Showing posts with label Stephanie Dray. Show all posts
Showing posts with label Stephanie Dray. Show all posts

03 March 2016

Excerpt Thursday: AMERICA’S FIRST DAUGHTER by Stephanie Dray & Laura Kamoie

This week, we're pleased to welcome authors STEPHANIE DRAY and LAURA KAMOIE with their latest release, AMERICA'S FIRST DAUGHTER, set in America's colonial period. Here's the blurb.

In a compelling, richly researched novel that draws from thousands of letters and original sources, bestselling authors Stephanie Dray and Laura Kamoie tell the fascinating, untold story of Thomas Jefferson’s eldest daughter, Martha “Patsy” Jefferson Randolph—a woman who kept the secrets of our most enigmatic founding father and shaped an American legacy.

From her earliest days, Patsy Jefferson knows that though her father loves his family dearly, his devotion to his country runs deeper still. As Thomas Jefferson’s oldest daughter, she becomes his helpmate, protector, and constant companion in the wake of her mother’s death, traveling with him when he becomes American minister to France.

It is in Paris, at the glittering court and among the first tumultuous days of revolution, that fifteen-year-old Patsy learns about her father’s troubling liaison with Sally Hemings, a slave girl her own age. Meanwhile, Patsy has fallen in love—with her father’s protégé William Short, a staunch abolitionist and ambitious diplomat. Torn between love, principles, and the bonds of family, Patsy questions whether she can choose a life as William’s wife and still be a devoted daughter.

Her choice will follow her in the years to come, to Virginia farmland, Monticello, and even the White House. And as scandal, tragedy, and poverty threaten her family, Patsy must decide how much she will sacrifice to protect her father's reputation, in the process defining not just his political legacy, but that of the nation he founded.


Advanced Praise for America’s First Daughter:

“America’s First Daughter brings a turbulent era to vivid life. All the conflicts and complexities of the Early Republic are mirrored in Patsy’s story. It’s breathlessly exciting and heartbreaking by turns-a personal and political page-turner.” (Donna Thorland, author of The Turncoat)

“Painstakingly researched, beautifully hewn, compulsively readable -- this enlightening literary journey takes us from Monticello to revolutionary Paris to the Jefferson White House, revealing remarkable historical details, dark family secrets, and bringing to life the colorful cast of characters who conceived of our new nation. A must read.” (Allison Pataki, New York Times bestselling author of The Accidental Empress)


**An Excerpt from America’s First Daughter**

It was my haste that made me stumble halfway down the stairs. Only a wild, wrenching grasp at the carved wooden rail saved me from a broken neck. Alas, the heavy fall of my feet echoed up the staircase and drew my father from his rooms.

“Patsy?” he called, peering over the bannister.

I froze, breathless, my belly roiling with shock and anger and revulsion. I ought to have pretended that I didn’t hear him say my name. I ought to have hurried on, leaving him with only the sight of my back. I ought never to have looked up at him over my shoulder.

But I did look up.

There on the landing my father loomed tall, a tendril of his ginger hair having come loose from its ribbon, his shirt worn without its neck cloth, the stark white linen setting off more vividly the red flush that crept up his throat. Was it shame for his behavior with Sally or . . . ardor?

On the heels of giving witness to his behavior, the thought was so excruciatingly horrifying that heat swept over me, leaving me to wish I’d burn away to dust.

“Are you hurt?” Papa asked, hoarsely.

I couldn’t reply, my mouth too filled with the bitter taste of bile. Finally, I forced a shake of my head.

He glanced back to the door, then back at me, his hand half-covering his mouth. “Were—were you at my door just now?”

“No,” I whispered, as much as I could manage under my suffocating breathlessness. And how dare he ask if I’d been at his door when neither of us could bear the honest answer? Even if Papa didn’t know what I’d seen, he knew what he’d done.

He ought to have been downstairs with us, reacquainting himself with the little daughter who still didn’t remember him. He ought to have been sipping cider with the young man who fancied me, giving his permission to court. He ought to have been doing a hundred other things. Instead, he was preying upon my dead mother’s enslaved half-sister—and the wrongness of it filled my voice with a defiant rage.

“No, I wasn’t at your door.” I held his gaze, letting him see what he would.

My father paused on the precipice, clearing his throat, absently smearing the corner of his lips with one thumb. “Well—well. . .did you need something?” As if my needs were at the forefront of his thoughts.

My fingers curled into fists as a lie came to me suddenly, and sullenly. “I was coming up to fetch my prayer book.” Surely he knew it was a lie, but I didn’t care. If he challenged me, I’d lie again, without even the decency of dropping my eyes. I’d lie because between a father and a daughter, what I’d witnessed was unspeakable. And I’d learned from the man who responded with silence to my letters about politics or adultery or the liberation of slaves. . . .

Papa never spoke on any subject he didn’t want to.

Neither would I.

“Are you certain you weren’t hurt,” Papa finally murmured, “ . . . on the stairs?”
Rage burned inside me so hotly I thought it possible that my handprint might be seared upon the railing. I bobbed my head, grasped my skirt, and took two steps down before my father called to me again.

“Patsy?”

I couldn’t face him, so I merely stopped, my chest heaving with the effort to restrain myself from taking flight. “What?”

A heavy silence descended. One filled with pregnant emotion. I feared he might be so unwise as to attempt to explain himself, to justify or confess his villainous lapse in judgment, but when he finally spoke, it was only to ask, “What of your prayer book?”

Swallowing hard, I forced words out despite the pain. “I’ve reconsidered my need of it. I’m not as apt as some people to forget what it says.”

