Showing posts with label Rebecca Hazell. Show all posts
Showing posts with label Rebecca Hazell. Show all posts

19 October 2014

Author Interview & Book Giveaway: Rebecca Hazell on CONSOLAMENTUM

 This week, we're pleased to welcome author REBECCA HAZELL with the third in her The Tiger and the Dove series, CONSOLAMENTUM. One lucky visitor will get a free copy of the novel in Kindle format. Be sure to leave your email address in the comments of today's author interview for a chance to win. Winner(s) are contacted privately by email. Here's the blurb.

In the finale of Sofia's memoir, Consolamentum, both dramatic and poignant, her dreams of home are shattered when her own family betrays her. Raising her child on her own, mourning the loss of her beloved knight, and building a trading empire, she seeks safe haven for her child and herself. Her quest takes her from Antioch to Constantinople to Venice. A surprise reunion in Venice leads her to France where she runs afoul of the newly established Holy Inquisition, possibly the greatest challenge she has yet faced. Can a woman so marked by oppression, betrayal, and danger ever find her safe haven, much less genuine happiness?
**Q&A with Rebecca Hazell**
Welcome. Can you tell us a bit about your historical trilogy? I understand that the title for the series is The Tiger and the Dove, so maybe you could start there.

Thanks for hosting me. Yes, The Tiger and the Dove was taken from something Genghis (Chinggis) Khan once said: “In war be like a tiger; in peace be like a dove.” My novels are set in a war-torn era, where the tiger was more likely to dominate than the dove. But I then contrasted that predatory mindset with the dove’s, because there were always people who were not buying into the tiger approach and who kept civilization going. Without them, the tigers would have torn each other and everyone else apart! In addition, I wanted to show how people could also be peaceful, not just passive, but at home in their own skins, to so speak; or who couldn’t find peace and were therefore tragic figures.
Tell us about the three novels.
The first, The Grip of God, is set during the Mongol invasions of medieval Rus’, where my heroine Sofia is from, and then of Europe. Sofia grows from a spoiled, petted princess into someone both tough and tender, who survives the worst and yet maintains her good heart. She has to be tough, as she’s enslaved and then carried along with the Mongol invasion. There are also lots of plot twists and sub-stories that give the reader a sense of that complex and rather terrifying time; and there is also a difficult romance.
In the second novel, Solomon’s Bride, Sofia has escaped into Iran, where she encounters many of the same problems she’d thought to leave behind. She again must survive difficulties: virtual imprisonment in Alamut, capital of the dreaded Assassins, and another virtual imprisonment in a Crusader castle. Again, there are many subplots, and the reader learns not only her story but also that of others who have also lost so much to war and have had to rebuild their lives. And she falls deeply in love, a love that seems doomed by the crusade of Louis IX.
The third novel, Consolamentum, takes Sofia farther west, first to Antioch and Constantinople, then to Venice, southern France, and Paris. She was quite the traveler, but her adventures resemble those of the Polo brothers, whom I include in the story as her friends. It’s amazing to think that they, like many others, thought nothing of crossing a vast continent not once but twice!
The question that always haunts Sofia is how to find and be able to rest in love. To do so, she must withstand many trials of faith, partly faith in herself and partly faith in love itself. I don’t want to say more and spoil the plot.
It sounds like a serious trilogy.
Yes, it is. But I believe it is entertaining, too, or so independent reviewers have said. I believe I struck a balance between realism and romance. And I have something universal to say, I believe. We all yearn for love; no one wants to be caught up in war. Like Scarlett O’Hara, Sofia has a vision of what she wants and isn’t shy of using her feminine qualities as strengths; unlike Scarlett, she’s not totally selfish and unscrupulous!
What did you enjoy most and least about writing this series of novels?
I loved creating a character who is age appropriate at each stage of her life, who can be petty at one moment and totally generous at another, just like us. It was like witnessing one of my own children unfold into someone unexpected and three-dimensional. In fact, I tried to treat all my characters that way, so that no one was totally ‘the bad guy’, no matter how cruel or deluded they were. All are complex, all have reasons for being who they are.
What I least enjoyed was realizing how truly brutal many people were in that long ago era. Sometime I feel, given our current news, that we haven’t moved much beyond that stage, and then I look around at the amazing way we do cooperate to create a more or less inclusive and functioning society, and I thank my lucky stars that we don’t have Mongols and Assassins and Crusaders and Inquisitors lurking around every corner. Though I suppose that could happen …
Thank you for visiting. Would you like to end our interview with an excerpt from Consolamentum?
Yes, thank you, and yes. Here it is:
“That child you carry is a bastard!  And worse, its father is a known seducer and liar!  We have been at a loss over what to do ever since we found out, for surely you believed this Sir Joscelin’s falsehoods or you’d never have lain with him—I can only hope so, at least.  But you endangered my entire family’s reputation with your heedless conduct.  While you were so ill, your uncle Basil took steps to protect you, even established himself as your guardian. But we still have no idea how to untangle you from the web this man wove around you.”
By the time she had finished speaking, she had calmed down considerably, but her words were hammer blows on my heart.  I sat down on one of her chairs to gather my thoughts.  When I finally spoke, I could not hide the quaver in my voice.  “Where did you hear such things?”
“Basil has many connections in Antioch and beyond.  It took only a month to discover the truth from his agent in Cyprus.  He had to quell the terrible slanders he heard about you.  His man says you are the butt of jests in every tavern, but my husband would not believe his dear niece was anyone’s concubine—and that is the kindest word he heard used about you!  But the more Basil heard, the more alarmed he became.
“He first thought to take you to our country estate as soon as you were fit to travel.  But I urged him to wait, to put out more enquiries into your holdings and so forth, and to set about protecting you in case your seducer might have seized anything through some trick.”
“Good God, these slanders, I assure you, are utterly unjust.  Both of us behaved with the greatest restraint for over a year, always considering ourselves betrothed to each other.  But then he was forced to marry that terrible girl, which was a disaster for us all, even for her.  Their marriage was never consummated, and Sir Joscelin only awaits news of its annulment, and with the blessings of King Louis himself!  He has behaved with complete virtue toward me, and we are truly betrothed, which is as good and binding as marriage.  Indeed, we are married in the eyes of God if not the Church.
“And if he lied to me, why give me not one but two rings, one of the utmost value to him?  I am certain the evil rumors you heard about him merely stem from the death of his first wife, for which he utterly blames himself.  He has been paying for that tragic death ever since. He even went to the Holy Land hoping to die in battle, a death I am so glad our Merciful Lord refused him!”
Caterina looked at me as if I had grown another head.  “You are sadly mistaken, Sofia.  It was bad enough at first when I learned of your previous marriage.  No one who has been widowed should remarry—and you already told us you were widowed—but I thought this last marriage had already taken place and that there was no more to be said about it!” 

