Showing posts with label In the Master's Bed. Show all posts
Showing posts with label In the Master's Bed. Show all posts

08 September 2010

Women Did It Better: Higher Education

By Blythe Gifford

I'm going to approach this subject in a roundabout way. Instead of starting with something that women have done better, I'm going to start with something they were originally not allowed to do at all: go to college.

For most of recorded history, women were excluded from institutions of "higher learning." And when I say excluded, I mean that in the strictest sense. At Cambridge in the 14th century, for example, it was forbidden for a female laundress to even enter the hostels where the young scholars lived. A female student couldn't even be imagined.

The reasons for putting the "No Girls Allowed" sign on the tree house were, on the surface, "logical." The medieval explanation, as Thomas Aquinas stated it, was that women were "deficient," and needed to be ruled by men, who were rational. This was all part of God's plan, particularly at Cambridge, which I researched for IN THE MASTER'S BED. Cambridge did not confer its first degrees on women until 1948.

Nearly 600 years later, little had changed. In the mid-19th century, women-only institutions were created because women were still kept out of the "men-only" schools. The first women allowed to study beside men at a four-year, American college attended Oberlin in Ohio, graduating in 1841. In Britain it wasn't until 1880 that the first women were awarded degrees from a coeducational institution (the University of London), although women were allowed to study at Queen's College as early as 1848.

But even then, "everyone knew" that women were unsuited by nature for the physical and mental rigors of the higher forms of learning. A few unusual women might have been allowed to attend college, but medical school, law school and the like continued to be off limits. By then the reasons were attributed to science, not the Almighty, but the rationale was much the same. Women had measurably smaller brains. Their reproductive organs would draw away blood from the brain, rendering their mental faculties incapable of processing academic information. Not their fault, of course. They were simply, physically incapable of understanding such complex material.

While this may seem like ancient history, it was only within the last 30 years that there was any requirement that men and women be treated equally in higher education. We think of Title IX, passed in 1972, as requiring girls to have the opportunity to play sports, but the language of the act is much broader. Now called the Patsy T. Mink Equal Opportunity in Education Act, it says "No person...shall, on the basis of sex, be excluded from participation in, be denied the benefits of, or be subjected to discrimination under any education program or activity receiving Federal financial assistance."

What's been the result of this? The number of women in all levels of higher education has grown by leaps and bounds. In 1972, women earned 7% of law degrees and 9% of medical degrees. In 2001, women earned 47% of law degrees and 43% of medical degrees. And in 2006, women earned 58% of the bachelor's degrees and 60% of the master's degrees. Not only do women earn the majority of bachelors and masters degrees, recurring reports indicate that women maintain higher grade point averages than men. (Truman College, for example, reported in 2002 a consistent gap, which that year was between a 2.87 GPA for male freshmen and. a 3.19 GPA for female freshmen.)

We can put forward many arguments as to why women are, arguably, more successful than men in higher education. Explanations have ranged from the earlier onset of maturity in women to a male tendency to party more. (I do not cast aspersions on our brothers. I simply report a hypothesis.) Once again, we look to science for answers. And today's science has discovered that women's brains are larger than men's when it comes to the area governing the verbal skills so helpful to success in the classroom.

Will this look any more rationale in hindsight than the arguments of the 19th and 14th centuries? We'll see. But for now, it appears that women do higher education better.
Makes you wonder if we were excluded all those years because someone had a sneaking suspicion this might happen.

30 June 2010

What Surprised Me: Scotland is a Different Country

By Blythe Gifford

Even those of us who study history regularly have our blind spots. Scotland was one of mine. Until I started researching for HIS BORDER BRIDE, I thought that Scotland was the Highlands and then the Lowlands, where people were pretty much like the English except sort of not. I knew something about the Borders, that no-man's buffer between England and Scotland, because it was the home of my hero from IN The MASTER'S BED, so I thought in choosing that setting, I wouldn't have much new to learn...

Surprise! Scotland really IS a different country. And for a lifelong Anglophile, it was a huge switch of worldview.

I didn't know what I didn't know until I got into the story and had to learn the "back story," if you will, of a whole country. And much of what I had to learn was what I had to UN-learn. In my time and place, whiskey, tartan, and clans did not exist.

