Showing posts with label The Hinterlands. Show all posts
Showing posts with label The Hinterlands. Show all posts

06 October 2008

Expansion & Invasion: The Benin Punitive Expedition

By Karen Mercury

I was amazed to discover that, as recently as 1897 in Benin City Nigeria, there existed a remote and cut-off civilization that still practiced human sacrifice. "1897?" I scoffed. "They were inventing the automobile then!" This Edo civilization was a secluded kingdom where only a few white men had been allowed to venture. Skilled artisans crafted bronze artwork so advanced it was later compared to Egyptian art in its beauty.

European traders were making inroads into the complex network of Niger delta waterways, anchoring trading hulks in the rivers to satisfy the lust for ivory and "red gold," the palm oil that flowed from the interior. This was a hellish occupation in an area where the chant was "The Bight of Benin! The Bight of Benin! One comes out where three goes in." The White Man's Graveyard was a malarial miasma where only the toughest agents flourished, and a lucky few had the verbal contracts to do business directly with the Oba, who ruled the Kingdom of Edo controlling the river trade.

I wrote in THE HINTERLANDS:
Brendan had established new trading posts in Urhobo country, beaches with warehouses for palm oil and trade goods. The Oba had eghen at the waterside markets, and they often stopped all trade leaving Edoland if they weren't happy with the terms. Brendan's men were so accustomed to the embargoes they kept their palm oil in gourds with narrow necks that could be sealed until the markets reopened.
To force the trade routes open, Whitehall sent a James Phillips of the Royal Navy. Phillips, a former Overseer of Prisons, was determined to take Benin City.

The Edo's human sacrifice was a sort of form of fatalism. The sun, moon, and tides didn't give a damn about the Edo. They looked to the gods that were always smiting people with unexpected catastrophes, drowning, heart attacks, malaria. The spirits were ripe for the devil, so the African flattered them with sacrifices--the more pain and loss it caused the African, the happier the spirits were.

Elle wasn't at the Iroko tree either, where a prisoner Brendan knew as Thompson Oyibodudu momentarily distracted his attention.

"Isn't that the fellow who dresses in white man's clothes?" Evin asked him.

"Sure enough." Brendan nodded grimly. Oyibodudu traded directly with Oyinbo and had adopted their customs.

"He will not go quietly," Onaiwu said.

Oyibodudu's eyes bugged out as though about to explode before the executioner even wrapped the garrote around his neck. Though hobbled, and with hands cinched behind his back, Oyibodudu lurched to his feet and shouted in booming, foreboding tones, "The white men that are greater than you and I are coming soon to fight and conquer you!"

Henchmen leaped to subdue him, to wrestle him back to the properly submissive execution stance. "Kill me quickly!" was the last thing Oyibodudu yelled before he was muffled.

The jovial crowd shrieked in both horror and humor, many of them reflexively turning to laugh at Brendan and Evin. It was of the utmost effort to remain placid through all of it.
The human sacrifice they didn't understand disgusted the British, and they used this excuse as well as the trade embargoes to justify their bellicose intents.

Brendan looked levelly at the jackass. "Yet you're considering deposing the Oba."

Phillips swung his empty gin glass between his fingertips, leaned forward, and said confidentially, "My dear boy. There is every reason to believe the Edo people would be glad to get rid of their king. He's a liability, a throwback to an earlier, primitive, tribal way of dealing. You've seen for yourself the hundreds of human sacrifices. Now surely, even Americans don't stand behind that sort of behavior."

"The sacrifice is a very holy belief in appeasing their gods. When they see us impinging upon foreign countries in the name of our God, quite possibly they think the same thing of us." Brendan paused meaningfully. "And the only sacrifices are criminals and unauthorized traders found in his domains."
When the Oba heard word of the impending invasion, he ordered even more human sacrifices to stave off the Oyinbo arrival. Getting antsy, without waiting for approval from Whitehall, Phillips embarked on his own little expedition to Benin City.

Victoria turned around on her stool. "Vince! Does this mean war? Will we have to leave Sapele?"

