Showing posts with label Drums. Show all posts
Showing posts with label Drums. Show all posts

02 June 2013

Guest Blog: Gwendoline Ewins

This week, we're welcoming author Gwendoline Ewins with her latest historical romance title set in the early 19th century, Drums. The author will offer a free copy of the book to a lucky blog visitor. Here's the blurb:

They come from different worlds, yet fate brings them together on the deck of a sailing ship anchored beside a spectacular tropical lagoon - then drums on the shore beat out a warning.

**From Gwendoline Ewins**

For as long as I can remember I’ve been intrigued by what pushes people to leave their homeland and search for another place to live their lives. Sometimes the reasons are pretty obvious - freedom, safety, opportunity, space, beauty. In my case, I travelled with my husband wherever his work took him and these days live in New Zealand. Before then we lived in Polynesia for almost a decade.

We lived on remote islands in the eastern Southern Seas, tiny scraps of land in a vast sea that were first inhabited over four thousand years ago as people left Havaiiki - wherever that might have been - and set out for something better or simply different. Those early seafarers travelled on fragile trimarans that should never have survived the long and arduous journey across the mighty Pacific. They should have been swamped and sunk to the bottom of the ocean. The passengers should have died from thirst or hunger, or from being tossed overboard and eaten by sharks. But they survived, sustained by coconuts and fish and by their knowledge of the stars and the patterns of the sea and the weather. They were courageous people, intelligent and beautiful with a lusty appreciation of life. And they found what they were looking for.

Then Europeans came - explorers and adventurers, whalers and sandalwood gatherers, traders and missionaries, good people and bad people and everything in between. Most of them were men who might have thought they’d died and gone to heaven because of all the sex and erotic dancing under the moon, but by the end of the 1790’s the missionaries were coming and brought wives with them.

The London Missionary Society sent a motley band of thirty-seven missionaries -scholars and tradesmen - with their families to Tahiti. They left Wapping in August 1796 on The Duff and arrived in Tahiti seven months later. Straightway they set about learning the language and reducing it to writing, setting up schools and fanning out from Tahiti to proselytise. Their Polynesian students were of all ages and eager to learn. Their rate of literacy quickly surpassed that of Europeans. They produced script that became an art form.

John Williams was one of those early missionaries. He was marooned on Rarotonga and with local materials and help built The Messenger of Peace in 15 weeks. It was 60 ft long and 18 ft wide. In 1839 he was martyred on the island of Erromango - later a succession of missionary ships travelling between Polynesia and Micronesia were named after him.

In some ways the Europeans found themselves in paradise on stunningly beautiful islands described as emeralds scattered over a sapphire sea. Fish and fruit were abundant. The islanders wise in the use of medicines made from shrubs and nuts and seaweed.

But the clash of cultures would have been enormous. Polynesians took it for granted everything was to be shared - “sharing” was tantamount to theft to the Europeans. Polynesian open expression of joy or grief would have been alien to 19th century Europeans. Beliefs about sensuality and promiscuity were miles apart. To put it simply, Polynesians believed this was right and that was wrong and Europeans often believed the opposite, and at the same time wrestled with the notion of desire far from support and encouragement of church congregations half-way around the world.

This then is the world where my Southern Seas Series heroines and heroes come to live - more can be found on my website: http://www/gwendoline-ewins.com 

In Who is He? Luke Wainwright is an artist attracted by Polynesia's vibrant light. In A Perfect Wife for Peregrine Winthrop Peregrine is sustained by the passion and joy of his work for the mission. In Unexpected Hero, Charity Trescothick is the dutiful daughter of a missionary. Drums will be available within the next month or so, meanwhile I hope you enjoy the excerpt below. Two people meet on the deck of a sailing ship: a destitute teacher on her way to marry a missionary she has never met yet agreed to marry, and a botanist who has been searching for orchids in Polynesian rainforests.

Every good wish, Gwendoline.

Gwendoline Ewins is the author of Drums and other works of historical romance, set in Polynesia and New South Wales in the early 19th century. 

30 May 2013

Excerpt Thursday: Drums by Gwendoline Ewins

This week, we're welcoming author Gwendoline Ewins with her latest historical romance title set in the early 19th century, Drums. Join us on Sunday, when the author will offer a free copy of the book to a lucky blog visitor. Here's the blurb:

They come from different worlds, yet fate brings them together on the deck of a sailing ship anchored beside a spectacular tropical lagoon - then drums on the shore beat out a warning. 

**An Excerpt from Drums**

Drums


Chapter One

1825, Polynesia

The time for feasting was over. Huge amounts of food had been consumed or spirited away in banana leaves, now the drums primed the guests for the appearance of dancers.
Within minutes Guy Richmond was caught in the dancers’ erotic spell, summoning a wry smile even as he fidgeted to ease the tightness of his crotch.
Grass skirts hung temptingly low on hips, swaying gently to reveal long legs and more than a suggestion of buttocks. Hips swivelled to the tempo of the drums. Navels demanded attention. Breasts were exposed in a glorious assortment of shapes and sizes to fit the dream of any man. Graceful arms were adorned with sweet-smelling gardenia.
Guy shared a good-natured grin with a young Adonis who had been eyeing a particular wahine with lascivious intent. Sialosi had befriended Guy from the first and probably dreamt of accompanying him when he finally packed up his botanical specimens and moved on.
The grin faded as Guy’s glance rested on the man close by, equally honoured by being seated on a woven mat not far from the chief - and similarly aroused if the contortions of his face were anything to go by. Guy had taken the Reverend Jeremiah Howard in dislike during their first brief interchange, instinctively distrusting him regardless of his showy humility and earnest manners.
The tempo of the drums quickened and the new bride stepped out of the shadows into dazzling sun.
Arms high above her head, nipples puckered, Malama removed a lei of fragrant frangipani from around her neck and held it in front of her as she boldly approached the chief to adorn him. She had shared the chief’s fare for more than a month: now she reveled in his public declaration of satisfaction with her.
They were a handsome, bronze-skinned pair - the stuff of faery tales. Somewhere along the line a dollop of Asian blood had been added to her Polynesian ancestry, making her almond-eyed and delicate-looking. The chief was strong, intelligent and pure Polynesian, Samoan pedigree unmistakable in his broad six-foot frame. Eyes narrowed, he accepted the lei and ran his large fingers caressingly over fragile blossoms, causing sighs of appreciation from the spectators that turned into yells of approval when he jumped up and crouched against her gyrating hips, his arousal just a breath away from her backside.
A strangled wheeze came from beside Guy. Thinking – hoping Howard was having an apoplectic fit, Guy swung his head round to check and found he wasn’t, though the man’s skin had mottled and his eyes were bulging like onions.
“Pretty girl, isn’t she?” Guy asked impishly. “A good dancer too, don’t you think?”
Howard spluttered and struggled to get himself under control, his mouth opening and closing until he eventually regained the ability to speak. “Devil’s work,” he declared as if he truly believed it.
The drumbeat slowed and became languorous. The boisterous crowd was entranced and quietened as the golden couple danced an erotic dance that mimicked the act of love.
Few noticed Guy slip away a little later, making no attempt to answer the invitation in the eyes of several wahine. Early on in his years in the islands he’d decided not to become involved with any Polynesian beauties but deal with sexual release himself. The alternative was to risk little Richmonds all over the place. The possibility of catching the pox - though slim - didn’t appeal either. Far more enticing was the possibility of making a discovery of the orchid kind, and he was convinced the conditions on this island were ripe for it.


Gwendoline Ewins is the author of Drums and other works of historical romance, set in Polynesia and New South Wales in the early 19th century.