However during this period, and for several hundred years to follow, Scotland was more closely allied with France than with England. Even such important Scots as the first Earl of Douglas were fostered in France and fought on the French side at Poitiers, where they and their French allies were soundly defeated. (I ended up using this fact as a plot point.) The Franco-Scots "auld alliance" made a difference in the Scottish court, culture, law, and politics and these differences ultimately influenced my story.

So my prejudiced views of Scotland were upended and I learned a lot. (But not enough that I wasn't surprised all over again when I started to research the setting of my next book. But that's a story for another day.)

07 May 2010

Weekly Announcements - 7 May 2010

Congratulations to Margaret Mallory, whose debut KNIGHT OF DESIRE (Jul '09) is a Best First Book Finalist in the RomCon 2010's Readers' Crown Contest. Good luck, Margaret!

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Another finalist in the RomCon 2010's Readers' Crown Contest is Blythe Gifford, whose IN THE MASTER'S BED is up for best Short Historical. Luckily these fine Unusual Historicals contributors are nominated in different categories so we can root for them both! Best of luck!

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The first review of Lindsay Townsend's forthcoming A KNIGHT'S ENCHANTMENT is in, from the June issue of RT Book Reviews. It received four stars, and Lindsay will be joining us on June 3 to discuss this great romance!
Townsend's newest book, with its back-drop of political and religious intrigue and mayhem, delivers a romance not soon to be forgotten. With characters of great depth and emotion, torn between familial responsibilities and their deepening love, this explosive tale will bring joy and fulfillment to readers.

Joanna of Glastonbury, an alchemist, is forced to create gold for an elixir of eternal life to save her father's life as a prisoner of the corrupt Bishop Thomas. To her surprise, she is taken captive by the knight Hugh Manhill when he accosts the bishop in an attempt to ransom his brother, a Templar, from the bishop. After escaping, he and Joanna begin to feel deep emotional desires for each other. Knowing they cannot succeed alone, they join forces to free the prisoners. The stunning climax will bring them peace.
A KNIGHT'S CAPTIVE was also chosen among the select band of nominees for the Best Historical Novel category in the RT Book Reviews 2009 Reviewers' Choice Awards, which were chosen this month.

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Join us Sunday when Blythe Gifford will be here to chat about her latest romance from Harlequin Historicals, HIS BORDER BRIDE. She'll also be giving away a copy to one luck commenter! Be sure to join us then.

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We'll also draw the winner of three historical romances from Michelle Styles's guest appearance on Sunday. You still have time to leave a comment or question for your chance to win.

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Stay with us through the coming weeks when we'll be featuring the best unusual historical authors! Ali Katz, Diane Whiteside, Isabelle Santiago, and Lindsay Townsend will be our guests. Join us!

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Have a good weekend! Remember, you don't have to be an Unusual Historicals contributor to submit good news to the weekend announcements. If it has to do with unusual historicals, we'd love to shout it out to the world! Send announcements to Carrie. See you next week...

22 January 2010

Weekly Announcements - 22 Jan 10

Blythe Gifford's IN THE MASTER'S BED and Margaret Mallory's KNIGHT OF PLEASURE are both up for Best Historical of 2009 at The Season. You can vote now!

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The cover of Blythe Gifford's HIS BORDER BRIDE is now available--and it's gorgeous! We'll have more information soon.

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Join us Sunday when Unusual Historicals will chat with contributor Michelle Styles. She'll be discussing her latest US release, SOLD & SEDUCED, set in ancient Rome! She'll also be giving away a copy. Don't miss it!

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We'll also draw the winner of Zoe Archer's HALF PAST DEAD. You still have time to leave a comment or question for your chance to win.

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And stay with us through the coming weeks when we'll be featuring the best unusual historical authors! Carla Capshaw, Jennifer Linforth, Amanda McCabe, and Sandra Hill will be our guests. We hope you'll join us!

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Have a good weekend! Remember, you don't have to be an Unusual Historicals contributor to submit good news to the weekend announcements. If it has to do with unusual historicals, we'd love to shout it out to the world! Send announcements to Carrie. See you next week...

