Showing posts with label The Towers of Tuscany. Show all posts
Showing posts with label The Towers of Tuscany. Show all posts

16 March 2014

Author Interview & Book Giveaway: Carol M. Cram on THE TOWERS OF TUSCANY

This week, we're pleased to welcome author Carol M. Cram with her latest novel, THE TOWERS OF TUSCANY. The author will offer a free copy of the novel to a lucky blog visitor.  Be sure to leave your email address in the comments of today's author interview for a chance to win. Winner(s) are contacted privately by email. Here's the blurb.

Set amid the twisting streets and sunlit piazzas of medieval Italy, The Towers of Tuscany tells the story of a woman who dares to follow her own path in the all-male domain of the painter’s workshop. Sofia Barducci is born into a world where a woman is only as good as the man who cares for her, but she still claims the right to make her own mistakes. Her first mistake is convincing her father to let her marry Giorgio Carelli, a wealthy saffron merchant in San Gimignano, the Tuscan city of towers. Trained in secret by her father to create the beautifully-crafted panels and altarpieces acclaimed today as masterpieces of late medieval art, Sofia’s desire for freedom from her father’s workshop leads her to betray her passion and sink into a life of loveless drudgery with a husband who comes to despise her when she does not produce a son.

In an attack motivated by vendetta, Sofia’s father is crushed by his own fresco, compelling Sofia to act or risk the death of her soul. The choice she makes takes her on a journey from misery to the heights of passion—both as a painter and as a woman. Sofia escapes to Siena where, disguised as a boy, she paints again. When her work attracts the notice of a nobleman who discovers the woman under the dirty smock, Sofia is faced with a choice that nearly destroys her.

The Towers of Tuscany unites a strong heroine with meticulously researched settings and compelling characters drawn from the rich tapestry of medieval Italy during one of Europe's most turbulent centuries. The stylishly written plot is packed with enough twists and turns to keep readers up long past their bedtimes.

Praise for The Towers of Tuscany


Roberta Rich, author of The Midwife of Venice and The Harem Midwife: "The clever dialogue and fast pace make the novel zing."

Anne Fortier, author of the New York Times bestseller Juliet and The Lost Sisterhood: “The Towers of Tuscany is a delightful escape to the Siena we all love. Carol Cram has crafted a delicious story about a strong woman torn between her secret past, her love of painting and the forbidden charms of her rich patron. Hard to resist and highly recommended!”

Deborah Swift, author of A Divided Inheritance: “Carol Cram's lush descriptions and intriguing characters bring this dramatic tale of medieval Tuscany to life. If you love Italian art, a feisty heroine, and a page-turning plot, you will adore this novel.”



**Author Interview with Carol M. Cram**


Why were you inspired to write historical fiction?

The truth is that I never expected to launch a career as a writer of historical fiction. Over the past two decades, I wrote (and continue to write) business and computer textbooks. Since retiring from a faculty position at a local college, I have been expanding my career as an author to include fiction. I wrote one contemporary novel, but didn’t feel satisfied that it was my best work. Something was missing. I knew I loved history and many of my favorite books are historical novels, but I was convinced that only people with Ph.D.’s and offices filled from floor to ceiling with musty tomes they’ve actually read could even attempt to write historical fiction.

But it turns out that all I really needed was the spark of an idea, and I found that spark one day while thinking about San Gimignano, a hill town in Italy that includes at least thirteen medieval towers and commanding views of the iconic Tuscan landscape.

What was so special about San Gimignano?

During its heyday in the fourteenth century, San Gimignano had over 70 towers. I had visited the town a few times over the past two decades and I had fond memories of it. Why it popped into my head one day while I was trying to come up with a subject for a novel is anyone’s guess. But what happened was that I got to wondering how the town of San Gimignano had looked with 70 towers crammed into the same space as the town occupies today. Had a painter from the period actually depicted them? The answer is no, so far as we know. Landscape painting was in its infancy in the 14th century and highly stylized.