Buy Links:

Amazon: http://amzn.to/1oT6IZw
Barnes and Noble: http://bit.ly/1oT6Hon
iBooks: http://apple.co/1Kz82KS
Kobo: http://bit.ly/1Q19xyl

Add it to your Goodreads: https://www.goodreads.com/book/show/25817162-america-s-first-daughter



About Stephanie Dray:

STEPHANIE DRAY is an award-winning, bestselling and two-time RITA award nominated author of historical women’s fiction. Her critically acclaimed series about Cleopatra’s daughter has been translated into eight different languages and won NJRW's Golden Leaf. As Stephanie Draven, she is a national bestselling author of genre fiction and American-set historical women's fiction. She is a frequent panelist and presenter at national writing conventions and lives near the nation's capital. Before she became a novelist, she was a lawyer, a game designer, and a teacher. Now she uses the stories of women in history to inspire the young women of today.



About Laura Kamoie:

Laura Kamoie has always been fascinated by the people, stories, and physical presence of the past, which led her to a lifetime of historical and archaeological study and training. She holds a doctoral degree in early American history from The College of William and Mary, published two non-fiction books on early America, and most recently held the position of Associate Professor of History at the U.S. Naval Academy before transitioning to a full-time career writing genre fiction as the New York Times bestselling author of over twenty books, Laura Kaye. Her debut historical novel, America's First Daughter, co-authored with Stephanie Dray, allowed her the exciting opportunity to combine her love of history with her passion for storytelling. Laura lives among the colonial charm of Annapolis, Maryland with her husband and two daughters.


01 July 2013

Unusual Historicals at HNS 2013: Historical Fiction Off the Beaten Path

Last weekend I attended the Historical Novel Society Conference in St. Petersburg, FL. (omg, was it really over a week ago?) It was wonderful to meet Lisa Yarde in person — let me tell you, she is just as sweet and friendly as you would imagine. I also got a chance to hang out with fellow U.H.-ers Kim Rendfeld and Stephanie Dray, though unfortunately I didn't cross paths with J.S. Dunn. It really was a fantastic weekend — I met so many writers, readers, and bloggers, and the vast majority of them shared my interest in the kind of historical fiction we promote here at Unusual Historicals.

your intrepid panelists (l-r):
Julie, moi, Andrea, Audra
Along with author Julie K. Rose, blogger Audra Friend of Unabridged Chick, and reviewer Andrea Connell of Queen’s Quill Review, I participated in a panel called "Historical Fiction Off the Beaten Path". We took a look at some novels published within the last few years that veer away from current trends in ways such as:

  • less-explored locations or time periods
  • unusual protagonists or points of view
  • no famous historical figures as characters
  • LGBT or POC (person of color) protagonists
  • stories that mix genres or sub-genres

To get the conversation going, Julie did an analysis of all books reviewed for the HNS in the first quarter of 2013, which includes large press, small press, and self-published titles. Out of over 200 books reviewed:

  • 69% took place in the 19th & 20th centuries
  • 63% were set in England or the United States
  • Only 16% were set outside Europe & North America
  • Fewer than 10% featured POC protagonists
  • Only two books featured LGBT protagonists

Though this might seem like an overwhelming tilt, there are areas of variety, and the balance is slowly growing. In that same sample:

  • 25% of self-published titles were set before the 5th century (more than any other publishing method)
  • 29% of small presses titles were set between the 5th-17th centuries (more than any other method)
  • The Big 6 focused on the 18th-20th centuries (73%) but took chances on several unusual titles

We had a great discussion with our audience about what makes a novel unusual, and what readers would like to see more of in historical fiction. There's a strong desire for less-visited locations and lesser-heard points of view, and audience members were eager to share recommendations and learn where to find more. (Goodreads was the #1 recommended resource, along with blogs like U.H.) Especially requested were stories featuring POC and LGBT protagonists, particularly when the character's sexuality or race is not a source of conflict, and the everyday lives of other non-famous people whose story is often overlooked.

I'm not ashamed to say it was extremely satisfying to reinforce my belief that every story has an audience. There might only be room on the promo shelf for the most popular topics, but readers are hungry for variety; they just need a little help finding it. Even the most well-explored settings can be viewed from new angles. That's the great thing about historical fiction — there's room for everyone here.

14 June 2013

New & Noteworthy: June 14

(Hello readers: New & Noteworthy is coming to you a week early this month, due to the HNS conference next weekend. In July we'll go back to the 3rd Friday of the month. -Heather)

Blythe Gifford will be signing at the Romance Writers of America 2013 "Readers for Life" Literacy Autographing, Wednesday, July 17, 5:30–7:30 p.m. at the Atlanta Marriott Marquis. Admission is free. More than 400 authors will be signing books with all proceeds going to support literacy. For more details, see http://www.rwa.org/literacy

Ginger Myrick's newest release, Work of Art: Love & Murder in 19th Century New York, is now Work of Art tells the story of Del Ryan, a clairvoyant Irish immigrant whose fairytale rags-to-riches journey comes with an unexpectedly dangerous price. Read the full blurb and see reviews at: http://gingermyrick.com/books-by-ginger

Lindsay Townsend's new novel Dark Maiden has also just been released and is available at several retailers. Described as "an interracial, multicultural, medieval historical romance with paranormal elements", you can read Chapter One at Lindsay's blog: http://www.lindsaytownsend.net/2013/06/release-day-for-dark-maiden.html

Lisa J. Yarde’s Sultana: Two Sisters will be available in July 2013. Sultana: Two Sisters is the third book in her Moorish Spain series, which began with Sultana and Sultana’s Legacy. The new novel explores the turbulent history of two former friends, now dangerous rivals in a bid for one man’s heart and his kingdom. Visit Unusual Historicals on Thursday, June 13 and Sunday, June 16, when Lisa will discuss the novel, share the excerpt and give away a copy to one lucky winner.

• The following Unusual Historicals contributors will be at the Historical Novel Society's 5th North American Conference in St. Petersburg, Florida, June 21-23: Heather Domin, Stephanie Dray, J S Dunn, Kim Rendfeld, & Lisa Yarde. We look forward to seeing you there!

