Showing posts with label Samhain. Show all posts
Showing posts with label Samhain. Show all posts

27 February 2011

Guest Author: Denise Agnew

This week on Unusual Historicals we're welcoming Samhain author Denise Agnew as she celebrates the release of her ancient world-set romance, FOR A ROMAN'S HEART. Here's the blurb:

His scarred soul knows no vulnerability--except her touch.

Trapped between cruel parents and the need to hide her gift of second sight from suspicious villagers, Adrenia Tertia Brigomalla walks a line as thin as the threads she weaves. The need for independence burns fierce in her heart, but not as hot as her unexpected attraction to a Roman soldier who comes to the village in search of a deserter.

Though hardened by war, Centurion Terentius Marius Atellus defies any man to harm an innocent. Nothing shakes his relentless determination to track down a murderous legionnaire with a taste for young women. Yet Adrenia's spirit and vulnerability spark a protective instinct stronger than duty...and temptation that could be his downfall.

Fragile trust built on stolen kisses and a premonition saves his life and drives his offer of the ultimate protection--marriage. While she revels in the feral passion he awakens within her, Adrenia would sooner brave the fires of Hades than trade one yoke for another.

It's a decision that could leave them both dangling above a precipice they may not survive...
***

What do you consider unique about the historical romances you write?

I've never been too interested in writing the soup du jour when it comes to historical romance. For example, Regency era sexy romances are very popular right now. But if I tried to write one when I wasn't interested in writing one, it would be a square peg into round hole situation.

Do you like the research required to write historical novels?

I never write a book set in a time period I'm not interested in writing about so there are no dull moments for me. The research is fascinating to me. I love it.

Do you write historicals exclusively?

No. I've written in every genre of romance except for inspirational. I have to change things up to keep my inspiration moving. Writing too much in one area of romance plugs up my ability to create at all.

Tell us about some of the historical romances you've written in the past and the ones coming up in the near future.

BRIDGE THROUGH THE MIST
This story is a time travel at the heart, but I throw it in there as historical because it's set mostly in 1318 Scotland, and I still had to do a ton of research.

LOVE FROM THE ASHES
2001 EPPIE winner for Best Historical Romance. It's set during the 1906 San Francisco Earthquake and Fire. The research on this book took a long time, but it paid off. I've had so many people read this book and tell me they felt like they were really there experiencing the time, place, and the earthquake and fire.

DARK, DEADLY LOVE
This novel is set during the Jack The Ripper murders of 1888. The original title was Midnight Rose. This is definitely a favorite of mine. I'd been reading about Jack the Ripper since the '80's, and when I buckled down to the right the book, it just sucked me right inside and wouldn't release me. It's one of my darker books, and though it is most definitely a romance, I feel it stretches the boundaries of what readers often expect from a romance. Of you don't mind being scared and enjoy a gritty read, this might be for you.

BEFORE THE DAWN
(Samhain Publishing; June 2011)
Before The Dawn is set in 1850's Pennsylvania, and a good portion of the story takes place on the Trans Allegheny Railroad route.

"ASYLUM TRILOGY"
(Colorado mountains, fictional town)
The trilogy is a definite work in progress, and I don't have good titles for the books yet. All three stories are set in a fictional Colorado mountain town and revolve around a very haunted insane asylum. The stories deal with more disturbing subjects, but I feel like they also deal with people in bad circumstances working their way toward a better life and finding that strength within themselves. And yes, they are also romances. I don't know whether I'm calling these stories horror/romance or gothic romance yet. I just finished the first draft of the first story, and I'm right into the next one with the research. The first story is set in 1908, while the second is set in 1918 during the end of the World War I, and it deals some with the Spanish Influenza, too. The last story in the trilogy is set in modern day.

Where can we find information on your historical romances and all your other books?

You can find pretty much everything you want to know at my website. You'll find links to all my books, excerpts, my blog, and monthly contest. Plus, you'll find me on Facebook, Twitter and MySpace.

Thanks so much to Unusual Historicals for having here today! I very much appreciate it.

***

You're very welcome, Denise! Readers, if you'd like to get your hands on an e-copy of FOR A ROMAN'S HEART, just least a comment or question for Denise. Maybe answer this: What appeals to you about romances set in the ancient world? I'll draw a winner at random next Sunday. Void where prohibited. Best of luck!