19 September 2009

Weekly Announcements - 19 Sept 09

Blythe Gifford's IN THE MASTER'S BED is up for Best Romance Release for the Month at the Quarterly Historical Romance Report Site, against stellar competition. Votes would be greatly appreciated, if you feel so moved!

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Michelle Styles has been featured in a local glossy lifestyles magazine called Tynedale Life. You can read it here on page 18!

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Join us tomorrow when author Leanna Renee Hieber will be here to talk about THE STRANGELY BEAUTIFUL TALE OF MISS PERCY PARKER, her paranormal Victorian debut!

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We'll also draw the winner of Jean Adams' lush time travel Egyptian romance, ETERNAL HEARTS. You still have time to throw your name in the hat, if you haven't done so.

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And stay with us through the coming weeks when we'll be featuring the best unusual historical authors! Michelle Beattie, Michelle Willingham, Kimberley Killion, and JoAnn Smith Ainsworth will be our guests. We hope you'll join us!

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Have a good weekend! If you have an announcement to make for next week, email Carrie. See you next week...

06 September 2009

IN THE MASTER'S BED Winner!

We have a winner for Blythe Gifford's IN THE MASTER'S BED guest blog. A free copy goes to:

ETIRV!

Contact Blythe to give her your address. The book must be claimed by next Sunday or another winner will be drawn. Please stop back later to let us know what you thought! Congratulations!

04 September 2009

Weekly Announcements - 4 Sept 09

Carrie Lofty is one of many people participating in an auction to help benefit author and former RWA president Janis Reams Hudson, who is very ill and on a lung transplant list. Carrie is donating a signed copy of her book and the critique of a partial. Click here to learn more and see what other items are available for bidding. And if you'd like to donate an item or service, there's still plenty of time to volunteer.

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Join us Sunday when inspirational author Maureen Lang will be here to talk about LOOK TO THE EAST, set in 1914 France!

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We'll also draw the winner of Blythe Gifford's sexy medieval, IN THE MASTER'S BED. You still have time to throw your name in the hat, if you haven't done so.

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And stay with us through the coming weeks when we'll be featuring the best unusual historical authors! Jean Adams, Leanna Renee Hieber, Michelle Beattie, and Michelle Willingham will be our guests. We hope you'll join us!

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Have a good weekend! If you have an announcement to make for next week, email Carrie. See you next week...

Cover Art used by arrangement with Harlequin Enterprises Limited. All rights reserved ®and T are trademarks of Harlequin Enterprises Limited and/or its affiliated companies, used under license.

30 August 2009

Guest Author: Blythe Gifford

This week we welcome back Blythe Gifford as she celebrates the release of IN The MASTER'S BED from the Harlequin Historical line. Those of you who visit Unusual Historicals regularly, you'll recognize her as the author of INNOCENCE UNVEILED, set in medieval Flanders, and THE HARLOT'S DAUGHTER, inspired by the illegitimate daughter of the king of England and his notorious mistress.

And, you'll remember that she is coming on board as a regular contributor to Unusual Historicals. So a double welcome Blythe!

Disguised as a man in a place where women are forbidden, Jane de Weston meets a man who, for the first time, makes her want to be a woman. But what will happen when she'd discovered and he finds her IN THE MASTER'S BED?
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You've come back to medieval England for this story, so what makes it unusual?

It takes place in a medieval university, Cambridge, (or Cantebregge, to be historically correct) and I don't know of many romances that have used that setting. (Readers, correct me if I err!) Susanna Gregory set a series of mysteries there, however. And Keena Kincaid's ART OF LOVE is set in the abbey schools that eventually became the University of Paris, but roughly two hundred years earlier than my story.

How did you decide on a university setting?

Those who read THE HARLOT'S DAUGHTER--though you don't need to have read it to enjoy this story--may recall that the harlot's other daughter, Jane, was already what we would call a "tomboy." She had studied a little Latin, so I always knew that in her story, she would run away, dressed as a lad, to make a life for herself that was very different than her beautiful sister's. A university was the ideal answer.

Why Cambridge instead of Oxford?