17 May 2013

New & Noteworthy: May 17

Michelle Styles will be in Berlin at the Loveletter Convention on 25 -26 May, where she will be speaking in a workshop on the popularity of the warrior hero trope. Full details at: loveletterconvention.com

•  J S Dunn will be speaking at the 2013 History Festival of Ireland on 15th June, chairing a panel on Ireland's Bronze Age. For more info see:  www.thehistoryfestivalofireland.com

•  Kim Rendfeld has a new post up at English Historical Fiction Authors about Saint Boniface —  here is a link to the article.

• Author Maria Grace is hosting a Summer Banquet Blog Hop June 3-7, which will include posts and giveaways by our own Heather Domin, Stephanie Dray, Ginger Myrick, & Kim Renfeld. Sign-up sheet is here: http://authormariagrace.com/blog-hop-sign-up/

•  The following Unusual Historicals contributors will be at the Historical Novel Society's 5th North American Conference in St. Petersburg, Florida, June 21-23: Heather Domin, Stephanie Dray, J S Dunn, Kim Rendfeld, & Lisa Yarde. Details at http://hns-conference.org/. Heather, Stephanie, and J S will be participating in several panels. We look forward to seeing you there!


05 December 2011

Rites of Winter: How to Make Saturnalia Cookies!



By Stephanie Dray


In my debut novel, Lily of the Nile: A Novel of Cleopatra’s Daughter, my heroine’s first Saturnalia is a thing of wonder. Though her father was Mark Antony, the famed Roman general, Selene had been raised a Princess of Egypt, which meant that many ancient Roman traditions would have been as unusual to her as they are to us. In the book, Saturnalia is the first time since being taken as an orphaned prisoner of war that Selene starts to find her place with her new Roman family.

It’s the scents and the sounds of the Saturnalia festival that allow Selene to bond with the emperor’s daughter, Julia, and of course the food. We can’t forget the food. The holiday feasts we all enjoy today are but a pale mimicry of ancient Roman banquets.

Part of the enjoyment I get out of researching ancient times is discovering the way they ate and celebrated. One Saturnalia tradition that figures into the novel is when all the guests take a Saturnalia pastry and the guest whose pastry has a bean hidden inside of it is named the King of the Saturnalia or the Lord of Misrule. I thought it might be fun to reproduce this tradition for the holiday season.

The Romans did have pastries and they enjoyed sweet deserts, but they were different from those we enjoy now because the Romans didn’t use butter or sugar, and they didn’t have baking soda or baking powder. They did, however, have other substitutes. For butter, they often substituted a sweet creamy cheese. For sugar, they used honey. For leavening they sometimes used eggs. This led them to create hearty and rustic pastries with flours, seeds, fruit, oil.

To make a Saturnalia cookie, one might take any sort of modern oatmeal cookie and hide a raisin inside one of them. That’s the easy way, and given the Roman penchant for practicality, they would approve wholeheartedly.

However, if you want to go the old fashioned route, try this recipe:

Roman Globuli Pastries

½ Cup Flour
½ Cup Ricotta Cheese (Whole Milk)
¼ Cup Honey
⅓ Cup Olive Oil
1 Raisin

Mix the Flour and Ricotta Cheese in a bowl with a fork until it forms a stiff dough. With wet fingers, roll dough into 1 inch balls. Inside one of those balls, hide a raisin. Heat oil in a pan on high, then lightly fry the dough balls until golden brown. When the dough balls are cooked through, roll them in honey. Chill and Serve.

I made these tonight and they result in a light doughy pastry, perfect with marsala wine! Perfect to enjoy while reading my latest novel, Song of the Nile!


Stephanie Dray's SONG OF THE NILE, sequel to her debut historical fiction novel, LILY OF THE NILE, is available now from Berkeley Books. Both novels are set in the Augustan Age and feature Cleopatra's daughter.


30 October 2011

Guest Blog: Stephanie Dray


This week, we're welcoming longtime contributor and historical novelist Stephanie Dray, who is celebrating the release of her latest novel, Song of the Nile, the exciting sequel to Lily of the Nile from Berkley. The novel is set in Augustan Rome and ancient Mauritania. Stephanie is here to talk about the novel, answer questions and give away a copy. Here's the blurb:


Sorceress. Seductress. Schemer. Cleopatra’s daughter has become the emperor’s most unlikely apprentice and the one woman who can destroy his empire…

Having survived her perilous childhood as a royal captive of Rome, Selene pledged her loyalty to Augustus and swore she would become his very own Cleopatra. Now the young queen faces an uncertain destiny in a foreign land.


Forced to marry a man of the emperor’s choosing, Selene will not allow her new husband to rule in her name. She quickly establishes herself as a capable leader in her own right and as a religious icon. Beginning the hard work of building a new nation, she wins the love of her new subjects and makes herself vital to Rome by bringing forth bountiful harvests.


But it’s the magic of Isis flowing through her veins that makes her indispensable to the emperor. Against a backdrop of imperial politics and religious persecution, Cleopatra’s daughter beguiles her way to the very precipice of power. She has never forgotten her birthright, but will the price of her mother’s throne be more than she’s willing to pay?


From Berkley Trade October 2011 (Trade Paperback)
# ISBN-10: 0425243044
# ISBN-13: 9780425243046



A Q&A With Stephanie


What do you think of the recent slew of Roman movies like Centurion and television programs such as HBO’s Rome? Are they accurate?
I love almost any book, movie or television program set in antiquity. Some of them are more accurate than others. Some of them are more entertaining than others. I will confess to groaning aloud at egregious historical errors if there is no narrative reason for them, but ultimately, my love of the time period prevails. I celebrate any exploration of the ancient world because every attempt is bound to tell us as much about ourselves as it does about the ancients. (This does not mean, however, that I won’t throw popcorn at the television when someone tells me that the last survivor of Carthage is fighting in the arena against Spartacus! I’m looking at you, Starz TV.)

Your novel is a particularly unsympathetic portrayal of Late Republic Rome. What do you have against the Romans?