I decided to invent a painter who departed from the usual religious iconography and painted a view of the towers of San Gimignano in the style of the time. I also decided to make my painter a woman because I was intrigued by the possibility that women must have painted in medieval times, even if they did not become known. Medieval painting was a family affair, so after consulting with experts in medieval art, I concluded that it was plausible that a painter could have trained his wife or daughter in the painter’s craft.

Once I’d created Sofia Carelli, a painter in a man’s world, I was immediately hooked. Sofia snatched up the reins of the story and I followed along as fast as I could. She is a force to be reckoned with and it was marvelous to spend almost four years in her company.

Did you visit Tuscany to research the novel?

People ask me this question a lot and the answer is – absolutely! My two-week solo trip to Italy in 2011 to research The Towers of Tuscany was a delight from beginning to end. I travel frequently with my husband, who is a painter and often has exhibitions in Europe, but this time I was traveling just for me. I was able to focus all my attention on the sights and smells and history of my novel’s setting. I spent most of my time in San Gimignano and Siena, the two cities where all of the action of The Towers of Tuscany takes place. 

In San Gimignano, I really hit the historical novelist jackpot. I discovered San Gimignano 1300 (www.sangimignano1300.com), a wonderful museum in San Gimignano that includes a large scale model of how the town appeared in the year 1300. Two artists have painstakingly recreated the city complete with all seventy of its towers. My morning spent at San Gimignano 1300 was one of the most productive of my writing career to date. In subsequent months, when I was writing and editing the novel, I could refer to my pictures of the model and other museum exhibits and imagine my Sofia walking through the narrow streets that were laid out exactly as they had been in 1300.

I also visited Siena on my solo trip and spent several days wandering the medieval streets and viewing the wealth of fourteenth century art. Many of the paintings and frescoes I viewed in Siena inspired scenes in the novel.

Who will The Towers of Tuscany appeal to?

The Towers of Tuscany is appealing to people who are fascinated by fourteenth century Italy and by Tuscany, particularly the towns of San Gimignano and Siena, where the action of the novel takes place. Readers interested in the glorious art of the period and in the workings of a medieval painter’s workshop are also enjoying the novel.

But most of all, people are enjoying The Towers of Tuscany because of Sofia Carelli, my spirited, talented, kick ass heroine who never gives up her passion for painting or her search for love, even in the face of almost insurmountable limitations. I was recently honored to receive a review of The Towers of Tuscany by bestselling author Spider Robinson who happens to live on the same rain-soaked island as I do. Spider calls my Sofia “one of the most endearing protagonists in years” and the novel itself a “startlingly first-rate piece of historical fiction.” I was also honored to receive the following review from Anne Fortier, the author of Juliet, which is set in Siena during the same period as The Towers of Tuscany:
“The Towers of Tuscany is a delightful escape to the Siena we all love. Carol Cram has crafted a delicious story about a strong woman torn between her secret past, her love of painting and the forbidden charms of her rich patron. Hard to resist and highly recommended!”

For an author, nothing beats knowing that other authors you respect have read your work and enjoyed it.

What other novels do you have planned?


The Towers of Tuscany is my first historical novel with an “arts twist.” I have dipped my toe in most of the arts over the years and my goal is to combine my love of the arts with my love of history to produce novels that celebrate an individual’s journey with his or her art during a particular era. My next novel, tentatively titled Nocturnes, tells the story of a concert pianist in Vienna in the 1820s, shortly after the death of Beethoven and during the last year of Schubert’s life. I plan to release that novel in the fall of 2014. The novel after that tells the story of an actress embroiled in the “Old Price” riots of 1809 in Covent Garden Theatre in London. History and the arts are full of great stories! A sequel to The Towers of Tuscany is also not out of the question. 


Carol M. Cram has enjoyed a wonderful career as an educator, teaching at Capilano University in North Vancouver for over twenty years and authoring forty-plus bestselling textbooks on business communications and software applications for Cengage Learning. She holds an MA in Drama from the University of Toronto and an MBA from Heriot-Watt University in Edinburgh, Scotland. Carol is currently focusing as much of her attention as she can spare between walks in the woods on writing historical novels with an arts twist. She and her husband, painter Gregg Simpson, share a life on beautiful Bowen Island near Vancouver, Canada, where Carol teaches Nia dance and is also very active in the local arts council. Visit her online at www.carolcram.com. 