I paled, afraid of what would come next.  Why had I ever tried to cover my tracks by mentioning I was a widow?  I had not even told the exact truth about the so-called marriage, just that I’d been married to a merchant who had died on our journey west.  They’d have been far more horrified had they known I had wed not one but two Muslims, Selim and then his son Kerim after Selim was murdered.  Ironically, both marriages had been temporary and not true unions, at least from my point of view.  They simply took advantage of a custom among the Shi’a, first as a way for me to belong to Selim’s family and then to escape Alamut with Kerim.  Neither had been consummated, though a little guilt flitted through my heart.  Had Kerim not been murdered, too, I might have relented one day and lain with him. I had been celibate for so long and was so ruined already that the sin of it would not have stopped me.
About the author
Rebecca Hazell is an award winning artist, author, and educator. She has written, illustrated and published four non-fiction children’s books, created best-selling educational filmstrips, designed educational craft kits for children and even created award winning needlepoint canvases. She is a senior teacher in the Shambhala Buddhist lineage, and she holds an honours BA from the University of California at Santa Cruz in Russian and Chinese history.

Rebecca lived for many years in the San Francisco Bay Area. In 1988 she and her family moved to Halifax, Nova Scotia, and in 2006 she and her husband moved to Vancouver Island. They live near their two adult children in the beautiful Cowichan Valley.

Visit Rebecca:


16 October 2014

Excerpt Thursday: CONSOLAMENTUM by Rebecca Hazell

This week, we're pleased to welcome author REBECCA HAZELL with the third in her The Tiger and the Dove series, CONSOLAMENTUM. Join us again on Sunday for an author interview, with more details about the story behind the story. One lucky visitor will get a free copy of the novel in Kindle format. Be sure to leave your email address in the comments of today's post or Sunday's author interview for a chance to win. Winner(s) are contacted privately by email. Here's the blurb.