Song of the Nile is told from the perspective of Cleopatra’s daughter, and as a former prisoner of war, she’ll never be able to view the Romans with any objectivity. However, I personally have quite a soft spot for them. Oh, they were corrupt, brutal, xenophobic, misogynistic and everything else that contemporaries accused them of. But they were also a patriotic people who aspired to be a nation of laws that afforded opportunity to people regardless of ethnicity. That the Romans so often fell short of their ideals is not surprising, or unique; that they contributed so much to the ultimate betterment of mankind is unique and makes them worthy of admiration.

What about Augustus and his wife Livia? You don’t seem to like them very much.

My feelings about the characters in my novels don’t necessarily reflect my feelings about the historical figures they resemble. Augustus and Livia may have been nobler figures in reality than they are in my books. Because I’m telling Cleopatra Selene’s story, I gleefully embraced all the scurrilous rumors surrounding Rome’s first emperor and his wife. Augustus was a strange and ruthless leader, but he was also a political genius. I could just as easily have written a book about him where he appears as the hero, but other authors have done that. Besides, Augustus got to to rule the world and shape propaganda to his liking, so I don’t feel particularly guilty about using the criticism of him that managed to survive. Livia, however, has been much maligned throughout history, and probably because of her gender. I do feel guilty in feeding that stereotype of her, but the caricature was too delicious not to embrace.

Why do books about teenaged vampires sell so much better than historical fiction novels?

I think it’s because historical fiction novelists often fail to make their work sufficiently accessible to a wide audience. Authors often worry more about the esteem of their colleagues than they do about the enjoyment and educational opportunities they can provide to their readers, and I think that’s a shame. See my essay, Historical Fiction Doesn’t Have to Be Good for YouHistory is exciting. It’s vibrant. It’s an alien landscape just as complicated as any supernatural world ever envisioned. When writers treat it that way, I think readers respond.

Did you really major in Middle Eastern Studies? Can you Speak Arabic?

No and no. I have a juris doctorate from Northwestern School of Law. From Smith College, I earned a bachelor of arts in Government with an English writing minor. However, in college, I also had the opportunity to take a cluster of classes in Middle Eastern studies, including history and religion. As it happens, I can’t read Latin or Arabic. My high school Spanish teacher was never very impressed with me either. I’m apparently an atrocious linguist, which is one of the many differences between me and Cleopatra VII.


Stephanie, we are so proud of you at UH. Good luck with Song of the Nile!


Leave your comment for a chance to win a free copy of Stephanie latest. 


27 October 2011

Excerpt Thursday: Song of the Nile by Stephanie Dray

This week on Excerpt Thursday we're welcoming longtime contributor and historical novelist Stephanie Dray, who is celebrating the release of her latest novel, Song of the Nile, the exciting sequel to Lily of the Nile from Berkley. The novel is set in Augustan Rome and ancient Mauritania. Join us Sunday when Stephanie will be here to talk about the novel, answer questions and give away a copy. Here's the blurb:


Sorceress. Seductress. Schemer. Cleopatra’s daughter has become the emperor’s most unlikely apprentice and the one woman who can destroy his empire…


Having survived her perilous childhood as a royal captive of Rome, Selene pledged her loyalty to Augustus and swore she would become his very own Cleopatra. Now the young queen faces an uncertain destiny in a foreign land.


Forced to marry a man of the emperor’s choosing, Selene will not allow her new husband to rule in her name. She quickly establishes herself as a capable leader in her own right and as a religious icon. Beginning the hard work of building a new nation, she wins the love of her new subjects and makes herself vital to Rome by bringing forth bountiful harvests.


But it’s the magic of Isis flowing through her veins that makes her indispensable to the emperor. Against a backdrop of imperial politics and religious persecution, Cleopatra’s daughter beguiles her way to the very precipice of power. She has never forgotten her birthright, but will the price of her mother’s throne be more than she’s willing to pay?



From Berkley Trade October 2011 (Trade Paperback)
# ISBN-10: 0425243044
# ISBN-13: 9780425243046




**An Excerpt from Song of the Nile**

Selene
Rome
Autumn 25 b.c.

My wedding day dawned rosy as the blush on a maiden’s cheek. Like the sun peeking between pink clouds to warm the sprawling city of terra-cotta roofs below, I must also shine for Rome today. As morning broke, I surveyed the middling monuments that blanketed Rome’s seven hills. I gazed to the Tiber River beyond, diamonds of dawn sparkling on its surface, and tried to see this day with my mother’s eyes.

She was Cleopatra, Pharaoh of Egypt, a woman of limitless aspiration. And I was her only daughter. She’d wanted a royal marriage for me. She may have even hoped my wedding would be celebrated here in Rome. But could she have conceived that this wedding would come to me through her bitterest enemy? In her wildest dreams, could she have imagined that the man who drove her to suicide—the same man who captured her children and dragged us behind his Triumphator’s chariot—would now make me a queen?

Yes, I thought. She could have imagined it. Perhaps she had even planned it.

Worn around my neck, a jade frog amulet dangled from a golden chain. It was a gift from my mother, inscribed with the words I am the Resurrection. On my finger, I wore her notorious amethyst ring, with which she was said to have ensorcelled my father, Mark Antony. It was now my betrothal ring, and I hoped it would steady me, for I was a tempest inside.

At just fourteen years old, I had neither my mother’s audacity nor the brazen courage that allowed her to so famously smuggle herself past enemy soldiers to be rolled out at the feet of Julius Caesar. I had heka—magic—but had inherited none of my mother’s deeper knowledge of how to use it. I didn’t have her wardrobe, her gilded barges, nor the wealth of mighty Egypt. Not yet. But the Romans often said I had her charm and wits  and the day she died, she gave me the spirit of her Egyptian soul.

Today I would need it.