06 January 2011

Excerpt Thursday: Lorelie Brown

This week on Excerpt Thursday we're celebrating with contributor Lorelie Brown because this week her debut historical romance, JAZZ BABY, is released by Samhain in paperback. JAZZ BABY is set during the Roaring 20s and was recently given special mention on Babbling About Books as a one of the best books of 2010. Join us Sunday when Lorelie will be here to talk about her ongoing fascination with the Prohibition Era and men in fedoras, as well as give away a copy!

Of all the juice joints he had to bust, this one had to be hers...

In the world of illegal speakeasies, Kate Kirkland has her life running smoother than a Model T. Maybe moving the family bar into the basement wasn't the best choice for her alcoholic brother, but Kate's making them a living--until a local gangster tries to expand his territory. Right into her bar.

Luckily Micah Trent, her handsome and too-suave bootlegger, is ready and willing to offer her a helping hand. If Kate can bring herself to accept it. Since sharing one sensual dance to seal their deal, she can't ignore the delectably wicked way he makes her feel.

Micah is keeping secrets of his own. He's a Prohibition Agent, sworn to shut down the gin mills and distilleries that keep illegal booze flowing. Kate's speakeasy is next on his list--right after he uses her as bait to catch the gangster hunting her.

But even if Micah and Kate can maneuver their way through the gangsters' dangerous underworld, will their love survive the trial by fire?
***

He found Kate near the hallway to her office. Even in the dim lights, she looked flushed. An empty wine glass dangled from one hand. In the other she had a half-empty bottle of wine. Micah knew exactly when she spotted him. She stood upright from her slump against the table. Her cupid's bow mouth pinched tight as her straight, dark brows lowered. Jesus, she was beautiful, even when annoyed. Especially when annoyed. It added a dash of hectic color normally absent from her pale, porcelain skin.

"You. I do not need to deal with you tonight." Her words were slow and rounded at the edges.

"Are you sloshed?" Micah's jaw gaped open. It didn't seem right that carefully controlled Kate should be tipsy.

She paused for a moment and tipped her head. "So what if I am? It's been a really bad day."

"It's nothing to me. I'm just a little surprised." Another couple passed by, leaning on each other, so close that one wrong stagger would send them crashing into Kate. She didn't flinch. He angled his body so he blocked her from view.

"I guess you don't know me half as well as you thought," she said. "Regret chasing me now?"

The light in her eyes was hard to read. She seemed on edge despite her slightly drunken state. She kept looking around for something. "Let's go in your office." He felt like he should get her away from the crowds. Big bad day or no, she'd regret this tomorrow.

"You too, huh?"

"What?"

"Everyone wants to get me in my dang office. You got a business proposition for me also?"

"We already do business, remember? I'd like to be paid." Micah flashed his most charming smile. It had never really worked with her before, but drunken Kate seemed slightly more manageable.

"Oh, yeah." She kept the wine bottle and headed for her office. He followed, scratching the back of his neck. This was completely out of character for her. He wondered what had upset her so badly. Not that there weren't certain compensations, he thought, watching the exaggerated sway of her slender hips, encased in a curve-skimming dress.

In the office, she hopped up and sat on the front of her desk, then leaned over to unlock a drawer the hard way. Her hem drew all the way up to her knees.

He could see the sleek curve of her calf glimmering in silk stockings. His mouth went dry and his fingertips itched. He could practically feel how smooth those legs would be. Oh, yeah, there were definite advantages to her having an edge on.

Mentally, he shook himself. She did not need him to turn into a drooling letch, not now or ever, for that matter. He was on the verge of disgusting himself. He'd never been this obsessed with a woman before.

She waved a fat, white envelope in his face. "Halloo," she crooned. "I'm up here and I'm barely smashed, not oblivious. You'd think you'd never seen a woman's legs before."

"Oh, I've seen quite a few." He chuckled. "I've found myself pretty astonished at how often I see them lately."

"A closet prude, are you?"

Micah grinned. Was that a speck of disappointment in her tone? "Not at all. Would you like me to prove it?"