I had originally planned for Jane to go to Oxford, but I weave real people and events into my stories, and when I discovered that Parliament met in Cambridge the year my story was set, everything fell into place. The visit of Parliament and King Richard II play an important role in the story.

You've told us a little about your heroine. How about your hero?

Duncan is a master at Cambridge, so an accomplished man, but he's far from the stereotypical scholar. He values the body as well as the mind. And he plays the guitar, or the medieval equivalent, the gittern.

His home is near the Scottish border, in northeastern England, and in those days, that was considered a land of barbarians. So Duncan has a bit of a chip on his shoulder. He's had to prove himself to all comers at Cambridge. And he has.

Any "Easter Eggs" in the book, that is, hidden surprises for your readers?

Well, this is my fourth published work to take place in the 14th century, and somehow, Geoffrey Chaucer has snuck into almost every one. In his Canterbury Tales, "The Reeves Tale" is the story of two Cambridge clerks from "Soler Halle," which was thought to be stand for King's Hall, or King's College, or Garret Hostel, depending on which scholar you believe. I adopted that as the name for my hostel, calling it Solar Hostel.

What did you learn about the medieval university?

More than I could incorporate in the story! When I started researching medieval higher education, I was struck by how different it was from what we know today. By the end of the fourteenth century, when I set IN THE MASTER'S BED, the university was no longer only for monks, but it was still for a special few--all of them men. Women were forbidden in the classrooms and the living quarters, even to do laundry.

While I set my story at Cambridge University, what I learned largely applied to Oxford or any of the institutions on the continent.

So tell us what was so different about it?

Here are some things that seem strange to us today:
**A young man could go to University at age 14 or 15. If he completed the most advanced degree, theology, he could very well be there until age 30.
**Latin was the universal language of education, so an educated man could travel from Italy to Paris to England and still communicate with his fellows. And when I say language, I mean that they spoke Latin to each other.
**The list of topics studied was short. The seven "liberal arts" were the trivium (think trivia) of grammar, dialectic, and rhetoric, followed by the quadrivium of music, arithmetic, geometry, and astronomy.
**Books were scarce. Often, the classes consisted of a master reading aloud from a required text.

That doesn't sound much like higher education today!

It seems like a foreign world, but the more I read, the more university life in the 14th century sounded suspiciously like that in the 21st:
**Those young men who attended were not the nobility, knights, nor peasants. They were the sons of the newly emerging middle (merchant) class, hoping that education would help them advance in a career, typically in administration at the king's court.
**Sometimes they had a career goal, but as time went on, they attended more for social polish and general cachet. As many as 80% attended without ever completing a degree.
**For those who went on to a higher degree, the top choices were law, medicine, and theology.
**An initiation hazing ritual had to be endured in order for a beanus (freshman) to be accepted into the university "tribe." The word later became "beanie" and applied to the freshman headgear required on college campuses as late as the 1960s.
**Students wrote home begging for money. There were even guidebooks with sample letters, telling them how to do it!
**Drinking was rampant. As Hastings Rashdall put it in The University of Europe in the Middle Ages, "no important events of life could be got through without drinking." To stand a round for one's fellows was the common reward, or punishment, for a variety of events, from obtaining one's degree to losing a bet.
**Colleges continually tried to prohibit loud singing and playing of music, dancing in the streets (men dancing--no women involved) and dramatics. Most of these, of course, were the result of the aforementioned drinking. The regularity of these pronouncements suggested their ineffectiveness.

As I learned all this, I became much more comfortable creating my story in the world of the medieval university. Human nature, particularly the human nature of young men living in groups, is still recognizable seven hundred years later. I really enjoyed throwing my hero and heroine together in this challenging world. And, of course, letting them find a happy ending!

Thanks for joining us today. You're offering a prize for a lucky commenter, right?

Yes, indeed. I'll be giving away a copy of IN The MASTER'S BED to someone who leaves a comment. And I invite readers to check out my website. I'm embarked on the "Blog Until You Drop" tour and I'd love to have readers join me along the way--and, of course, to sign up for my e-list.

And you'll be back here next month.

Right. I'll be posting on Scandals on September, telling more about that "notorious mistress" who is the mother of both Solay and Jane: Alice Perrers.