In the finale of Sofia's memoir, Consolamentum, both dramatic and poignant, her dreams of home are shattered when her own family betrays her. Raising her child on her own, mourning the loss of her beloved knight, and building a trading empire, she seeks safe haven for her child and herself. Her quest takes her from Antioch to Constantinople to Venice. A surprise reunion in Venice leads her to France where she runs afoul of the newly established Holy Inquisition, possibly the greatest challenge she has yet faced. Can a woman so marked by oppression, betrayal, and danger ever find her safe haven, much less genuine happiness?

**An Excerpt from Consolamentum**

Lady Heloise added, “It is said that Saint Denis rose up after his execution, picked up his head, and walked a thousand feet before falling again. That is where a pilgrimage shrine was later founded, but the abbey that bears his name lies farther to the north. You will soon see that it is quite beautiful and also very special, for it is where all the kings of Francia have been buried since it was built. The king, I hear, intends to commission effigies to lie over each tomb, even of the earliest kings of Francia, like Clovis and Pepin. I find it very moving, and you must as well; it is good politics.

“Oh, look, they are already setting up for the October fair; one farmer always sells the richest cream you ever tasted. Not that I use it for eating: it also works wonders on the skin.”

As we passed, I saw many men and a few women setting up booths and stalls and even a few solid buildings. The aroma of roasting meat drifted across our path.

The fair was not yet open, but she and several other ladies did fall back to buy trinkets and, yes, cream, which the vendors were glad to sell them. I made the mistake of following behind. They were already returning, and I should have gone with them then, but I was drawn by a tent surrounded by colorful banners depicting odd-looking symbols. I thought just to look at them quickly and then to return to ask Heloise what they meant, but a woman dressed in motley came out when I rode up and began urging me inside her tent to have my fortune told. When I refused, a gang of hard-looking men suddenly surrounded me.

They probably had never heard a lady scream, but scream I did, and several knights in our company were soon bearing down on the ruffians, laying about and quickly rescuing me. This was shaming enough, but the king and queen heard the noise and were staring at me as I rode back, red-faced, to join their train. Lord Joscelin rode back to see me, looking stern. At least he began with, “Are you all right?” I nodded, looking down, unable to meet his eye. But then he added, “Don’t do anything foolish like that again. King Louis marked it, and you especially offended him by seeking out a fortune teller!”

Praise for the trilogy

“How deftly and compellingly Hazell takes the reader with her into that mysterious and exotic world, and makes it all seem so very close to hand!” – Peter Conradi, Fellow of Britain's Royal Society of Literature and author of Iris Murdoch: A Life, and of A Very English Hero.

"I enjoyed watching her morph from a spoiled sheltered princess with slaves of her own, into a tough, savvy survivor, with a new awareness of social injustice. The book is action packed. I couldn't put it down." -- from a review on Amazon.com.

"I got completely caught up in the characters and story and always looked forward to getting back to them. What a fully fleshed and fascinating world you developed and it was wondrous to learn so much about that time and the Mongol culture. Your gifts come out in your lush descriptions of place and objects. All very vivid and colorful." --author Dede Crane Gaston

“Through all of Sofia's treks across miles of various lands and cultures, I am a reader who is ready to continue the journey with her. I highly recommend this series if you love medieval history of the Far East and Asia, and even European areas, or enjoy reading about ancient cultures and religions. Solomon's Bride was even more well-written than Rebecca's first book, stringently researched, artistically detailed, heartfelt, and exciting.” –Erin, Oh, for the Hook of a Book!

The novel is available both in paperback and Kindle versions and through your local bookstore by special order.


About the author
Rebecca Hazell is an award winning artist, author, and educator. She has written, illustrated and published four non-fiction children’s books, created best-selling educational filmstrips, designed educational craft kits for children and even created award winning needlepoint canvases. She is a senior teacher in the Shambhala Buddhist lineage, and she holds an honours BA from the University of California at Santa Cruz in Russian and Chinese history.

Rebecca lived for many years in the San Francisco Bay Area. In 1988 she and her family moved to Halifax, Nova Scotia, and in 2006 she and her husband moved to Vancouver Island. They live near their two adult children in the beautiful Cowichan Valley.

Visit Rebecca:

Visit other blogs on the tour for reviews, guest posts, excerpts and giveaways!