Learn more about author Carol M. Cram


Web site: www.carolcram.com
Novel as e-book and paperback on Amazon: http://tinyurl.com/m6n3zmu
Twitter: @carolcram
Facebook: carol.cram


13 March 2014

Excerpt Thursday: THE TOWERS OF TUSCANY by Carol M. Cram

This week, we're pleased to welcome author Carol M. Cram with her latest novel, THE TOWERS OF TUSCANY. Join us again on Sunday for an author interview, with more details about the story behind the story. The author will offer a free copy of the novel to a lucky blog visitor.  Be sure to leave your email address in the comments of today's post or Sunday's author interview for a chance to win. Winner(s) are contacted privately by email. Here's the blurb.

Set amid the twisting streets and sunlit piazzas of medieval Italy, The Towers of Tuscany tells the story of a woman who dares to follow her own path in the all-male domain of the painter’s workshop. Sofia Barducci is born into a world where a woman is only as good as the man who cares for her, but she still claims the right to make her own mistakes. Her first mistake is convincing her father to let her marry Giorgio Carelli, a wealthy saffron merchant in San Gimignano, the Tuscan city of towers. Trained in secret by her father to create the beautifully-crafted panels and altarpieces acclaimed today as masterpieces of late medieval art, Sofia’s desire for freedom from her father’s workshop leads her to betray her passion and sink into a life of loveless drudgery with a husband who comes to despise her when she does not produce a son.

In an attack motivated by vendetta, Sofia’s father is crushed by his own fresco, compelling Sofia to act or risk the death of her soul. The choice she makes takes her on a journey from misery to the heights of passion—both as a painter and as a woman. Sofia escapes to Siena where, disguised as a boy, she paints again. When her work attracts the notice of a nobleman who discovers the woman under the dirty smock, Sofia is faced with a choice that nearly destroys her.

The Towers of Tuscany unites a strong heroine with meticulously researched settings and compelling characters drawn from the rich tapestry of medieval Italy during one of Europe's most turbulent centuries. The stylishly written plot is packed with enough twists and turns to keep readers up long past their bedtimes.

Praise for The Towers of Tuscany


Roberta Rich, author of The Midwife of Venice and The Harem Midwife: "The clever dialogue and fast pace make the novel zing."

Anne Fortier, author of the New York Times bestseller Juliet and The Lost Sisterhood: “The Towers of Tuscany is a delightful escape to the Siena we all love. Carol Cram has crafted a delicious story about a strong woman torn between her secret past, her love of painting and the forbidden charms of her rich patron. Hard to resist and highly recommended!”

Deborah Swift, author of A Divided Inheritance: “Carol Cram's lush descriptions and intriguing characters bring this dramatic tale of medieval Tuscany to life. If you love Italian art, a feisty heroine, and a page-turning plot, you will adore this novel.”

**An Excerpt from The Towers of Tuscany**

 Chapter One

The occupation known as painting calls for imagination, and skill of hand . . . presenting to plain sight what does not actually exist.
Cennino d’Andrea Cennini, Il Libro dell’Arte,
Chapter I: The First Chapter of the First Section of This Book

Sofia did not blame her father for allowing her to marry Giorgio, but not a day went by when she did not blame herself.

Every night as Giorgio grunted and thrust, she imagined wrapping her hands around his thick neck and squeezing. His dull eyes would widen in the moonlight, then bulge as she dug her thumbs into the swell of his throat and smiled when his lips turned a pale, pure blue.

But most of the time, Sofia tried not to think about him at all.

A shaft of sunlight fell across the small panel of the Nativity she was painting. Sofia snuffed out the candle and paused a moment to watch a curl of smoke spiral to the wooden rafters. She wanted to be the smoke—light enough to escape through the tower window and out into the fields, away from her husband, away from San Gimignano, away from her household with its incessant demands, away to paint every day in peace. But such thoughts were fancy, and hadn’t her father scolded her often enough for preferring fancy over fact?