It was early yet in the emperor’s household; only the servants were awake, bustling about the columned courtyard, trimming shrubbery and hanging oil lamps in preparation for the wedding festivities. They were too busy—or too wary of my reputation as a sorceress—to acknowledge my presence beneath an overripe fig tree, where my slave girl and I made my devotions to Isis. My Egyptian goddess was forbidden within the sacred walls of Rome, but no one stopped us from lighting candles and using a feather to trace the holy symbol, the ankh, into the soft earth. The Temples of Isis might be shuttered here in Rome, her altars destroyed and her voice silent, but my goddess dwelt in me and I vowed that she would speak again.

Once we’d offered our prayers, my slave girl and I strolled the gardens with a basket because it was the Roman custom for a bride to pick the flowers for her own wedding wreath. The summer had been ablaze, so hot that flowers lingered out of season. I had my choice in a veritable meadow. Stooping down, I plucked two budding roses to remind me of my dead brothers, Caesarion and Antyllus, both killed in the flower of their youth. I chose a flamboyant red poppy for my dead father, the Roman triumvir, who’d been known as much for his excesses as his military talent. Finally, for my mother, a purple iris because purple was the most royal color, and my mother had been the most royal woman in the world. The sight of a blazing golden flower, the most glorious in the garden, reminded me of my beloved twin. But Helios was only missing, not dead, and I refused to tempt fate by plucking that flower from its vine. Helios promised me that we’d never live to see this day; he swore he’d never let me be married off to one of the emperor’s cronies, but the day had come and Helios was gone.

A startled murmur of slaves made me turn and see a shadow pass between two pillars. It was the emperor. Augustus. The first time I ever saw him, he was a dark conquering god, a crimson-faced swirl of purple cloak and laurel leaf, ready to mount his golden chariot and bear me away as his chained prisoner. Today he wore only a broad-brimmed hat and a humble homespun tunic cut short enough to expose his knobby knees. But the smile he wore with it wasn’t humble. This morning—the morning of the day he’d give me away in marriage—Augustus looked supremely smug.

He was without his usual retinue of barbers, secretaries, and guards. Even so, the slaves, including my Chryssa, all dropped to their knees and genuflected. He stepped over their prone bodies as if he were one of the Eastern rulers he derided for tyranny, for he was the master here. He owned everything in this garden: the Greek statuary, the marble benches, the colorful flowers, and the slaves. For four years now, I’d been his royal hostage and he believed he owned me too.

One day soon, I meant to prove him wrong.

“Good morning, Caesar,” I said, sweeping dark hair from my eyes.

Understand that the emperor wasn’t an imposing man. His power was all in the snare of his ruthless winter gray eyes which now darkened with suspicion, as if he’d caught me trying to slip past his praetorians with their crested helmets and crimson capes. “What mischief are you up to, Cleopatra Selene?”

After all the opportunities I’d declined to run away from him, it was strange that he’d suspect me of it now. I wondered what accounted for his latest paranoia. “I’m only gathering flowers for my wedding wreath.”

I showed him my basket, and seemingly satisfied, he glanced over his shoulder through the open doors to where he received clients and other morning visitors. The tabulinum was now empty except for the clutter of scrolls, brass oil lamps, and busts of his ancestors, the Julii, each painted to create the most lifelike rendition. “Walk with me,” the emperor said, and I did, for no one refused him. “This morning I granted an audience to an ambassador from Judea, Selene. King Herod sends a last-minute wedding proposal. He wishes to take you as his junior wife.”

The mere mention of Herod’s name made my steps falter. The Judean king had been my mother’s rival and had long urged the Romans to exterminate my whole family. The news that he wished to make me, the last daughter of the pharaohs, a part of his harem, actually forced a gasp from my lungs. The proposal would have been more insulting if it were anything other than a pretext to kill me. Herod had already murdered his most beloved wife to make an end to her Hasmonean dynasty. He wouldn’t lose a moment’s sleep over my death. “Caesar, you cannot mean to give me to Herod. You swore to make me Queen of Mauretania!”

Augustus smiled. I think it pleased him to see me lose my footing, to see my confidence waver. “Trust in Caesar, Selene. You’re already promised to another and in such an important matter as your marriage, I wouldn’t cater to the whim of a Jew—even if he’s already proved his loyalty, and you haven’t. Yet.”

I breathed, realizing that he’d told me this only to frighten me. To remind me of his largesse. To make me gasp with fear and then relief. Though Augustus was more than twenty years my senior, no wicked boy plucking wings off insects loved cruel games as much as he did. He stopped beside a small sphinx he’d pilfered from Egypt to adorn his garden. “Be grateful, Selene. By the end of this evening, you’ll be the wife of a newly made king, and the wealthiest woman in the empire. Not even your mother could have asked for more.”

Of course, she did ask for more. Offering her crown and scepter to him in surrender, she’d asked that her children be allowed to rule Egypt after her. Then she took her own life. My mother’s suicide had been convenient for him in every way, and I’m certain that his advisers all breathed easier when she breathed her last, but Augustus had been shocked by her death. Shaken by it. Octavian always wants most what he cannot have, she’d said, as if she’d known that it would ignite an obsession in him. He’d wanted her alive. He’d wanted her as a trophy. He’d settled upon me instead. “Half of Rome will be here for your wedding, Selene. Let my enemies bear witness to how kindly I treat Antony’s daughter. Your father’s partisans may whisper that I’m the descendant of slaves, but let them see how the grandson of a rope maker now gives away a royal princess in marriage.”

There it was. The cavernous insecurity at the center of his character that drove his every action. It didn’t matter that he’d vanquished all his rivals. Not his ever-expanding imperial compound with its marble and showy gardens, not the mountains of gold in his coffers, nor the might of his legions would ever conquer his fear that somewhere, someone was laughing at him. “Are you sure it shouldn’t be a simpler wedding, Caesar? More in keeping with austere Roman values?” I asked, because I feared Roman crowds and knew from bitter experience that they could be dangerous.