28 September 2014

Author Interview & Ebook Giveaway: Rebecca Hazell on SOLOMON'S BRIDE

This week, we're pleased to welcome author REBECCA HAZELL with the second in her The Tiger and the Dove series, SOLOMON'S BRIDE. Join us again on Sunday for an author interview, with more details about the story behind the story. One lucky visitor will get a free copy of The Grip of God, the first novel in the series, or Solomon's Bride in Kindle format. Be sure to leave your email address in the comments of today's post or Sunday's author interview for a chance to win. Winner(s) are contacted privately by email. Here's the blurb.

Solomon's Bride is the dramatic sequel to The Grip of God. Sofia, the heroine, a former princess from Kievan Rus' was enslaved by a Mongol nobleman and then taken as a concubine by the leader of the Mongol invasions, Batu Khan, grandson of Genghis Khan. Now, having fled the Mongols with a price on her head, Sofia escapes into Persia and what she believes will be safety, only to fall into the clutches of the Assassins, who seek to disrupt the Mongol empire. In a world at war, both outer and inner, the second phase of her adventures unfolds. Can she ever find safe haven, much less the lost love and family that was almost destroyed by the Mongols?


**Q&A with Rebecca Hazell**

For those who are unfamiliar with your trilogy, can you give us a brief overview of it?

Yes, it’s set in the turbulent 13th century, which saw the massive Mongol invasions, the last desperate Crusades, the final era of the Assassins, and the establishment of the dreaded Inquisition. The story unfolds in a memoir written by a former princess of Kievan Rus’. Her life parallels these epic developments since she was so affected by them, but the story isn’t just about historical events. It also explores a journey of the heart: what keeps her sane and loving in a world ruled by greed, aggression, and willful ignorance.

In lots of ways, my heroine Sofia’s journey speaks to questions we may ask ourselves today, especially since a lot of our current world politics stems from that violent time. On the other hand, there’s plenty of room for romance in the story!

The first novel was The Grip of God. Tell us a little about the second novel, Solomon’s Bride.

Solomon’s Bride begins where The Grip of God leaves off, with Sofia having fled the Mongols for Iran. There she expects to find safe haven and a way to get west to her uncle in Constantinople. What she discovers is that she has fallen out of the frying pan into the fire. The Mongols didn’t just invade Europe; they invaded all across Asia and the Middle East. Iran was one of the early victims, and it was a mess there just from that. Plus there was sectarian warfare within Islam, just as there is today, with the added chaos of the Assassins, who were expecting the Apocalypse and were happy to help it arrive.

And beyond Iran, the Crusader states were fighting for survival and still hoping to ‘liberate’ Jerusalem someday, adding more mayhem into the mix.

It sounds like a terrifying time to live. Was there anything good going on?

Yes indeed! Sofia herself finds many kind people of differing faiths who help her both in her travels and on her life journey. One thing I wanted to show was how much goodness there is in the world, even in the midst of terrible times. Much of the novel is about her relationships, and there’s not so much visible violence as what she witnessed in the Mongol camps. So it’s not an action book so much as it is an exploration of how people keep sane in crazy times.

And as I say, there’s also romance and falling in love, which is a really good way to get either very sane or very crazy. But I don’t want to give the plot away.

Tell us a bit more about Sofia.

She’s so young and unformed when the story starts, so her mind isn’t yet set when she encounters so many different cultures and outlooks. She’s bright, curious, and naturally kind, but she also is pretty arrogant at first. So the reader sees her growing up into a complex woman with simple goals: Sofia wants love, to give and to receive, and she wants a home again. Her entire journey can be seen as a quest for those two things, but what she means by love and home begin to change as she matures.

What was your favorite aspect of writing these books?

‘Meeting’ so many different, interesting people. They are mostly fictional, but to me they became so real. I didn’t just want caricatures of points of view; I wanted the readers to care about them the way I did, with all their quirks and ways of viewing their world. And I enjoyed how Sofia kept growing and changing; all I had to do, in one sense, was record it just as she was recording her adventures in her journal.

And last, where did you get the title for this novel?

It comes from an Islamic legend about an aged Solomon and his young bride: she had to choose to come into his tent or be frozen to death on a mountain. In much the same way, Sofia’s life was full of challenge and the choices she made to survive.

About the author

Rebecca Hazell is an award winning artist, author and educator. She has written, illustrated and published four non-fiction children’s books, created best-selling educational filmstrips, designed educational craft kits for children and even created award winning needlepoint canvases.

She is a senior teacher in the Shambhala Buddhist lineage, and she holds an honours BA from the University of California at Santa Cruz in Russian and Chinese history.