Captions: A gittern (public domain); Pembroke College, a 14th century gatehouse (public domain); and a photo of the River Cam and willow trees, similar to those Jane and Duncan sat under (Cruccone).

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You heard it here! Leave a comment or question and you'll be entered for a chance to win a copy of IN THE MASTER'S BED. Void where prohibited. I'll draw the winner next Sunday. Good luck, and thanks again to Blythe for stopping by!

Cover Art used by arrangement with Harlequin Enterprises Limited. All rights reserved ®and T are trademarks of Harlequin Enterprises Limited and/or its affiliated companies, used under license.

29 August 2009

Weekly Announcements - 29 Aug 09

Margaret Mallory is hosting a great summer new contest where you could win six new Hachette Forever releases. Check out her website for details!

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The sequel to Jennifer Mueller's HISTORY LESSONS, called FOOTNOTES TO HISTORY, has been picked up at Phaze, close on the heels of the news that HISTORY LESSONS will be released in print. FOOTNOTES TO HISTORY is another collection of stories set through the ages in an 800-year-old Scottish castle.

Also, Jennifer's Regency-set A RUINED SEASON has been licensed for a large print edition. Congratulations!

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Lindsay Townsend's erotic historical romance, SILK AND STEEL, is available now through Siren-Bookstrand. Lindsay says, "After I wrote FLAVIA'S SECRET, I found myself fascinated by the story of a Roman girl who served as a toga girl in the public baths. Could there be a happy ever after for her and a man equally reviled and desired in Roman society--a gladiator? "Silk and Steel" is my story of two people redeemed by love."

It is Rome AD80. Corinna is a bath-girl, a slave compelled to please men. Decimus is a gladiator, a slave forced to kill men. When they come together in a union of silk and steel, they discover new passion, desire and the possibility of love.
SILK AND STEEL marks Lindsay's third novel set in the exotic, sensual world of ancient Rome. The other titles are ESCAPE TO LOVE and FLAVIA'S SECRET. To see all 3 of these exciting novels, please visit her Siren-Bookstrand author page.

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Join us tomorrow when contributor and Harlequin Historical author Blythe Gifford will be here to talk about IN THE MASTER'S BED, set in 14th century Cambridge!

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We'll also draw the winner of Christy Hubbard's gorgeous hardcover western, SAGE CANE'S HOUSE OF GRACE AND FAVOR. You still have time to throw your name in the hat, if you haven't done so.

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And stay with us through the coming weeks when we'll be featuring authors who write everything from erotica to inspirational--but all unusual historicals! Maureen Lang, Jean Adams, Leanna Renee Hieber and Michelle Beattie will be our guests. We hope you'll join us!

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Have a good weekend! If you have an announcement to make for next week, email Carrie. See you next week...

Cover Art used by arrangement with Harlequin Enterprises Limited. All rights reserved ®and T are trademarks of Harlequin Enterprises Limited and/or its affiliated companies, used under license.

27 August 2009

Excerpt Thursday: Blythe Gifford

This week on Excerpt Thursday we're featuring a snippet from new contributor and Harlequin Historicals author Blythe Gifford's September release, IN THE MASTER'S BED. It's available now! Set 14th century Cambridge University, this is a companion work to The HARLOT'S DAUGHTER, which reveals the story of Jane, the other daughter of the King of England and his notorious mistress.

Join us Sunday when Blythe will be stopping by to answer questions and give away a copy of this sexy new historical!

To live the life of independence she craves, Jane de Weston disguises herself as a young man. She doesn't foresee her attraction to Duncan, who stirs unknown but delightful sensations in her highly receptive, very feminine body.

When Duncan accidentally discovers her true identity he knows he should send her away--but he agrees to keep her secret! For Jane brings light into the dark corners of his heart, and Duncan fully intends to teach his willing pupil the exquisite pleasures of being a woman!
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About the excerpt: Cambridge, 1388. Duncan, master in Solar Hostel, met "John" on the road and has agreed to take on the young scholar, whose Latin still needs work...

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Jane woke, snug on a warm, dry, pallet, and sighed with delight.