He tilted his head, his eyes shadowed beneath the brim of his hat. “I mean for your wedding to be a spectacle and you’re too ambitious to want it any other way. Today will make plain to Isis worshippers who foment dissent in Rome and rebellion in Egypt that they dare not oppose me, for I have a Cleopatra of my very own. Remember our bargain. Marry the man I choose for you and do as I command. Glorify me and I’ll show mercy to your surviving brothers, your countrymen, and to those who worship your loathsome foreign goddess. Be my Cleopatra and one day your mother’s Egypt may be yours.”

By late afternoon, the slaves had stripped my room bare. The golden incense burners, the red and green tapestries, the painted oil lamps, and even the kithara harp I played to amuse the emperor—almost everything that had ever lent color or comfort to my room here—all packed into trunks and satchels. Turning my eyes to my dressing table, I thought of the loose brick beneath it, the one Helios used to pull out of the wall so that we could whisper to one another when the Romans slept. We’d never do that again, I realized. Even if the emperor’s hounds hunted down my runaway twin brother and hauled him back to the Palatine, I wouldn’t be here . . .

With a sharp knock at my door, the emperor’s sister marched to my side to attend me. It was a mother’s duty to dress her daughter for marriage and Lady Octavia was the closest thing to a mother that I had left in this world. She’d been my father’s wife when he embarked upon his grand love affair with my mother. But after my parents were sealed in their tombs, Octavia had collected all my father’s children. Though she was a rigid woman, I’d come to love her. Even so, it felt like betrayal to let her take my mother’s place on this day. We were awkward together as we hadn’t been in years. “Well,” she said, both hands on her fleshy hips. “Let’s get you ready, Selene.”

She used a special comb to divide my hair into the six segments of the tutulus, the traditional hairstyle worn by Roman brides. “What a vicious little comb,” I hissed, wincing as she tugged mercilessly. “Why is it shaped like a spear?”

“It’s to drive out ill fortune,” she said, cheerfully. “It’s also to remind us of the Sabine women, the first Roman wives, forced to wed at the tip of a spear!”

“That hardly seems like something to be remembered with pride,” I muttered.

Octavia only tilted my chin with a sentimental sigh. “Oh, Selene, you’re going to be a lovely bride. Your father was always given to emotion, you know, and I think if he saw you, it would bring a tear to his eye.” In spite of the many wrongs he’d done her, Octavia never spoke against my father, for which I was grateful. “I think you have Antony’s best qualities.”

This puzzled me because my father had been a big jolly man with a raucous laugh whereas I was slender and decidedly sober. “I can’t imagine how I’m like my father.”

“He inspired people and so do you,” she said. “My daughters imitate you. Your royal poise, the way you hold your posture, and your piety. Because you work so hard at your lessons, the little ones study more. It’s your gift, Selene. You lead everyone around you to aspire to something greater. Even me.”

I stammered, because it was the nicest thing anyone had ever said to me. “E-even you?”

As the emperor’s sister, Octavia had always held influence. Now that her son Marcellus had married the emperor’s daughter, Lady Octavia was the most powerful woman in Rome. Wearing her distinctively severe hairstyle with its knot over her brow like a crown, she lifted her chin. “As the emperor’s heir, my son is still young, untested. Marcellus will need guidance more than ever and I think I can help him. He and Julia need to win over the people so I’m going to find a way to fund a beautiful new theater as a gift to the city.”

“They’re fortunate to have an ally in you,” I said, knowing how this would irritate the emperor’s ambitious wife, Livia. Octavia had supplanted her role as First Woman in Rome. Truly, it was a new day.

Octavia seemed to feel it too. “You’ve made a good match, Selene! And your story sounds so romantic. Two scions of African royalty. Two orphans saved by the emperor and adopted into his family, only to become stewards over a new land. Why, if I were your age, I might even envy you this marriage. Your groom is such a handsome young man.”

“I’m familiar with his virtues,” I said, for Juba was no stranger to me. The deposed Numidian princeling was a scholar. Such a prodigy, in fact, that he’d been my tutor. Once I’d even counted him a friend. Now he was just the husband the emperor had chosen for me and the first step I must take on my path back to Egypt.

“You’re a lucky girl,” Octavia chattered on. “He’s going to be a splendid, civilized king. Rex Literatissimus, they call him. And such a fine specimen of a man—no woman in Rome can avoid following him with her eyes. But remember that he is a man. No sweet boy like my Marcellus.” Given the clumsy way her hands worked in my hair, and her unusually breezy banter, I realized that she was working up to something. “Selene, do you know what Juba will expect from you in the bridal bed?”

My cheeks burned. Everyone imagined my mother as a seductress with great knowledge of the sensual arts, but I’d been young when she died; she’d never shared any of that particular wisdom with me. “I—I think I can guess.”

Octavia now looked sour, as if she were about to face a torment of the spirit. “This is what will happen. When you’re alone in the bridal chamber, Juba will call you wife and draw you into his arms. But you mustn’t go willingly or he’ll think you’re a lupa.” A she-wolf, she said, but she meant whore. “You must shy away and struggle just enough to please him but not enough to make him angry. Then submit to him as your husband and your king.”

Helios is my king. The thought came to me so suddenly and unbidden that I feared that I’d said it aloud. My twin was the rightful King of Egypt and dearer to me than I could dare admit. Some said that it was for his sake that the city of Thebes had rebelled. I’d bargained for my twin’s life, so I’d have to submit to the emperor’s wishes and to Juba too. I’d just have to remind myself every day how fortunate I was not to be married off to old King Herod of Judea.

When my little gray cat leapt onto the dressing table, upsetting a tray of hairpins and ribbons, Octavia cried, “Wretched creature! I won’t be sorry to see that beast leave with you. I can’t see why cats are sacred in Egypt. They’re nothing but mischief.” Bast took no notice of this insult, purring and burrowing into my arms while Octavia scowled. “Oh dear. I’m making a mess of your hair. My fingers aren’t as nimble as they used to be. I’ll let your ornatrix fix it.”