Rebecca lived for many years in the San Francisco Bay Area. In 1988 she and her family moved to Halifax, Nova Scotia, and in 2006 she and her husband moved to Vancouver Island. They live near their two adult children in the beautiful Cowichan Valley.

Visit Rebecca:
Website | Goodreads | Facebook Amazon

25 September 2014

Excerpt Thursday: SOLOMON'S BRIDE by Rebecca Hazell

This week, we're pleased to welcome author REBECCA HAZELL with the second in her The Tiger and the Dove series, SOLOMON'S BRIDE. Join us again on Sunday for an author interview, with more details about the story behind the story. One lucky visitor will get a free copy of The Grip of God, the first novel in the series, or Solomon's Bride in Kindle format. Be sure to leave your email address in the comments of today's post or Sunday's author interview for a chance to win. Winner(s) are contacted privately by email. Here's the blurb.


Solomon's Bride is the dramatic sequel to The Grip of God. Sofia, the heroine, a former princess from Kievan Rus' was enslaved by a Mongol nobleman and then taken as a concubine by the leader of the Mongol invasions, Batu Khan, grandson of Genghis Khan. Now, having fled the Mongols with a price on her head, Sofia escapes into Persia and what she believes will be safety, only to fall into the clutches of the Assassins, who seek to disrupt the Mongol empire. In a world at war, both outer and inner, the second phase of her adventures unfolds. Can she ever find safe haven, much less the lost love and family that was almost destroyed by the Mongols?

**An Excerpt from Solomon’s Bride**

As the steppes swelled into rolling, well-wooded hills, both my body and spirit slowly revived and I sometimes forgot to be afraid.  For an entire day I could pretend we were merely on some wondrous journey of discovery: we might be edging along narrow cliffs where waves boiled into creamy foam below us or come upon a wide river rushing into the sea.  If we were then forced to ride inland, sheltered under shady trees and serenaded by the river’s song, to find a decaying bridge or shallow ford where we could cross, that was only part of a delightful adventure, nothing more.  I ignored the grim watch Da’ud kept as we traveled, how he guarded my every move.

Perhaps I could do that because he also relented and allowed more speech among us.  Ali always found an apt verse for the wonders we passed, which lightened any sense of possible trouble.  He was also given to reciting parts of a wonderful epic poem, the Shanameh, which tells about great shahs and heroes of Persia’s past.  And Nasr often added some silly twist to Ali’s elegant words that added to my delight.

Although this land was fertile and well-watered, there were surprisingly few settlements to avoid, especially inland.  Sometimes I would glimpse a tiny walled village perched on a steep hill above us, but we never approached it. A necessary precaution, Da’ud said when I asked why we never stopped at any of them.  “Once we would have had to take far greater care.  Half the towns were bandit lairs—those and the caves hereabout.  But few people live here now.”

“Why is that?” I asked.

“The Mongols, years ago.  They wanted no one at their backs when they attacked the infidel Georgians, so scouts destroyed every village they found and killed all the people.”

I suddenly realized: this would have been part of the great sweep Noyan Subodai’s armies had made around the Caspian, which led to the terrible battle at River Kalka where my grandfather and uncles had all died.  From then on I saw that land in a new way—not just desolate but desolated.

One late afternoon soon after, we passed the remnants of a ravaged fishing village.  Da’ud considered sheltering overnight inside its ruined walls, as the weather was wicked, but even the rain clouting our faces could not drive him to camp in that haunted place: a spirit of evil still clung to the charred remains, littered with skulls and bits of bone.

Praise for the trilogy

“How deftly and compellingly Hazell takes the reader with her into that mysterious and exotic world, and makes it all seem so very close to hand!” – Peter Conradi, Fellow of Britain's Royal Society of Literature and author of Iris Murdoch: A Life, and of A Very English Hero.

"I enjoyed watching her morph from a spoiled sheltered princess with slaves of her own, into a tough, savvy survivor, with a new awareness of social injustice. The book is action packed. I couldn't put it down." -- from a review on Amazon.com.

"I got completely caught up in the characters and story and always looked forward to getting back to them. What a fully fleshed and fascinating world you developed and it was wondrous to learn so much about that time and the Mongol culture. Your gifts come out in your lush descriptions of place and objects. All very vivid and colorful." --author Dede Crane Gaston

“Through all of Sofia's treks across miles of various lands and cultures, I am a reader who is ready to continue the journey with her. I highly recommend this series if you love medieval history of the Far East and Asia, and even European areas, or enjoy reading about ancient cultures and religions. Solomon's Bride was even more well-written than Rebecca's first book, stringently researched, artistically detailed, heartfelt, and exciting.” –Erin, Oh, for the Hook of a Book!