Gainey came forward to hand Brendan his cocktail. Brendan took it, for it suddenly didn't seem so odd at that time of day. "My dear, have no fear. This is no war party; poor misguided Jim is just making a friendly stab at opening up the kernel trade."

Rip interjected, his shocked eyes full of concern. "But don't you reckon Brendan here is just going to run and warn the Oba? There could be all sorts of savage ambushes awaiting the poor fellow."

Brendan snorted with disgust. "Rip, a group of eight unarmed white men with a drum and fife band is hardly the making of a necktie party. What would I warn the Oba about...an impending cricket match?"
Phillips took more than eight whitemen: he brought along 250 African soldiers of the Niger Coast Protectorate Force, five British officers, and a military band to display his "friendly" goals. His real mission was to depose the Oba, replace him with a native council friendly to British concerns, and pay for the expedition with spoils of war.

Some chiefs had warned the Oba that "the white man is bringing war." The Oba wanted to allow them into his city, but a hot-headed young general, Ologboshere, thought otherwise. Ologboshere and his men attacked the unarmed "peace" party, wiping out Phillips and all but two white men, and nearly all the native "carriers."

Brendan knew why Phillips had gone unarmed, and left all of his revolvers in a locked trunk hoisted by carriers. During Brendan's last visit to Consular Hill in Old Calabar, he had glimpsed a letter on Phillips's desk in Ralph Moor's characteristically spiked handwriting, telling Phillips: "And do go unarmed, old boy. The first sign of so much as a revolver and those bloodthirsty savages will have your head."

As Brendan surveyed the field of gore and destruction, he instantly knew why Moor had told Phillips that. Moor had a keen idea there would be some sort of altercation that he could use as the excuse for immediate punitive reprisal, his lusty goal for the region since taking control.

In January 1897, Rear Admiral Harry Rawson was appointed by the British Admiralty to lead an expedition to capture the Oba and destroy Benin City. As arranged, Brad Forshaw and John Swainson were allowed into Edo. It was an extremely brave trek for the traders, as Ologboshere had already sent out guerrilla parties to make surprise raids against the British, and the British were sending scouts with Snider rifles and spies into Benin territory.

They brought the news that twelve hundred bluejackets and Marines from London, Cape Town, and Malta had steamed up to Brass under the command of Rear Admiral Rawson. The brunt of the fighting was to fall on the well-seasoned men of the Niger Coast Protectorate Force, the unit of armed constabulary raised by Moor years before.

In addition, there were hundreds of African carriers brought from Sierra Leone, Opobo, and Bonny. Ralph Moor, having been mobilized with alacrity back from London, was already en route to Sapele to inspect the Cape Squadron with Rear Admiral Rawson. Ominously, they were equipped with seven-pounder artillery for bombardment, rocket tubes, and Maxim guns that spewed out six hundred rounds a minute. John and Brad returned to Sapele the next day, never to visit again.
The invading force reached Benin City in February 1897.

Brendan shared looks with Elle and Evin to see a brass Portuguese horseman pendant sticking out from the back pocket of the corporal's trousers. Around his rifle stock, one private had a brass altar ring that he probably didn't know depicted bound and severed heads, and decapitated bodies with vultures feasting upon them. Indeed, the closer they got to the palace, more soldiers dashed hither and yon carrying all manner of spoils of war. Some of the carved tusks were so big and heavy it took two or more men to hoist one of them, and there was barely a beefeater who did not cradle an altar tableau or a head of the Oba under his arm.

"I say." Brendan fell easily into the beefeater lingo. "Would it be possible to get some colors to accompany us back to Sapele?"

"Oh," said the corporal merrily, "I daresay you could take a whole regiment back with you. Everyone's blooming eager to get out of here. It's been a larky expedition, but we've seen enough human sacrifices to last us all month."
Every member of the "Benin Punitive Expedition" took part in the looting, on the third day burning the Oba's palace. They returned home with 2500 religious artifacts and bronze artworks. The Oba escaped and "went for bush" with a detachment, but surrendered some months later. In Benin City, the British laid out a 9-hole golf course, the first hole on the same spot as the former Iroko human sacrifice tree. The artwork was auctioned off to pay for the expedition, eventually winding up in museums all over Europe, setting off a new appraisal of West African art that was copied for decades. Sir Ralph Moor committed suicide in 1909 by drinking potassium cyanide.