Sighing, she loaded one of her smallest miniver brushes with terre-verte. Giorgio was out hunting, which meant she had until the next bells to paint. Using tiny, precise strokes, she added touches of the green-tinged pigment under the Virgin’s chin and down her neck to suggest a shadow. Delicately, between two fingers, the Holy Mother lifted the fold of a sheet. Sofia added more white lead to the edge of the sheet to give it an illusion of movement, catching Mary at the moment she leaned forward to keep her child warm. Sofia wondered if she would ever lean over her own child, hear its cries, feel her heart swell with the love Caterina was always rattling on about.

She hoped not.

The bells for Nones caught her by surprise, as they always did. The only part of her day, her week, worth living was already over. She pushed back from the table and rose to her feet. Massaging with one hand a knot in her shoulder, she stepped to the narrow window. Between the two closest towers, the countryside beyond the town was just visible as a slit of green and gold. The commune of San Gimignano fairly bristled with towers—more than seventy the last time Sofia counted. Day after day, the pounding and clanging of endless construction filled the air, along with dust so thick that on windless afternoons citizens squinted across the Piazza della Cisterna.

“Wife!”

Sofia gasped. Giorgio sounded as if he were halfway up the first set of ladders. She looked at her hands. A daub of ochre streaked one finger, a parody of the late afternoon sunlight flooding the tower room. If her husband made it up the ladders, he would destroy the pigments and brushes, destroy the painting even. No! He would never be so stupid. The small panel of the Nativity belonged to her father. Even Giorgio knew enough about the painter’s trade to respect the rights of a patron. And he would never dare anger her father.

But he could make sure she never painted again.

Sofia picked up a corner of her smock and rubbed at her stained finger. The paint was still wet enough to smear. She spat, rubbed, spat again until finally the yellow lifted. Her hands would pass inspection if Giorgio didn’t look too closely. Fortunately, he rarely looked closely at anything.

“What the devil are you doing up there?” Giorgio was barely able to gasp out the words. For the moment, she was safe. He didn’t sound capable of making it to the second level, never mind the third. Giorgio was getting heavier by the day. One night he would fall to sleep on top of her. And then what? If she couldn’t rouse Paulina from her palette at the foot of the bed, she would perish.

“Forgive me, husband!” she called as she ripped off her smock and smoothed her hair. God willing, she didn’t have any paint on her face. She took a last look at the painting. It was good—maybe even her best work. Would her father agree? He was a harsh critic.

She stepped to the opening in the floor, placed one foot on the first rung, then began to descend, reaching the final rung of the middle set of ladders just as Giorgio was squeezing through the opening in the floor to flop, panting and sweating, onto the landing. She saw at once that he had not spent his day hunting boar or anything else save a happy turn of the dice. Was that blood on his jaw? Had he been fighting again? How many florins had he gambled away with the sun not even close to the horizon?

“You must ask your father to help us,” he said as he rose to his feet, still gulping for breath.

“I wasn’t aware we needed help.”


Giorgio balled his fists and moved closer. She smelled stale wine and put one hand to her nose. A slight whiff of egg tempera still lingered on her skin. Relief was making her bold. If Giorgio had not yet asked what she’d been doing at the top of the tower, he was unlikely to. He hadn’t the wit to concentrate on more than one thing at a time—which was why his saffron exporting business was falling into ruin. They would be lucky to keep the house with its convenient tower past her twenty-first birthday.


Carol M. Cram has enjoyed a wonderful career as an educator, teaching at Capilano University in North Vancouver for over twenty years and authoring forty-plus bestselling textbooks on business communications and software applications for Cengage Learning. She holds an MA in Drama from the University of Toronto and an MBA from Heriot-Watt University in Edinburgh, Scotland. Carol is currently focusing as much of her attention as she can spare between walks in the woods on writing historical novels with an arts twist. She and her husband, painter Gregg Simpson, share a life on beautiful Bowen Island near Vancouver, Canada, where Carol teaches Nia dance and is also very active in the local arts council. Visit her online at www.carolcram.com.

Learn more about author Carol M. Cram

Novel as e-book and paperback on Amazon: http://tinyurl.com/m6n3zmu
Twitter: @carolcram
Facebook: carol.cram