18 July 2010

Guest Author: Moira Rogers

This week on Unusual Historicals we're featuring Samhain author Moira Rogers as she celebrates the release of A SAFE HARBOR, a paranormal set during the Great Depression. Here's the blurb:

During the bite of the Great Depression, sole female dominant Joan Fuller struggles against the rise of cruelty among her alpha counterparts. The men tolerate her interference--until she breaks from the pack and allies with a witch and a vampire. Now the Boston alpha intends to bring them all forcibly back into the fold--and teach her a lesson she may not survive.

Seamus Whelan and his werewolf bootleggers intend to retire from smuggling and savor their fortune, but first they must do a favor for an old friend: escort some female wolves to safety. An easy job, if their leader wasn't a prim ex-debutante with enough power to challenge Seamus himself. Chance makes them allies; powerful need makes them lovers.

Together, they have the opportunity to build a sanctuary for their kind, but first they must free themselves from Joan's past, and the powerful man who would see her destroyed.
***

Why the Great Depression?

In our contemporary paranormal series, we have a paranormal culture that was twisted when the wrong people took power. It made sense to us that the quickest way to overcome natural selection was an event that transcended power and struck at the heart of survival.

The Great Depression seemed like the perfect time for money to overtake tradition and let a new set of rules come into play. So when we decided to go back and write about this turning point, there was no other choice!

What research challenges did you face?

Much of A SAFE HARBOR and its sequel, UNDERTOW, takes place on a remote island off the coast of Maine. In many ways, we were writing frontier level technology in a Great Depression setting, which meant we had to know what our characters would have--and what they'd be missing!

The other challenge was feminism. Our werewolf society has progressed somewhat backwards from human society. Our contemporary female wolves had very little power in their paranormal lives but relative freedom in their human ones.

When writing A SAFE HARBOR, we had to reverse our thinking, and try to think about how women who had different roles in human society would be changed by the power they'd had in their paranormal lives--and how difficult it would be to have that power taken away.

How have you handled adding paranormal elements into this era of history?

As with any era, the most important thing for us is to make sure that the paranormal aspects work with the world around them. In this instance, we already had a world. We knew how the bits and pieces fit together. Our challenge was considering how our cultures had progressed through the years.

What other historicals eras (if any) have you used for settings?

In March 2011 we'll be seeing our first alternate Wild West paranormal romance hit the virtual shelves. It's a little bit steampunk, a lot paranormal and a wild campy ride. It's been fun to write something that gets to be a little more out there, since A SAFE HARBOR and UNDERTOW are relatively serious books set in a dark world. (As can be expected...the Great Depression is not the most cheerful time period!)

Who is Moira Rogers?

Our biography asks the important question: How do you make a Moira Rogers? Take a former forensic science and nursing student obsessed with paranormal romance and add a computer programmer with a passion for gritty urban fantasy. Toss in a dash of whimsy and a lot of caffeine, and enjoy with a side of chocolate by the light of the full moon.

By day, Bree and Donna are mild-mannered ladies who reside in the Deep South. At night, when their husbands and children are asleep, they combine forces to unleash the product of their fevered imaginations upon the page. (Disclaimer: crime fighting abilities may appear only in the aforementioned fevered imaginations.)

What's up next for you?

In October we'll see the publication of our second historical novella, UNDERTOW, as well as a short story in the Mammoth Book of Paranormal Romance 2. After that we'll be returning to contemporary times and the Deep South for our third Southern Arcana novel. Then a trip to the gunslinging wild west in March!

In other words...we keep busy.

***

Would you like to try out this tasty unusual treat? Just leave a comment or question for our dynamic writing duo. Maybe: What are your thoughts about a romance set in the Great Depression? What about mixing paranormal elements with historical settings? I'll draw one winner at random next week, who will win a digital copy of A SAFE HARBOR. Void where prohibited. Best of luck!

15 July 2010

Excerpt Thursday: Moira Rogers

This week on Excerpt Thursday we're featuring Samhain author Moira Rogers as she celebrates the release of A SAFE HARBOR, a paranormal set during the Great Depression. Join us Sunday when Moira will be here to talk about this fab blend of paranormal elements and an unusual era. Here's the blurb:

During the bite of the Great Depression, sole female dominant Joan Fuller struggles against the rise of cruelty among her alpha counterparts. The men tolerate her interference--until she breaks from the pack and allies with a witch and a vampire. Now the Boston alpha intends to bring them all forcibly back into the fold--and teach her a lesson she may not survive.