The novel is available both in paperback and Kindle versions and through your local bookstore by special order. The third novel, Consolamentum, is also available now.

About the author

Rebecca Hazell is an award winning artist, author and educator. She has written, illustrated and published four non-fiction children’s books, created best-selling educational filmstrips, designed educational craft kits for children and even created award winning needlepoint canvases.

She is a senior teacher in the Shambhala Buddhist lineage, and she holds an honours BA from the University of California at Santa Cruz in Russian and Chinese history.

Rebecca lived for many years in the San Francisco Bay Area. In 1988 she and her family moved to Halifax, Nova Scotia, and in 2006 she and her husband moved to Vancouver Island. They live near their two adult children in the beautiful Cowichan Valley.

Visit Rebecca:
Website | Goodreads | Facebook | Amazon

30 March 2014

Author Interview & Book Giveaway: Rebecca Hazell on THE GRIP OF GOD

This week, we're pleased to welcome author Rebecca Hazell with her latest novel, THE GRIP OF GOD. The author will offer a free copy of The Grip of God to a lucky blog visitor.  Be sure to leave your email address in the comments of today's author interview for a chance to win. Winner(s) are contacted privately by email. Here's the blurb.


Rebecca Hazell's The Grip of God, the first novel in an epic historical trilogy, is available on amazon.com  and its affiliates and by special order through your local bookstore. The subsequent two novels in the trilogy are scheduled for publication later this year. The saga’s heroine, Sofia, is a young princess of Kievan Rus. Clear eyed and intelligent, she recounts her capture in battle and life of slavery to a young army captain in the Mongol hordes that are flooding Europe. Not only is her life shattered, it is haunted by a prophecy that catalyzes bitter rivalries in her new master's powerful family. She must learn to survive in a world of total war, always seeking the love she once took for granted.

Sofia's story is based on actual historical events that determine her destiny. Readers will delight in this very personal and engaging tale from a time that set the stage for many of the conflicts of today's world.

Praise for the trilogy

“How deftly and compellingly Hazell takes the reader with her into that mysterious and exotic world, and makes it all seem so very close to hand!” – Peter Conradi, Fellow of Britain's Royal Society of Literature and author of Iris Murdoch: A Life, and of A Very English Hero.

"I enjoyed watching her morph from a spoiled sheltered princess with slaves of her own, into a tough, savvy survivor, with a new awareness of social injustice. The book is action packed. I couldn't put it down." -- from a review on Amazon.com.

"I got completely caught up in the characters and story and always looked forward to getting back to them. What a fully fleshed and fascinating world you developed and it was wondrous to learn so much about that time and the Mongol culture. Your gifts come out in your lush descriptions of place and objects. All very vivid and colorful." --author Dede Crane Gaston


**Author Interview with Rebecca Hazell**

Welcome to Unusual Historicals. You certainly have an unusual setting for your novel. What gave you the idea for this series?

Thanks for hosting me. I was literally gripped by the plot for this trilogy when I was about twenty years old, and I still have the first, very crude pages that I wrote way back then. I thought I was going to write only one novel, The Grip of God, but it naturally became three.

My interest in this era actually started when I was assigned to learn Russian instead of German in high school. I got hooked on Slavic culture and majored in Russian history at university. Somehow Kievan, or Kyivan Rus’ interested me more than any other period. It was such a dramatic time, so much happened and spilled over into today’s events, but I didn’t know that yet. I had a rather simplistic idea about the whole thing that got shattered when I did the almost 17 years of research that went into the three novels.

What kept you going when it took so much research? 

It was fascinating! It had never occurred to me that so much was happening simultaneously in Europe, Asia and the Middle East: the Mongol invasions, the final years of the Assassins, the final Crusades, the occupation of Constantinople, and the French Inquisition. And St. Thomas Aquinas and Jalaluddin Rumi were writing great works while Marco Polo’s uncle and dad were traveling to China. What an era!

That was partly why it took so much research because historians generally specialize, and I had to consult many sources for each element of the story. It took me three years of research to find out a single thing about occupied Constantinople. That was a bit discouraging, but I persevered and found out enough to write about it.

How did your main/secondary characters come by their personalities? 

