempted to pry the box open.  It took a good deal of effort, as the wood was swollen from the moisture, but at last it came, and I threw back the top.
            And screamed when I stared into Jeffries' wide, death-clouded eyes.
            I sprang to my feet; the box fell from my hands.  Jeffries' head rolled out across the soggy foliage with a damp crackling sound and came to rest face up on the very edge of the gaping grave.,  As it rolled, something fell from the open mouth, which was frozen in the same anguished rictus it had worn in my dream.  I reached for the white object on the dark glistening ground, and picked up a head of garlic.
            His neck had been sawed through in the same manner as father's, and his mouth crammed full of the pungent herb,  His skin was whiter than I thought it possible for any human's to have been; it was precisely the colour of chalk, even paler than the tufts of tousled hair that stuck out wildly in all directions from his scalp.
            Thunder rumbled as I stared, aghast, down at the severed head.  An abrupt cloudburst beat down through the sheltering trees, spilling a violent cascade on me and my unfortunate erstwhile guest, washing mud from my trouser legs and sleeves.  The rain pounded down on Jeffries' open, unseeing eyes, glued his hair to his scalp, swept away twigs and soil and the solitary alder leaf that had clung to his marble-white cheek.
            For an instant, I thought I would vomit; but what erupted from the depths of my terrified being was entirely unexpected,
            I began to laugh.
            Low at first, then rising higher in pitch until the sound became hysterical.  I threw back my head and laughed harder, weeping, letting the rain mingle with my tears, letting it drum against my open eyes as it did Jeffries' sightless ones, letting it fill my grinning rictus of a mouth until I bent forward, gagging, still convulsed by hellish glee.
            For I realized that Stefan had first appeared before Jeffries' death.  Jeffries was merely coincidental, an afterthought.
            There was more treasure to be found.
            And I found it, little brother.  Oh, I found it.
            I spread my arms wide, embracing the rain, whirling in circles like a child seeing how much he could bear before becoming dizzy.  I danced, crashing through the brush, unmindful of wolves, uncaring, pressing my feet into the loamy, carpeted soil, pausing when it yielded to dig in the mud like a dog hell-bent on retrieving a bone.
            I found bones, a graveyard full of them--and all of them skulls.  Big skulls and little ones, too.  The infants were buried without any amenities,; I found their heads in a mass grave.  Many of the tiny skulls were irregularly shaped, and hinted at gross deformity.   One child had half an extra head emerging from his cranium, as if he had endeavoured and failed to give birth to Athena.  
            I stopped opening the boxes after the second one--which contained the head of a man several months' decayed and slippery with moss--though I continued my mad excavation, collecting the small boxes like so many trophies.  But after some two dozen--in addition to too many infants' skulls to count--I found my maniacal energy exhausted, though the ground still gave way in several places immediately surrounding me.
            And how many more graveyards like this lay hidden in the endless forest?

21 November 2011

Money Matters: Taxes and How To Avoid Them

By Anita Davison

In the 16th century, Bristol was famous for wine smuggling from France and the Mediterranean: according to some reports only half the wine landed there paid duty, and the customs officers pocketed a £30 bribe for each ship that landed. It appears that the income from this illegal source was not fairly divided: when a clerk threatened to inform on his superiors, he spent 18 months in prison on a trumped-up charge of debt, and even when he reported the illicit dealings, no action was taken.

During the English Civil War, a new tax on domestic consumption, excise, was levied by Parliament to pay for the war. By 1660, this applied to items like chocolate, coffee, tea, beer, cider and spirits. Then in 1688 it was progressively widened to include essentials such as salt, leather, and soap.

Collecting taxes was a cumbersome and inefficient process with a hostile population where communication and transport links were slow and inefficient, so whole communities tended to become involved in the 'free-trade', as it was euphemistically known. The farm labourer helped carry goods inland; the parson bought cheap tea and wine; the local squire lent his horses for transport; the wealthy merchant obtained cut-price supplies of silks and lace; and at the very pinnacle of society, members of the gentry conducted foreign business through intermediaries involved in smuggling.

Attention in the 17th century focused on the tobacco trade with Bermuda and Virginia, from which the Bristol Customs authorities were quick to profit. William Culliford investigated the port in the 1680s, and found a rat's nest of fraudulent officials. The only tide-waiter considered to be honest was blind!

