Showing posts with label House on the Beach. Show all posts
Showing posts with label House on the Beach. Show all posts

05 April 2015

Author Interview & Book Giveaway: Joan Fallon on HOUSE ON THE BEACH

This week, we're welcoming author Joan Fallon again, whose latest title is HOUSE ON THE BEACHOne lucky visitor will get a free copy of House on the Beach in ebook format - this giveaway is open internationallyBe sure to leave your email address in the comments of today's author interview for a chance to win. Winner(s) are contacted privately by email. Here's the blurb.


This is the story of Rocio and Inma, two girls who first meet as children and despite coming from very different social backgrounds become close friends. Rocio is the daughter of an Andalusian peasant, who makes his living from the land, growing olives and keeping goats; Inma is the daughter of a rich businessman, who lives and works in Madrid.

We follow the lives of these two girls from childhood to maturity, as they share happiness, fears, disappointments, broken hearts and betrayals. Rocio is a shy and trusting girl, who becomes easily seduced by a handsome foreigner, while Inma, confident and manipulative, is the one who saves her from disgrace and the inevitable expulsion from the family home.  But when Inma too becomes pregnant, things take a more sinister turn and her subsequent actions have a devastating affect on Rocio and her husband. 

This social drama of two women trying to take control of their lives, despite living under a harsh dictatorship, offers a glimpse of what life was like in an authoritarian State, with an ever watchful Catholic Church and the close strictures of society.

**Q&A with Joan Fallon**

Why did you decide to write the novel The House on the Beach and where did the inspiration come from?
I have always been interested in social history and when I began to live in Spain I found my interest moving to what had happened to people in Spain, particularly women, during and after the Spanish Civil War. 

When I first arrived in Spain I was impressed by the way the Spanish women I met had embraced the freedom of modern life in the short period since the death of Spain's dictator General Franco in 1975.  The years went by and I began to realise that if I wanted to write about it I had better make a start soon, most of the women I wanted to interview would be dead.  So in 2007 I began to interview as many women as I could; I began with friends, then they introduced me to their mothers, aunts, neighbours and so it grew.  I also read all that I could lay my hands on about the Spanish Civil war and the Franco era and I started to write a non-fiction book called ‘Daughters of Spain’.

The women I interviewed were from all walks of life and spanned a wide range of ages.  The result is a mosaic of their lives, a vivid and unique picture of what life was really like for women in Spain over the past seventy years, of the hardships they endured and their aspirations for a more egalitarian future.

When the book was finished and published I realised that the things I had been told by these women was rich material that I could turn into a novel.  That was when I decided to write ‘The House on the Beach’ about two girls growing up in Franco’s Spain.   All the things that happened to my two main characters had happened to people that I knew.

There must be a lot of research involved in writing a novel like this.  Can you tell us what was involved.
Yes, there is a lot of research but much of it was first hand research that I got from talking to women about their lives: their marriages, their childhood, their education and most importantly of all, what life was like for women at that time.  I also read books about the period and found lots of useful information on the internet.  For example one of the girls gets caught up in the student riots in Madrid in the 1960s; I needed to know exactly when the riots took place and what was involved.

It seems to me that many authors of historical fiction write trilogies.  Have you considered making The House on the Beach part of a trilogy?
No.  I don’t think it would work.  The book is a saga where we follow the stories of two women who meet as children and maintain a troubled friendship throughout their lives.

Were you influenced by any other writers when you planned this novel?
Not really.  As I have said it was inspired by another of my own books, ‘Daughters of Spain’ - a factual account of the lives of Spanish women during the years 1950-1970.  I have since read a book by an Italian author which is very similar in style; it is called “My Brilliant Friend’ by Elena Ferrante.

What is it about writing historical fiction that you find so interesting?
I have always been interested in history, especially social history.  I am a History graduate and when I was a teacher, my favourite lessons were teaching history to primary-age children.  With young children the knack of making history interesting is to bring it to life and to let the children imagine they are living in a different time.  It is a very similar process when writing a historical novel; you want the reader to feel that they are there, experiencing the same things as your characters.

Have you written any other novels that could be classified as Unusual Historical Fiction?
Yes, ‘The Only Blue Door’.  This is a novel about three young English children who are sent as child evacuees to Australia during World War II; the story traces their experiences in a strange land and their search for their mother. 

Buy House on the Beach at:

Learn more about author Joan Fallon







Joan says of her latest novel, “I was inspired to write this novel after interviewing a number of Spanish women for my book Daughters of Spain. The things they told me about life after the Spanish Civil War was rich material for a novel.”  

