This week, we're welcoming author Wendy Laharnar, who is celebrating the release of her debut title, The Unhewn Stone, set in medieval Switzerland. Wendy is here to talk about the novel, answer questions and give away a copy. Here's the blurb:
When modern day Swiss teen, Stefan Gessler, answers the call to restore his family's honour, he discovers it takes more than superior education and pride to equip him for life in the Middle Ages. His dangerous adventures test his courage and challenge his beliefs.
Immersed in the turbulent events of the Wilhelm Tell legend, Stefan pretends to be a wizard when an avaricious sibyl mistakes him for an alchemist. The shape-shifting sibyl and an evil knight have diabolical reasons to want the wizard dead. So, faced with his own demons and those of medieval Switzerland, how will Stefan complete his mission and escape the fourteenth century...alive?
It was published by MuseItUp Publishing as an e-book in August and should be in print in a few months.
In what way is The Unhewn Stone an
unusual historical novel?
The Unhewn Stone begins in the present. A modern Swiss youth is
transported by magic (or is it advanced physics?) through a wormhole back to
1307AD. So, The Unhewn Stone has an
element of magic and time travel. It is an unusual historical in other respects
too.
·
It takes place inside
a legend even the locals think may or may not be true.
·
While it provides a
vivid experience of daily life in the Middle Ages, it combines myth and fantasy
in a shape-shifting sibyl and a prophetess both of whom are linked to the
Olympian god Apollo.
·
In The Unhewn Stone, Stefan is the hero
who belongs to the wrong side. His
ancestor is the tyrant governor, not the hero Wilhelm Tell. Rather than
exalting the freedom fighter of history, the novel asks if there really is any
difference between freedom fighters and tyrants and which side would you
follow.
·
And, on the surface, this
is a fast paced hero's journey, but there are deeper philosophic layers in the novel which question if
there is really much difference between alchemy, religion, science, myth and
magic.
Can you tell us a little about the
main character?
The Unhewn Stone is Stefan’s story. He is a young entertainer who has
a lame leg and a disfigured face from birth. He feels he needs to hide behind
masks to fit in. Living in the narrow Swiss village, he envies the tourists who
stay at his parent’s guesthouse and he really wants to escape.
He gets his wish but
lands in big trouble in the medieval world when, dressed as a harlequin, he becomes
trapped inside the Wilhelm Tell legend.
This medieval historical challenges Stefan
ideas on many levels: friendship, love, mercy, honour, faith, courage, pride
and humility, but primarily we follow
him in his search for identity through contact with his ancestors. Stefan
thinks he must change the course of a well-loved legend; he must prevent the
legend from happening to restore honour to his family name.
How did you come to write this
particular novel?
A teacher, where I
worked, asked me to give a talk on writing short stories to her junior high
English class. She taught History, too, so I thought I’d write a short story using
a medieval setting for her class to experience
life inside History. To entertain myself in the process, I chose the Wilhelm
Tell Legend, (1307), because I wanted to learn more about it, and that would
require some research, which I enjoy. The short story Tell, the Truth, and that talk didn’t happen, but the germ of the
novel was born. However it stalled for five years until I was able to visit
Switzerland (from Australia) and figure out exactly what it was I was trying to
say. From then, it took four years to write the novel under the new title The Unhewn Stone.
It was published by MuseItUp Publishing as an e-book in August and should be in print in a few months.
Did you have
to make any drastic changes to the story after the first draft?
When I
began The Unhewn Stone, I created
Stefan as a farmer’s son who loved the land, because I knew about farming. But
he fell foul of those fallow fields and the novel stalled. When we took our
granddaughter to Switzerland with us, from Australia, on my research trip, I
discovered that tourism rather than farming was more obvious in the foothills
of the William Tell birthplace. So, one of the hotels or guesthouses was a more
likely home for Stefan. Also, my granddaughter felt intimidated by the high
snow clad mountains. She worried about an avalanche and wanted to get away. I
realized young Stefan, the innkeeper’s son, could feel trapped here and would
want to escape the pressure of life, symbolized by the solid ring of sharp
peaked mountains. He might want to travel like the tourists who stayed at his
inn.
In this case,
it was Sara, and not my muse, who put me on the right path and the story began
again.
What do you hope your readers will
remember after finishing The Unhewn Stone?
I would love my
readers to remember the adventures they had with Stefan and his medieval
friends and enemies in the beautiful Swiss setting. But more than that, I hope
they learn to value themselves and also remember that "True liberty means
limiting your own, when it affects the liberty of others.”
Wendy's e-book, The Unhewn Stone, is available from the MuseItUp
Bookstore, Amazon
Kindle, Barnes
& Noble Nook Book and Smashwords
Her blog is Wendy L .