The standard way to smuggle goods in was for the ship's master to keep two sets of accounts. One showed the true cargo: this was for the benefit of its owners. A second set of books was presented to the customs authorities with a nod and a wink. One example was a ship called the Bristol Merchant, which docked with 9¼ tons of tobacco on board. It cost the crew £80 to get the customs officials to turn a blind eye, but this was less than half what they saved in duty. Pay-offs took place at Mother Grindham's Coffee House on Bristol quayside.

Houses in known smugglers haunts in the West Country set a bottle bottom in the plaster below a gable end of the house to indicate the owners were smugger sympathisers.

Whilst searching for a character to include in my latest wip, I came across a famous smuggler in the West Country during the 17th century named Thomas Coumbe, known as The Smuggler Squire. Born in Devon in 1620, he married a tall, auburn haired beauty named Bridget, who was much younger than himself and reputed to be a descendant of Sir Ralph de Blanchminster, a Cornish Knight who followed Richard Coeur de Lion on the Third Crusade.

Thomas Coumbe became a church warden in 1666, subsequently gaining great wealth from his association with the smugglers at Bude. His chief entry points for smuggling were Bude and Widemouth on the North Devon coast, at a spot from which signal flares from Widemouth Bay or Bude Haven could be seen by the smugglers at sea.

At a time when sand was used to break up the heavy loam of Devon before the employment of artificial manures, the Smuggling Squire made a weekly trip between Tavistock and Exeter on his sand cart, in which he hid tobacco, silk, brandy and wine.

According to old deeds, he owned land from "Sea to Sea", i.e. from Exeter on the South Devon coast to Bude on the north, a distance of 53 miles. He had a number of illegitimate children, to whom no doubt some of the farms were bequeathed. How could I resist adding this colourful character to my story?

A brown, hard, stern looking man with one blue eye, over the other he wore a patch having lost an eye in a duel, and regularly dressed in leather with a bob wig.

Some sections of this article were taken from: Smuggler's Britain by Richard Platt

Anita Davison is an historical fiction author with a love of 17th century England. DUKING DAYS: REBELLION was released in 2007 and the sequel, DUKING DAYS: REVOLUTION in 2008. TRENCARROW SECRET, a Victorian Gothic romance, will be released in June 2011 by MuseItUp Publishing.

20 November 2011

Guest Blog: N. Gemini Sasson


This week, we're welcoming historical author N. Gemini Sasson, as she celebrates the release of THE HONOR DUE A KINGthe third book in her Robert the Bruce trilogy, set in 13th century Scotland. The novel is available now.  Gemi is here to talk about her novel and give away a copy of her latest, AND the two prior books in the series, THE CROWN IN THE HEATHER and WORTH DYING FOR! Here's the blurb:
In the dawn of a kingdom, 

loyalties and lies collide. 

The truth will change England and Scotland forever.


In the triumphant aftermath of Bannockburn, Robert the Bruce faces unfamiliar battles. His wife Elizabeth, held captive in England for eight long years, has finally returned home to Scotland. With his marriage in ruin and hopes for an heir quickly fading, Robert vows to fulfill an oath from long ago—one which will not only bind his daughter to a man she does not love, but challenge the honor of his most trusted knight, James Douglas.

While Ireland falls to the Scots, King Edward II of England must contend with quarrelsome barons. Hugh Despenser is the one man who can give him both the loyalty and love he so desperately craves. War with France looms and Edward’s only chance at peace rests with his queen, Isabella—a woman who has every reason to seek her own revenge.

Tormented by his past, James returns to a solitary, ruthless life of raiding into the north of England. When a bewitching spy promises him the ultimate victory, James must weigh whether to unveil the truth and risk losing her love—or guard his secrets and forever preserve Robert’s faith in him.


**Q&A with N. Gemini Sasson**


What inspired you to write about Robert the Bruce?
For years I’ve been a fan of Celtic music.  Nothing stirs my soul more than the skirl of bagpipes.  I also have Scottish ancestry on my mother’s side.  The first time I went to Scotland, I felt like I’d come home, even though I’d never been there before.  It was a very surreal feeling.