My slave girl fixed my hairstyle, and then we dallied until dusk, trying to decide between two pairs of sandals, one of which was prettier but pinched my toes. At last, Chryssa helped me into my wedding garments. The white muslin tunica and accompanying girdle. The floral wreath and the orange flame-colored veil. This was the garb of a modest Roman bride, but in spite of all the years I’d lived amongst my father’s people, it still looked foreign to me. When I glanced into the polished silver mirror, I groaned in dismay. Octavia had bound my hair in such a way that it smothered everything unique about me. The white muslin left me looking pale, hiding what beauty I possessed, and I was all but suffocated by the saffron veil. “It’s horrible.”

“No,” Chryssa said, softly. “You’re a beautiful bride.”

But this was something people said to brides, whether or not it was true. I pulled the veil away. “I need . . . something else.”

Chryssa’s eyes widened. “It’s almost time for the wedding. Half the city is at the gates.”

This did nothing to calm me. Roman weddings were supposed to be small and modest affairs, simple contracts that required only a few witnesses. Mine would be different. The guests would be looking to see if I was just a Roman girl, the daughter of Mark Antony, or if I was Cleopatra’s daughter, a sorceress whose blood made flowers grow, whose hands left crocodiles docile in her wake. As the foremost worshipper of Isis in Rome, stories about me had passed from temple to temple, tavern to tavern, and the slaves and the lower classes whispered that I might bring them a Golden Age. I’d emboldened them. Perhaps I’d inspired them. So maybe I need not fear the crowds; I wasn’t a prisoner anymore.

Be my Cleopatra, the emperor said, and one day your mother’s Egypt may be yours.
Augustus was a grand actor in a pageant of his own creation and the only way to remain in his favor was to play my role. He wanted spectacle? Well, I would give him one. With deep resolution, I unwound the braids that Octavia had so painstakingly fastened, brushing out my dark hair so that it curled and cascaded, loose and free over my shoulders. “I won’t be a Roman bride,” I said. “My mother was Pharaoh and I’ll let no one forget it.”

Chryssa’s mouth formed a circle of surprise when I threw open my wardrobe chest, giving no care to the fact that the slaves had carefully packed it for the journey. I rifled through it until I found a beautiful diaphanous gown that Helios had given me. Octavia had tried to make it modest with stitches and brooches. Now I refashioned it. Removing the pins, I wrapped the gown under my arms and tied it between my breasts in the knot of Isis, the tiet, a loop with trailing sides that was a variant of the ankh. My wide-eyed slave girl watched me as if I’d gone mad. “You’re going to give insult. You’ll anger the emperor!”

“I know him better than you do.” Since I was a little child, I’d learned to play all the emperor’s games; this was just one more. Be my Cleopatra, the emperor had said, and I was young and foolish enough to believe I knew what that meant. “Don’t stand there gaping, Chryssa. Help me!”

Reluctantly, she went to my dressing table, searching for the proper cosmetic pots, as I told her what to do. My mother had been a Hellenistic queen, and when she dressed for the civilized Greek-speaking world, she dressed accordingly. But she’d also been Pharaoh of Egypt. It was that reminder of Egypt I wanted now, so I urged Chryssa to draw on my eyelids with black kohl, the dark lines of the wedjat—the eye of Horus. Then she used the greens and blues and reds of Egypt to color my face. When she was done, I held up the mirror and peered at myself with the green eyes of a jungle cat, exotic and wild. “You need more jewelry,” Chryssa suggested, finally warming to the idea. “Something sparkling to go with your little jade frog and betrothal ring.”

I knew just the thing. Carefully wrapped in the bloodstained dress I’d worn as a prisoner, was a golden snake armlet with gemstone eyes that my mother left for me when she’d foreseen her own death. I retrieved it from under my mattress, where I’d kept the bundle hidden for years, and slipped the armlet up until it hugged my bicep, its history merging with my skin. The effect was dazzling and scandalous. “You look like your mother’s portraits,” Chryssa breathed.

But I saw in myself someone entirely new.

05 October 2011

Villains: Livia Drusilla, the Evil Empress





By Stephanie Dray
Powerful women got a bad rap in ancient history. This was especially the case for Rome’s first empress, Livia Drusilla, the wife of Augustus Caesar. She comes down to us as a sort of wicked step-monster of the Julio-Claudian family--one who murders, manipulates and maligns everyone who gets in her way. The ancient writers didn’t much like her. Modern writers don’t like her either.

Played to perfection by Sian Phillips in the mini-series of Robert Graves’ famous I, Claudius, Livia emerges as a delicious villainess. She makes Cruella de Vil look rather civilized for merely wanting to turn spotted puppies into fur coats.

Personally, I find the lure of such extravagant evil too hard to resist.

When writing about my heroine, the orphaned daughter of Cleopatra, who was taken as a prisoner of war at the age of nine and marched through the streets in chains, there were plenty of villains for me to choose from. But my novels aren’t about the the tragedies this real life princess lived through; my novels are ultimately about Cleopatra Selene’s triumphs. Consequently, I needed an antagonist who could show the darker sides of my heroine’s ambitions.

Livia fit the bill.

It’s true that in my novels, Cleopatra Selene plays a dangerous and twisted game with the ruthless Emperor Augustus, who was obsessed with her mother and is now obsessed with her. But I wanted to show the other side of the coin--a woman who was nothing whatsoever like Cleopatra of Egypt, but almost as powerful.

That’s where Livia came in.

Unlike the seductive Cleopatra, Queen of the Nile, Livia was known for chaste and modest public behavior. (At least, after she married Augustus.) She always dressed in voluminous garments that practically covered her from neck to ankle, and of course, her husband would brag that she spun the wool and wove the cloth to make those baggy clothes as well. She was a veritable goddess of domesticity, our Livia. And one who supposedly eschewed expensive jewelry, claiming that her children were the only jewels she needed.