Seamus Whelan and his werewolf bootleggers intend to retire from smuggling and savor their fortune, but first they must do a favor for an old friend: escort some female wolves to safety. An easy job, if their leader wasn't a prim ex-debutante with enough power to challenge Seamus himself. Chance makes them allies; powerful need makes them lovers.

Together, they have the opportunity to build a sanctuary for their kind, but first they must free themselves from Joan's past, and the powerful man who would see her destroyed.
***

There was no time for a proper bath, though the polished tub stood empty with its shiny new pipes gleaming and a freshly washed stack of towels beside it. For some of the girls, the ability to twist a knob and fill the tub with hot water had been a luxury more magical than the fact that they changed to wolves with every full moon.

Those were mostly Edwin's girls. Girls so poor they'd never known anything but heating pot after pot of water to fill a tub a bit at a time, if they were even that lucky. She had to credit the man with some cunning--he'd been very sure to pick girls unlikely to be missed. Orphans and farmers' daughters and maids who would be assumed to have abandoned their drudgery in favor of running off with a man. Oh yes, Edwin chose well.

Most of the time.

Joan sighed and did her best to ignore the tub as she stripped the torn, bloodstained dress from her body quickly but carefully. Even if there had been time to immerse herself in hot, clean water, she couldn't have. Simone had just changed the bandage wrapped around the wound on her calf, and it still hadn't healed. Instead Joan had stitches holding her skin together while sluggish power stirred inside her.

Not enough. Not nearly enough, and fear clawed inside her as she tried not to imagine what it could mean. The bond with Adam would take what it needed to keep their people strong, but it had never drawn so much from her before, never felt like a noose around her neck. She was the most powerful wolf. Her magic fed the pack, fed everyone.

Including the wolves left to Edwin's surely untender mercies.

Every heartbeat increased her weariness, until exhaustion weighed so heavy that even simple chores seemed insurmountable obstacles. She fumbled with the knob for the hot water, then hesitated. Their supply wasn't endless, and it might be needed for more important things before the day was done. Gritting her teeth, she twisted on the cold water instead.

Autumn had come early to Massachusetts, and washing the blood from her hair wasn't as easy as she'd hoped. It had dried into a tacky, sticky mess, tangling around her fingers until she wanted to scream with frustration.

By the time the water ran clear, she was shivering in just her undergarments. She tucked one of the thick towels around her body and used another to rub at her hair, bracing herself for the fact she still had to wash her face, arms and neck in the icy water.

"You need some help."

Joan barely bit down in time to hold back a startled noise as she spun and found herself looking into gentle blue eyes. It was the new man, the one who'd come to speak to Adam's friend. Nothing should have made her so oblivious that she disregarded the sound of footsteps in the hallway, which meant she had left weary behind and careened into recklessly exhausted.

But not so exhausted as to tolerate a man staring at her with such blatant appraisal. She gripped the towel and tried to summon her fiercest glare as she pretended his words had been a question instead of an arrogant, presumptuous statement. "I'm fine. Please close the door behind you."

"We're going to be working together." He stepped into the bathroom and, indeed, shut the door behind him. "That means we need to talk."

She'd seen women sporting dresses that bared more skin than her towel, but it didn't make her feel less naked. The press of his power didn't help--he was clearly a strong wolf, one full of rough, edgy dominance that stirred the wolf inside her with unrestrained curiosity.

She had to get rid of him. "I'll be out in a few minutes. If you or the men you brought need anything, you can ask Simone. She's in the kitchen."

"We had a lovely conversation." He smiled suddenly, not a grin or a smirk, and it transformed his face from hard to boyishly handsome. "She told me to come talk to you."

Of course she had. Humans might judge authority by gender or age or social standing or money, but wolves only cared for power. It didn't matter that she was twenty-four and female, that she'd lost her inheritance and any hope of being accepted or respected by polite society. She had raw power, so she was in charge.

The heaviness of her responsibility settled over her. Soon she'd slide to the floor under the weight of it, crushed beyond repair.

24 June 2010

Excerpt Thursday: Laura Navarre

This week on Excerpt Thursday we're featuring Samhain author Laura Navarre and her steaming hot Tudor-era romance, THE DEVIL'S MISTRESS. Join us Sunday when Laura will be here to answer questions and give away a free copy!