04 November 2007

Release Party: Strangely Wonderful

Strangely Wonderful by Karen Mercury
It's 1828, and life is good for the pirates Of Madagascar...

On Tuesday, Karen Mercury's third Medallion release, STRANGELY WONDERFUL, hit the shelves. So of course we had to feature her today! Here's the cover copy:

Their Captain is the Hungarian Count Tomaj Balashazy, a refugee from the United States Navy. Count Balashazy rules the coast from his tropical plantation, a fortress built against enemies he's made cruising the Indian Ocean. Tomaj feels guilt at the loss of his family in New Orleans, and he wallows in clouds of opium, soothed by courtesans. When the American naturalist Dagny Ravenhurst, seeking the dreaded and mystical aye-aye lemur, falls into Tomaj's lagoon, it's the beginning of the end of arcadian bliss on the island.

In the central highlands, the French industrialist Paul Boneaux commands his empire of factories. As the special pet of psychotic Malagasy Queen Ranavalona, Boneaux enjoys a monopoly over all manufacturing, commerce, and his mistress. Beholden to Boneaux, Dagny and her two brothers need his patronage to survive. Dagny's joyless scientific heart melts for the Count's poetic nature, pitting the two adversaries against each other. Boneaux yearns for progress and industry, Tomaj for liberty and peace.

When the King dies--or is he murdered?--the Queen gives free reign to her merciless anti-European impulses.The island boils with blood, and only one world can emerge triumphant. In Madagascar's utopian paradise, all is...STRANGELY WONDERFUL

Here's our Q&A with author and world traveler extraordinaire Karen Mercury:

STRANGELY WONDERFUL is your third historical fiction set in Africa. What drew you to writing about Africa?

I honestly think it's a past life thing. When I was four, there was a little Norwegian boy across the street who constantly talked about "Acica." He averred there were "dinosaurs in the sky" there, and for about a year, we lived in this entire realm involving volcanoes in "Acica." As will happen with small kids, it was reality to us. Steiner moved away. Then out of the blue, when I was about eleven, I had this vivid dream. I was a black man on a pristine white beach, and this fellow ran out of the jungle yelling "The mountain exploded!" As my mind's eye pulled back, I saw this flat-topped snowy mountain, and a voice whispered in my ear one word: Kwale. Kwale. I instantly knew how to spell it, and when I awoke, I zoomed to my mother's atlas.

Kwale is a small town on the coast of Kenya. About 500 miles away from Mt. Kilimanjaro, an extinct flat-topped snowy volcano.

Could "science" explain this? My mother tried to tell me I'd seen a TV show on it, somehow. No, I didn't. There had to be some other answers, so talk about literally following your dreams, when I was 21 I got a one-way plane ticket to Africa. In other matters, I'm so dense--that just now writing this--I made the connection between Steiner's volcanoes and the one in my dream.

So yes, the Cliff's Notes version is, I've traveled overland across sub-Saharan Africa a few times. I started in Cairo once, took a leaky dhow up the Nile through the Aswan High Dam, and I don't particularly feel any affinity for Egypt. Your soap is burning hot at four in the morning! I have absolutely no interest in Egyptian history, although I do enjoy Bonnie Vanak's books for their adventure. I feel much more at home in the "miasmatic swamps" of Central Africa. I've never felt more at home. I finally sat on a beach in Kwale and realized that.

What was the most surprising thing you discovered while researching Madagascar?