There were several characters that I plotted into the novel from the very beginning, like the Persian merchant, Selim, who has a secret that I won’t give away here, but whose help forms the context for the second novel. Others appeared spontaneously along the way, like Sofia’s young Hungarian servant Anna. In fact, I had to really control Anna and her doings because they threatened to swamp my heroine. On the other hand, Anna’s experiences growing up allow the reader to learn a lot about differences in rank and therefore learning, as well as lots of the superstitions and prejudices of the day.

Other characters like Lady Q’ing-ling popped up out of nowhere to tell side stories, or to help Sofia grow up. I feel that there have always been people of good heart who keep the world afloat like that while the big names start wars and sign treaties; and my secondary characters, with their personalities are like that. They are both unique and also represent their cultural heritages, so the story becomes a sort of rich stew typical of that time.

How hard was it to make the switch from writing for youngsters to writing for adults? 

I was lucky in that as my own children grew older, I started writing for older children. And Sofia was still a child by today’s standards, though twelve was considered adult by medieval standards. Then as she matured, I could show her inner journey quite easily.

What can we look forward to in the other two novels?

Sofia continues her outer and inner journey, crossing paths with many of the important people of her generation. She encounters Persian culture, Crusader culture, and the Inquisition, each challenging her to adapt to outer circumstances, some of them quite dangerous, while not becoming callous or selfish. Though she is tempted! Also tempted by love, as she meets a special someone who is as much trouble in his way as Anna is in hers! There’s lots of adventure and real history interwoven in her story. I cried at the end, and not only out of relief. I think my readers will feel the same.


About the author

Rebecca Hazell is an award winning artist, author and educator. She has written, illustrated and published four non-fiction children’s books, created best selling educational filmstrips, designed educational craft kits for children and even created award winning needlepoint canvases.

She is a senior teacher in the Shambhala Buddhist lineage, and she holds an honours BA from the University of California at Santa Cruz in Russian and Chinese history.

Rebecca lived for many years in the San Francisco Bay Area. In 1988 she and her family moved to Halifax, Nova Scotia, and in 2006 she and her husband moved to Vancouver Island. They live near their two adult children in the beautiful Cowichan Valley.

Visit Rebecca:

27 March 2014

Excerpt Thursday: THE GRIP OF GOD by Rebecca Hazell

This week, we're pleased to welcome author Rebecca Hazell with her latest novel, THE GRIP OF GOD. Join us again on Sunday for an author interview, with more details about the story behind the story. The author will offer a free copy of The Grip of God to a lucky blog visitor.  Be sure to leave your email address in the comments of today's post or Sunday's author interview for a chance to win. Winner(s) are contacted privately by email. Here's the blurb.


Rebecca Hazell's The Grip of God, the first novel in an epic historical trilogy, is available on amazon.com  and its affiliates and by special order through your local bookstore. The subsequent two novels in the trilogy are scheduled for publication later this year. The saga’s heroine, Sofia, is a young princess of Kievan Rus. Clear eyed and intelligent, she recounts her capture in battle and life of slavery to a young army captain in the Mongol hordes that are flooding Europe. Not only is her life shattered, it is haunted by a prophecy that catalyzes bitter rivalries in her new master's powerful family. She must learn to survive in a world of total war, always seeking the love she once took for granted.

Sofia's story is based on actual historical events that determine her destiny. Readers will delight in this very personal and engaging tale from a time that set the stage for many of the conflicts of today's world.

Praise for the trilogy

“How deftly and compellingly Hazell takes the reader with her into that mysterious and exotic world, and makes it all seem so very close to hand!” – Peter Conradi, Fellow of Britain's Royal Society of Literature and author of Iris Murdoch: A Life, and of A Very English Hero.

"I enjoyed watching her morph from a spoiled sheltered princess with slaves of her own, into a tough, savvy survivor, with a new awareness of social injustice. The book is action packed. I couldn't put it down." -- from a review on Amazon.com.