Living breath-to-breath beneath the shadow of violence, Italian perfumer and apothecary Allegra Grimaldi was forced to learn the killing arts from the Hand of God--a religious assassin. She has sworn never to use her deadly skills, but now a blackmailer has her by the proverbial throat.

To save her family from an ugly death, she must do the unthinkable. Infiltrate the court of King Henry VIII, poison the heretic Anne Boleyn before she becomes queen--and frame Anne's bastard brother for the crime. Honest and principled, Sir Joscelin is the perfect pawn.

Allegra is clever, captivating...and her warning to Anne immediately rouses Joscelin's suspicion. Sworn to protect his sister, and striving for recognition from the powerful father who disdains him, Joscelin has no choice but to put aside his attraction to the mysterious lady and gather evidence to see her burn for witchcraft.

To avert a disaster that will change the face of Europe, this stalwart soldier of incorruptible integrity and the fallen woman who breathes deception must learn to trust each other--and discover the one truth that could save them all.
***

Joscelin hesitated outside her closed door. The lady lingered over her bath, naked but heartbeats away. He'd entered her dangerous orbit only to return the cloak she'd dropped so imperiously at his feet.

Now here he stood, lurking outside the chamber of another man's mistress. He pulled himself together and knocked.

"Who goes?" Allegra's chilly voice would freeze any man in his boots. But she would hardly croon out a welcome to any random caller.

"It's Joscelin. I'm for bed, signora--for my bed." Damnation, he sounded like a bloody idiot. Didn't he have the sense to keep away from her? "I have your cloak."

"You had better not leave it on the stair, Sir Joscelin Boleyn, unless you wish to tempt some thief to rashness." Her voice set him throbbing. "Bring it in."

Certainement, that was a foolish notion. He steeled himself and edged in, gaze nailed to the floor.

"Santa Maria, come inside! And close the door--there's a wicked draft. I assure you, I won't bite."

Would she toy with him now--a woman's game of advance and retreat? If so, by God, he was her equal in that role. He consigned decorum to the Devil and glared straight at her.

The chamber suited her, but he was blind to all but the dance of firelight over graceful shoulders, the artless seduction of curls pinned on her head, the light shading her eyes to lilac.

Joscelin dropped her cloak over a chair and glued his eyes resolutely to the ceiling. "Will you be wanting any supper, signora?"

"I am still groaning from our earlier repast." Her boudoir voice stroked the words.

"I'll tell the innkeeper. Anything else you desire?"

Now the Devil had his tongue for certain. The word resonated in the steamy silence.

"May I beseech a favor…before we go to bed?" Her voice was temptation incarnate, caressing the syllables like a lover's kiss.

He cleared his throat. "I'm your servant. What do you require?"

She swept a hand toward the steaming pitcher. "If you please, pour the water over my hair."

His blood turned molten, flesh more than willing for amorous play. Christ on the cross, had she decided she desired him after all? Let her think him dull as the village idiot, but if she wanted him in her bed, she must give him some clearer sign of intent.

"I'm no lady's maid. But I'll attempt it."

When she drew the comb from her hair, it tumbled down, sable curls pooling on the floor behind her. His mouth went dry as he imagined wrapping all that glorious hair around him and burying himself in her heat.

The ravening beast in his codpiece roared for release. When he knelt behind her, the musk of jasmine filled his head.

"No doubt you'll smell like a flower garden," she said idly. "You too shall require a bath."

"I--don't mind it." He felt like a tongue-tied schoolboy. She had to know what havoc she was wreaking. She was no blushing virgin, but the Spanish ambassador's mistress.

"Pour the water, per favore," she said coolly. "If ever you tire of diplomacy, I shall give you a dazzling reference as a lady's maid."

"If I rise no farther than that, I'll greatly disappoint my father." He sluiced water over her head. Rivulets of soap slid down her back. Unable to prevent himself, his brown soldier's hand traced the delicate arch of her spine, her skin like ivory damask, one vertebra at a time. She shivered beneath his touch, but did not rebuke him.

God save them both from madness.

"Damn it, Allegra, I have to know. The Spaniard--tell me truly, is he your lover?"