02 April 2015

Excerpt Thursday: HOUSE ON THE BEACH by Joan Fallon

This week, we're welcoming author Joan Fallon again, whose latest title is HOUSE ON THE BEACHJoin us again on Sunday for an author interview, with more details about the story behind the story. One lucky visitor will get a free copy of House on the Beach in ebook format - this giveaway is open internationallyBe sure to leave your email address in the comments of today's post or Sunday's author interview for a chance to win. Winner(s) are contacted privately by email. Here's the blurb.


This is the story of Rocio and Inma, two girls who first meet as children and despite coming from very different social backgrounds become close friends. Rocio is the daughter of an Andalusian peasant, who makes his living from the land, growing olives and keeping goats; Inma is the daughter of a rich businessman, who lives and works in Madrid.

We follow the lives of these two girls from childhood to maturity, as they share happiness, fears, disappointments, broken hearts and betrayals. Rocio is a shy and trusting girl, who becomes easily seduced by a handsome foreigner, while Inma, confident and manipulative, is the one who saves her from disgrace and the inevitable expulsion from the family home.  But when Inma too becomes pregnant, things take a more sinister turn and her subsequent actions have a devastating affect on Rocio and her husband. 

This social drama of two women trying to take control of their lives, despite living under a harsh dictatorship, offers a glimpse of what life was like in an authoritarian State, with an ever watchful Catholic Church and the close strictures of society.

**An Excerpt from House on the Beach**

Inma’s knees hurt from the hard floor; she peeped through her fingers to see if anyone else felt as uncomfortable as she did but those she could see without turning her head were all deep in prayer. 
“.....Give us a diligent and obedient spirit, quickness of apprehension, capacity of retaining and the powerful assistance of Thy holy grace that what we hear or learn we may apply to Thy honour and the eternal salvation of our own souls,” the young voices chanted in unison then lifted their voices to heaven as they sang, rather than intoned, a heartfelt “Amen”. 
The Mother Superior stood, still facing the image of the Virgin Mary that dominated the classroom wall, and genuflected before turning to look at the kneeling girls.  She paused to allow the solemnity of the moment to sink in then said:
‘Very well girls, you may rise and take your seats.  Remember no talking.’
Inma rose with the others, brushed her plaid skirt back into place and pulled up her regulation navy socks.  Three of the other nuns came in and, like so many magpies, fluttered around their leader in her long black habit with its stiff white yoke.  The Mother Superior whispered their instructions to them and they passed between the rows handing out the test papers.
Inma felt restless, there was only one more week to the holidays but before that there were the exams.  The first was this morning, arithmetic.  She looked over her shoulder at her best friend, Susana, she seemed on the point of tears.  Inma smiled at her and gave a little wave of her hand.  They had spent all the previous evening together revising for the exam but still Susana could not grasp the concept of long division.  She had gone to bed in tears and nothing Inma could say would console her.  She whispered a short prayer for them both, touching the silver cross that hung beneath her uniform.
  Her father had given her the cross a few months before when she was confirmed.  She had gone home for the confirmation.  Papi had come to collect her in the car because Mama wanted her confirmed in the same church as all the rest of the family, the Iglesia de San Andres.  It had been her best day ever.  Mama had bought her a beautiful dress of white muslin, with a long, full skirt, that swayed when she walked and white satin shoes.  Afterwards they had gone to a restaurant for lunch and all her brothers and sisters were there, but not Adolfo, and all her cousins and aunts and uncles.  Susana had been confirmed in the school chapel with some of the other girls; her mother would not let her go home but she did come and visit her and bring her a present.
  Just five more days, this time next week she would be in her own home again; a wave of longing escaped from her chest like a silent sigh.  She missed her own house, her cat, her rows of now neglected dolls, her mirror with its furbelow of gold and pink wood, the dolls’ house that her eldest brother had sent her from Argentina and most of all her own bedroom with its flouncy, pink curtains and a bedspread that matched, with its white painted wardrobes where all her pretty dresses hung.  She had not been home since the beginning of May.
The Mother Superior rapped on her desk with a ruler.
‘Right girls, you have forty minutes to complete this arithmetic paper.  Remember there is to be no talking and no looking across at your neighbour.  Good luck.  Now turn over your papers and begin.’

Learn more about author Joan Fallon








Joan says of her latest novel, “I was inspired to write this novel after interviewing a number of Spanish women for my book Daughters of Spain. The things they told me about life after the Spanish Civil War was rich material for a novel.”