"I got completely caught up in the characters and story and always looked forward to getting back to them. What a fully fleshed and fascinating world you developed and it was wondrous to learn so much about that time and the Mongol culture. Your gifts come out in your lush descriptions of place and objects. All very vivid and colorful." --author Dede Crane Gaston

*An Excerpt from The Grip of God**

December? Anno Domini 1239

            An evil dream: weird whistling demons were chasing me. I woke into darkness. It took several moments to realize that the whistling was real. A harsh medley of thuds, cries, groans, shouts, clashing metal, and screams of fear and pain brought me fully awake. Our horses, tethered on the far side of the clearing, were whinnying and jostling each other. The dead stranger’s terrible smell was back.
            “Kateryna?” I called softly. There was no answer. I crawled out of my furs to waken her. She was gone. Thinking to crawl to my tent flap, I threw my cloak over my shoulders and shakily drew my eating knife from its sheath, but another unearthly shriek threw me flat as something tore through the tent. When I dared to look up, small holes on either wall gleamed like little gray stars. I inched forward to lift the bottom of the flap a little, but at first all I could see was a boot sole. I lifted the flap a little higher.
            A corpse lay on its back, open eyes glittering in the moonlight, knees bent and boots before my face, its beard obscuring its features. A stick jutted out of its throat—no, an arrow. I dropped the tent flap back down, gulped air, stared at those holes. Where was Oleg? He shouldn’t leave me alone—Good God, this must be a bandit attack and he must be with his warriors fighting it off! But then Kateryna should not be out there. More shouts, screams cut short. Why didn’t Alexander come for me? Should I go or stay?
            It suddenly grew quiet. Oleg’s warriors must be chasing the attackers from our camp. Nonetheless, I hesitated for an eternity, afraid to pass that corpse in case its angry ghost fastened on me. I began to feel both foolish and cowardly. By now Alexander should have come to make sure I was safe—
            Dear God, had something happened to him? I awkwardly pulled on my boots, fastened my cloak, and slowly drew aside the tent flap.
            At first the light from the half-moon transformed the meadow into glowing silver and deep black shapes, lending an eerie beauty to the camp. But then I truly saw. It was as if a tempest had struck: bodies scattered everywhere with arrows thrusting up from most of them, tents askew, goods spilled. Strange men with torches were moving among the fallen, bending over each in turn. A terrible stench struck my nose, a mixture of that dead man’s bad smell, loosed bowels, sweat, and blood. I looked down at the corpse.
            It was Oleg.
            Just beyond him lay Kateryna, her arms flung out, a knife in her hand, blood still oozing from a slash across her breast onto the pelt that lay under her like a funeral bed.
            “No!” I cried. The world went black.
            An iron hand gripped my arm, twisted me around, and pulled me upright. My head cleared, and a stranger stood before me, so like yesterday’s dead man that for a moment I thought it was his ghost. But this man was very much alive. His slanting eyes glinted down at me, his high cheekbones seemed carved of stone. A pointed, plumed helmet covered his head, animal tails dangling absurdly from its sides; metal-plated leather armor covered his clothing. Worst, though, was that foul odor of stale sweat, dirt, and of blood, old and fresh. Not even a peasant stank like that. He grinned at me.
            I swung my little knife, but the man-beast knocked it out of my hand with a humorless laugh. Others like him came up, and they all began barking in some hideous dog speech. One of them squatted by Oleg and Kateryna, slit their throats, cut an ear off each as if carving meat for supper, and stowed his bloody relics in a bulging bag.
            I’d have fainted again, but the man-beast wrenched me upright into painful clarity as he lifted his sword, smirking. With cunning born of terror, I twisted from his grip and fled. He shouted; within moments a pack of those dogs was so close behind me that I could almost feel their breath on my neck. Rabbit-like, I bounded one way and another, jumping over corpses and dodging felled tents, slipping right past one man, to his dismay and the hoots of his companions, but they rapidly encircled and then closed in on me until I had nowhere to go. I was panting with fear and frustration, and they were laughing!
            The circle parted. The warrior who had first found me stepped into it, followed by another with a torch. He glared at me as he marched up, wicked sword in hand, reached out and gripped my arm so hard it nearly broke off, shook me like a rag, forced me onto my knees, yanked my hair up, and raised his sword once again. I closed my eyes, waiting for the sword to strike.
            The blow never came.
  
About the author

Rebecca Hazell is an award winning artist, author and educator. She has written, illustrated and published four non-fiction children’s books, created best selling educational filmstrips, designed educational craft kits for children and even created award winning needlepoint canvases.

She is a senior teacher in the Shambhala Buddhist lineage, and she holds an honours BA from the University of California at Santa Cruz in Russian and Chinese history.

Rebecca lived for many years in the San Francisco Bay Area. In 1988 she and her family moved to Halifax, Nova Scotia, and in 2006 she and her husband moved to Vancouver Island. They live near their two adult children in the beautiful Cowichan Valley.

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