Normally, the hostel would have been full of men, every room shared, but the term's start was still days away. She had a chance at privacy she would not see again to rewrap her breasts and relieve herself without fear.

What she really wanted was a bath, but that would be quick, cold, and risky.

She said her prayers for Solay and her mother and started downstairs. She would spend the day reading, she decided. The hostel had a few volumes that would afford her good Latin practice.

But at the bottom of the stairs, Duncan handed her a pile of tunics and hose. "Wash these."

She crossed her arms, not touching the garments in his hands. "Laundry's no work for a man." Nor for the child of a king.

"For a poor orphan, you've elevated expectations." Duncan dropped the clothes on the floor at her feet. "I told you you'd have to work for your lessons. Now do as I say."

"I want to talk to the principal," she said, lifting her chin. A man in power wouldn't make her do such menial tasks. "Who's responsible for this hostel?"

Duncan raised his eyebrows and looked at her aslant. "I am."

She swallowed, grateful that her blunder had made him chuckle instead of roar. From the first, this man had been nothing that she'd expected.

She tried not to think about how many ways she had insulted him already. "And you don't have laundry women?"

"We don't waste money sending out the wash. And it's the gaol for any women found within these walls, laundress or lady."

Gaol. She stooped to gather the pile, shuddering. She was at this man's mercy in a world beyond woman. She'd have no one to turn to, no one to confide in, and no protection if she were discovered.

"And wash your own clothes, while you're about it," he said, leaving her to grapple with the laundry. "You smell of the stables."

As she grudgingly heated the water to fill the washtub, she savored his words and allowed herself a secret smile. No women allowed, yet here she was. She had cracked their kingdom and they didn't even know.

And yet she was still doing women's work.

The thought lingered as she set up the tub in a sunny corner of the yard. She started to throw the garments into the water, but the coarse linen lingered in her hand, warm and alive with the smell of his body and his days on the road. She buried her nose in the fabric and breathed his scent until she sat behind him on the horse again, felt him nestled between her spread legs.

The memory made something within her run soft and wet.

She dropped the shirts in the hot water as quickly as she dropped the thought. What would Duncan think if he saw "John" with his nose buried in another man's shirt?

She plunged her arms into the wash water, the damp heat taking her back to the birthing room. What had happened to Solay? The babe must have been born days ago. Something weighed heavy in her chest, reminding her of what she had lost. She would never see her family again, never even know if they were safe.

She sent up a prayer for them as she swirled, scrubbed and pounded the clothes, then wrung out the rough linen, and stretched his shirts and braies on the grass beside hers.

The water, still warm, beckoned. Her skin ached to be clean. She had dipped her hands in the Cam River once or twice, but after she saw a dead sheep float by, she did not touch the water again.

She looked over her shoulder. She was in a secluded corner, shielded by the wall around the property and the vines which had grown up during the summer. She might not have such an opportunity again.

She skinned off her chausses and stepped into the tub, closing her eyes to savor the feel of the leftover water swirling into her hidden crevices, washing away the dust of the road and the stables.

Her tunic floated atop the water, hiding everything below. She snuggled lower with a satisfied sigh. Just a moment. She would take just a moment's ease.

Are ya still breathing?

A harsh question Duncan had asked. And a harsh man, when his eyes carried anger's thunder.

He had offered his help, so she expected that as soon as she asked, he would take "John" as a student. If she had known she'd be working as a servant and relegated to studying Latin again, she might never have risked being so near him and his all too perceptive gray eyes.

She told him how hard she had tried. She explained how unfair and difficult it all was. But all he could say was Are ya still breathing?

He was no more understanding than the rest of the masters he had met. Well, when she was a clerk to the King, he'd be sorry he was so rude. In fact, since the King was coming to Cambridge, she would introduce herself. The King might even--

"Little John! What are ya doing in that tub?"

Excerpt from IN The MASTER'S BED Copyright © 2009 by Wendy Blythe Gifford. Permission to reproduce text granted by Harlequin Books S.A. Cover art used by arrangement with Harlequin Enterprises Limited. All rights reserved. ® and T are trademarks of Harlequin Enterprises Limited and/or its affiliated companies, used under license.