After seeing the movie Braveheart (yes, I know it’s full of inaccuracies, but it was great storytelling), I was inspired to write something epic.  My curiosity about the rest of the story, beyond William Wallace, had been piqued and so I began to read, and read, and read . . . Four years later I had three books (The Crown in the Heather, Worth Dying For and The Honor Due a King) about the lives of Robert the Bruce, James Douglas and Edward II, although they’ve since undergone many revisions. From conception to the publication of the final installment, it’s been a journey of ten years.

Did you set out to write a trilogy?
Heavens, no. My original plan was just to write one epic, standalone book. But to cover 30+ years and do the characters justice in one shot would have been an injustice. I thought about narrowing down the timeframe, but there was too much worth writing about in the years between Robert’s early adulthood and his death. Writing it as a trilogy gave me a chance to get to know the characters and take them each on their own journey.

You’ve written these books in first person, from three different points of view. Was that difficult and what are the advantages and disadvantages of it?
As a reader and writer, I enjoy the intimacy of first person. It’s easier to understand the characters because you’re inside their heads. The drawback is that a single character POV is limited in scope. Initially I was going to write the story entirely from James Douglas’s viewpoint, but Robert kept creeping in, and eventually Edward II was clamoring to be heard. I can completely understand why some readers might not like switching from one character to another; other readers feel like it makes the story more well-rounded.  While I’m aware that my choice of presentation may not appeal to some readers, I think it has also garnered some diehard fans. It’s just what felt right to me. In hindsight, I wouldn’t have done it any other way.

Why do you write historical fiction?
In high school, I thought history class was boring. All we did was spit back names, dates and places. Thankfully, I’d discovered historical novels at the library. They were my escape when teenage life got too dramatic.

One of my goals in writing historical fiction is to make history feel real and accessible, not academic and boring.  Hopefully, readers will get a sense that history is more than just dates and names.  It's also about more than costumes and weaponry.  It is about real people who had some of the same fears and dreams, flaws and ambitions that we do today.  My sincere hope is to get new readers hooked on the genre. To do that, I think you have to present a story in a new and exciting way that today’s readers can relate to.

What’s next for you?
I’m currently working on the sequel for Isabeau, tentatively entitled The King Must Die. It takes place in England, beginning in 1327, and is about the early years of King Edward III’s reign and the mysterious circumstances surrounding the death of his father, the deposed Edward II. After that, I’m not sure. The 15th century is calling to me, but I also have ideas floating around for other projects, some non-historical. 

Thank you, Gemi, and best of luck with THE HONOR DUE A KING. Readers, please leave your comment to win a copy of this exciting conclusion to Gemi's Robert the Bruce trilogy, or the previous books in the series.

17 November 2011

The Honor Due a King by N. Gemini Sasson

This week on Excerpt Thursday, we're welcoming historical author N. Gemini Sasson, as she celebrates the release of THE HONOR DUE A KING, the third book in her Robert the Bruce trilogy, set in 13th century Scotland. The novel is available now. Join us Sunday, when Gemi will be here to talk about her novel and give away a copy of her latest, AND the two prior books in the series, THE CROWN IN THE HEATHER and WORTH DYING FOR! Here's the blurb:

In the dawn of a kingdom, 

loyalties and lies collide. 

The truth will change England and Scotland forever.

In the triumphant aftermath of Bannockburn, Robert the Bruce faces unfamiliar battles. His wife Elizabeth, held captive in England for eight long years, has finally returned home to Scotland. With his marriage in ruin and hopes for an heir quickly fading, Robert vows to fulfill an oath from long ago—one which will not only bind his daughter to a man she does not love, but challenge the honor of his most trusted knight, James Douglas.

While Ireland falls to the Scots, King Edward II of England must contend with quarrelsome barons. Hugh Despenser is the one man who can give him both the loyalty and love he so desperately craves. War with France looms and Edward’s only chance at peace rests with his queen, Isabella—a woman who has every reason to seek her own revenge.

Tormented by his past, James returns to a solitary, ruthless life of raiding into the north of England. When a bewitching spy promises him the ultimate victory, James must weigh whether to unveil the truth and risk losing her love—or guard his secrets and forever preserve Robert’s faith in him.