CoelacanthYou know, the strangest thing happened--usually I first delve into the political history of a country. With Madagascar, I realized off the bat the most interesting thing was the natural history of the island--the lemurs, the extinct dodo birds and the coelacanth--the bizarre "Cretaceous" fish that still occasionally washes up around the Comoros. I'm not sure which is the oddest. Scientists still theorize that Madagascar busted away from the mainland a trazillion billion years ago (sorry, once again, not a scientist, but would LOVE to pretend to be one on TV), and as a result you have "strange extinct animals, sprouting a wild assortment of endemic beings found nowhere else: fragile orchids that could only live under glass, coral masquerading as swords and lace, mythical underground caverns where translucent blind fish bumped into rocks, and animals without backbones fell over..."

So, of course, I made my heroine a naturalist, which is what they used to call a botanist and biologist--back then they didn't specialize. She meets the hero while she's climbing onto a branch to collect the rarest of rare orchids...and falls into his pirate lagoon.

John Cleese, of all people, made the best Madagascar video ever, and it's going for like $78 on eBay! I finally obtained a copy, and he saw first-hand how the lemurs adapted to the "spiny forest" environment of Southern Madagascar. These lemurs have this Darwinian ability to leap twenty feet from thorny tree to thorny tree and somehow avoid all of the spikes, and then do some amazing sashaying dances on the ground, and to this day, no one knows how they do it. Well, if John Cleese is amazed, then I'm amazed.

Your books contain a lot of humor. To what do you attribute that?

The Hinterlands by Karen MercuryIt's not something I intended. As a teenager, I realized that most of the scenes I'd written that I wished to read over and over were mostly humorous. Once I realized I wanted to become a "serious" writer, I eviscerated all of the "humorous" scenes from my manuscripts. "None of that allowed in here! This is some serious shit here!" THE HINTERLANDS, my first published book, was the first book where I just allowed the humor to stay in. Apparently everyone liked it.

Humor is inexplicable. I don't consider myself a humorous writer. Sometimes I'll be writing a funeral scene, and in the middle of nowhere, a character will bust out with the most hysterical stuff I've ever seen in my life. (Yes, I am one of those writers who thinks their characters act independently of them). Conversely, I'll be writing a scene where I'm certain comedy might come into the picture, and it turns out like a funeral scene, with Dostoevskian characters busting in making dramatic statements and everyone acting dour.

I have no idea where it comes from. I do believe that humor isn't something Abbott + Costello suddenly invented. There was a lot of humor in history. Just like we didn't suddenly invent sex. Just ask Sir Richard Burton.

I don't purposefully set out to be humorous--I'm afraid that might ruin it, if I purposefully tried. I just let the shit fall where it may. I'd hate to be a stand up comedian who had to be "on" all the time--how on earth do they do that? That must be more stressful than being a historical fiction author.

What books are you reading now?

Not having much time for fiction, I need an entire TBR room (don't we all?). I'm a member of the Historical Novel Society and just attended their conference in New York in June, so I picked up a bunch of great stuff there. I absolutely adored THE SWEET BY AND BY written by Jeanne Mackin. I talk that book up every chance that I get. She wrote about the Fox sisters, who inadvertently started the Victorian Spiritualism movement. Gorgeously written book--just a pleasure to read. I recently speed-ordered SWITCHING TIME, a nonfiction about a shrink who treated a gal with seventeen personalities. Could not put it down.

What's next for you?

I just finished writing a historical erotic paranormal set in Zanzibar in 1876, a time and place I know well. A lot of this alleged comedy came out while I wrote it. As is turns out, this wandering showman who is a marionettist and a puppeteer is the Assistant Consul at the American Embassy there, and when the real Consul shows up, and a bunch of dead bodies appear, the shit hits the fan. It involves the Sultan of Zanzibar, bath houses, levitation, and Spiritualism.

Any advice?

Never try to "write to the market." Stay true to yourself. Your own voice will come through, and allow that to happen. A lot of readers don't like explicit sex. Nothing wrong with that. There's always a market for what you have to say.

***

Thanks for your thoughtful answers, Karen!

You can purchase STRANGELY WONDERFUL online through Amazon, Barnes & Noble, Amazon.co.uk, Amazon.ca, or Books-a-Million.

Ask your own question or leave a comment for the chance to win a copy of STRANGELY WONDERFUL. One random commenter will be chosen this time next week. Check back to see if you've won.