In spite of all this puritanical posturing, Livia was, nonetheless, associated with sexual scandal. According to Suetonius, she was rumored to procure young virgin girls for her husband’s bed. That made me wonder if such girls came from within the emperor’s own household and included vulnerable orphans like Cleopatra Selene.

Livia was also rumored to be a poisoner. She’s known to have concocted tonics and elixirs that she said accounted for her extraordinarily good health and long life, but if you were supping at the imperial palace, you might be better off not drinking the wine. At various points, she’s been accused of murdering Marcellus, Drusus, Germanicus, Posthumous and even Augustus himself. In my novel, she offers Cleopatra Selene a poisoned cup.

But was Livia really such a she-devil?

Her biographer, Anthony Barrett, paints a picture of a much maligned mother of the empire. She had a documented record of altruism against which her detractors could only conjure up rumor and innuendo. She went to the emperor on behalf of the citizens of the Isle of Samos to return them to independence. She is known to have intervened on behalf of one woman accused of witchcraft; she also saved the life of a man who accidentally appeared naked before her, saying that to chaste women such men were like looking at statues. Known to advise her husband on political matters, Livia enjoyed a marriage with him of more than fifty years. Especially tricky, considering that she never gave him a child and he rather desperately needed an heir.

I can’t point to a single documented event in which Livia did an evil deed. Her worst crime, it seems, was to have lived for so long, and exerted such power over the empire as the wife or ancestress of every Julio-Claudian emperor.

For the misogynistic Romans, the only way to explain her political success was to make her a monster.

In the end, Livia was deified and worshipped as a goddess, so maybe she’ll have the last laugh. Certainly, the one regret about my own novels is that I so enjoyed exploiting her bad reputation.

Expect lots of wickedness and depravity in Song of the Nile, but in the third and final book of the trilogy, I hope to redeem myself by giving Livia a little bit of empathy. So, what about you? Are there women in history that you love to hate?




Stephanie Dray's SONG OF THE NILE, sequel to her debut historical fiction novel, LILY OF THE NILE, is available now from Berkeley Books. Both novels are set in the Augustan Age and feature Cleopatra's daughter.

06 June 2011

The Entertainers: The Court of Juba II & Cleopatra Selene

By: Stephanie Dray


Entertainment in the ancient world relied upon trained performers. Such training didn’t come cheap, so royal patronage was highly sought after by would-be entertainers. The most prestigious patronage to secure in the Augustan Age was, of course, the imperial court in Rome, but if a budding young entertainer couldn’t find a place there, other opportunities beckoned.

Outside of Rome, the most prestigious royal court was that of King Juba II and Cleopatra Selene in Mauretania. Mauretania was the largest client kingdom in the empire and it was ruled by two remarkable individuals. King Juba II was a scholarly king who had been raised as a ward of Augustus and had a discerning eye for expensive things and fine talent. His queen was Cleopatra Selene, daughter of the more famous Cleopatra VII of Egypt. Selene had been raised in Alexandria, which gave her a glamour and sophistication--and when it came to entertainers, only the best would do.

The king and queen were enthusiasts of plays--and one of the first things they built in their new kingdom was an outdoor theater, carved into the hillside, in Greek fashion, with stepped seats for playgoers to gather on. There, actors would bring to life the plays of Sophocles, Euripedes, and Aristophanes. Some plays that may have been performed on that stage are still popular today, including Medea, Oedipus the King, and Antigone. But new works were undoubtedly commissioned and enacted as well, for we know that one tragedian, Leonteus of Argos, was a member of the Mauretanian court.

Having a court poet was a a sign of status in the ancient world. Certainly, Augustus made the most of his stable of poets to reshape his image. The poetry written during his reign has outlasted many of the histories. The poet as chronicler was a long-standing tradition. So, while Virgil, Horace and Ovid penned verse in Rome, Cleopatra Selene and Juba II certainly had a court poet of their own, and he was almost certainly Crinagoras of Mytilene. The venerable old poet was a man of some distinction, having apparently served as an ambassador. He rubbed elbows with the highest society--he seems to have been present when Caesar indulged in his scandalous affair with Cleopatra and undoubtedly met the Queen of the Nile when she was in Rome. Perhaps this is when the Greek Epigrammist took an interest in Cleopatra and her children, for he is best known for the verse he wrote in honor of her daughter, Cleopatra Selene. His two most famous works were written on the occasion of Cleopatra Selene’s marriage to Juba and upon her death during a lunar eclipse.

More lighthearted entertainment was to be had in Mauretania too. We know that the King also employed mimes, for one of them, a young girl named Ecloga, apparently died in Rome. (The connection between Juba II, Cleopatra Selene and the imperial family in Rome was a close one and it’s quite likely that the king and queen maintained a home there in which they entertained in high style.)

Given King Juba’s lineage as a Numidian and his allleged horsemanship, it’s likely that chariot races were a common type of entertainment in Mauretania. However, instead of a circus, we find amongst the ruins of the Mauretaniancapital city of Iol-Caesaria, an amphitheatre. Though gladiator games in which the fighters battled to the death were unknown in Cleopatra Selene’s native Egypt, Mauretania was filled with Roman veterans who expected such entertainment as their due. Consequently, the amphitheatre would have been a hot spot for the subjects of Cleopatra Selene and Juba II to gather for bloody entertainment.

One last form of entertainment in Mauretania is worth mentioning.In North Africa, then, as now, snake charmers filled the public squares to mesmerize and entertain passersby with cobras who would lift up from their baskets to dance for their owners. Given that Cleopatra Selene’s mother was said to have committed suicide by surrendering to the bite of one of these vipers, one has to wonder how much she enjoyed such displays!

Stephanie Dray's debut historical fiction novel, LILY OF THE NILE , was just release by Berkley Books. The sequel is expected to release at the end of 2011. Both novels are set in the Augustan Age and feature Cleopatra's daughter.