**Excerpt from The Honor Due a King** 

(Ch. 2, Robert the Bruce - Melrose Abbey, 1314 … A few months after his victory at the Battle of Bannockburn, Robert the Bruce’s wife Elizabeth, who has been imprisoned in England for eight years, has just been returned to Scotland. She has fallen gravely ill on the journey and Robert is praying for her recovery.)
  
When not by Elizabeth’s side, I was in the barley fields beyond the abbey, one eye straining to focus on the broken barrel that served as my butt, the taut string of my bow cutting into my fingers and the fledging of an arrow tickling my cheek before I let it sing across the distance. But my arrows too often missed their mark, their points plowing into soft dirt. James attempted to join me one morning, retrieving the arrows scattered about the fallow field from the previous evening, but he soon sensed I was not in need of company and left me alone with my silence.
Cold whispered against my neck and I looked around to see the first snowflakes of the season falling. I tucked the last arrow back in my belt and dragged the corner of my cloak across a runny nose. All around, the world blended in shades of gray, transmuted between the faint light of a cloud-choked day and the heaviness of descending night. The faint silhouette of the abbey’s narrow belfry against a silver sky beckoned and I started back. At once, I stepped upon a frozen puddle, too lazy or lacking in care to go around it. The ice cracked and broke under my weight. Mud splattered over my leggings and frigid water seeped into my boots. Toes numb, I trudged across the snowy ground, up mossy stone steps and down the narrow corridor that led to Elizabeth’s room.
It was well past vespers when I nudged open the door. Instantly, I was assaulted with the caustic scent of lye mingled with a faint fumitory of pennyroyal. I put a hand over my nose until my senses grew accustomed to the odors. On a long, narrow table near the door sat an empty laver, a ewer full of water and a stack of folded, clean cloths. Wisps of smoke curled from the small piercings in the bell lid of a bronze incense brazier which was topped with a small, leaning cross, tingeing the air with the sweetness of rosemary and cloves.
On the far side of the room, a small hearth contained the flames of a well-fed fire. The stones around it bore little trace of soot, indicating that the abbot must not have used it often, probably thinking the luxury too much of an indulgence when wood could be used to cook food or warm the sick.
The abbot had afforded himself one comfort and that was a large four-postered bed, its mattress plump with feathers and encased in undyed canvas. Cocooned beneath layers of linen sheets and woolen blankets lay my Elizabeth, her head propped against a dark blue bolster.
If not for Gruoch’s snoring, I might not have seen her lying in the shadows on her pallet between the door and the bed. I crept toward Elizabeth’s sleeping form and stood at the side of her bed. Barely, slowly, her chest rose and fell. A ragged tendril of hair, damp with sweat, lay crookedly from her hairline to the corner of her mouth. I pushed it away, the backs of my fingers lingering at her jawline.
Dear God in Heaven, don’t . . . please don’t take her from me. Not after bringing her back. Not after so long without her.
I wanted to kneel beside her and lay my hand over hers, but instead I turned back toward the door. An indrawn breath, ragged but deep, stalled me.
“Will you go . . .” came a hoarse voice, “without a kiss?”
When I first turned to look, her eyes were closed. Surely I had dreamed the words? But then her lashes fluttered and parted.
“Turnberry,” she said meekly, curling her fingers over the edge of her blanket. “Will you take me there?”
I returned to her and sought her hand. “Aye. In time.”
Elizabeth turned her face away, but when she looked back at me, I could see the heartache of eight long years behind those once vibrant green eyes. “When?”
“Soon, my love. Soon.” The coolness of her cheek as I kissed it reassured me that the fever had at last left her. “The sea air is brisk this time of year, but perhaps it will refresh you.”
“It has been so long, Robert. So long.” Her mouth trembled. “I hardly know what to make of everything that has happened. What to say . . . Where to begin, even.”
Begin? Why not now, today . . . this very moment?
In truth, though, I knew it would not be so easy. We were strangers, she and I, in ways as yet unknown to us both. God knows I had changed—and not so certainly for the better.
I knelt at her bedside and cupped her hands between mine. “We have many years still ahead of us, sweet Elizabeth. Many, many years.”