A handful of historical authors brave the wilds of unusual settings and times to create distinctive, exciting novels just outside of the mainstream. Join us as we chronicle the trials and rewards of our quest--from research and writing to publication and establishing lasting careers.
This week, we’re welcoming author André Jutewhose title DREAMS is the first in his eight-volume COLD WAR, HOT PASSIONS series, focuses on three generations of embattled Russian and American families. André is here to talk about the novel and offer e-book copies to THREE lucky winners in the following formats: MOBI for Kindle, EPUB for iPad/Nook/etc. or PDF/. The giveaway is open to worldwide visitors. Here's the blurb:
FROM THE STORMING OF THE WINTER PALACE...
In the beginning they were impassioned young revolutionaries risking only own their lives for justice. The prince, the soldier, the peasant and the baroness became the founders of three families, steadfast in love and war, whose generations are enfolded in the sweep of humans and inhumans, inquisitors and victims, the betrayals of friends and family, the show trials of colleagues, the psychiatric tortures of dissidents, that was Russia under the Communists, right up to glasnost, when the fourth generation must answer the question, Was the result worth three generations of tragic suffering and sacrifice?
And the Americans who opposed them for liberty, the patrician Adams family, the refugee Hirches, the redneck Remptons who became political powers in the land, the McQueens who did not count the price of rising from smalltown mid-America to the highest levels of the nation, the Drexlers who had always served their country, the implacable Southern Hubbells who could — and did — threaten Presidents, and the clever Talbots whose shy Joanne married the handsome Russian who was the cleverest traitor of them all.
In his first novel for two decades, a storyteller who has always had a knack with the true history of men and women will touch your heart and thrill your mind with the risks these men and women took with their lives and their families for the ideals they were born to — which some betrayed, and some paid too high a price for in love, even with their lives.
** Q&A with André Jute**
Your huge, varied backlist tells us you can write an exciting
story on any subject you choose. So why choose to give over twenty years of
your life and career to writing a huge saga about the political rivalry between
Russia and America?
As a novelist I don’t moralize. What matters about an idea
— communism, capitalism, liberty, responsibility — for the novelist isn't right
or wrong but whether his characters believe in it. So, while the political
strife between the two great nations was important for almost a century, in
that it could have caused us all to die in a nuclear holocaust and certainly
shaped the world we now live in, what’s important to the novel and the story,
to the writer and the reader, is that the characters believe sincerely in their
version of salvation. Their actions arise from their beliefs, and instantly we
have conflict and tension. That’s a story! The political strife is the
background noise. A family saga by definition is about people. I've just
selected people as my characters who happened to change history in a way which
affects all of us, and will affect our children and grandchildren.
This isn't the first time you've written a novel about real
people who influenced world history, who speak in your novel in their own
recorded words. Don’t you find that working with a known outcome dilutes the
tension of your story?
No, not at all. You’re right, I like working with accurate
historical facts, and my historical characters speak in character and mostly in
their own recorded words. But you’d be surprised at how much history is unknown
even to educated people. I receive letters from people who’re amazed that
nobody saw what I see, even though they were working with the same known facts.
As for tension being diluted, it works the other way. The reader knows, perhaps
only vaguely, what happened, and after a while realizes that I don’t play games
with history, that I honor it. But the reader doesn't identify with the
historical events, the reader roots for the character. The reader knows that
the historical events against which the character’s story plays out were
dangerous, sometimes lethal, to many of participants. The knowledge adds a
frisson of expectation and vicarious terror: will the reader’s favorite character
be one of the fortunate ones, or one of the victims? As you say, I've done it
before, in THE ZAHAROFF COMMISSION, in REVERSE NEGATIVE, and earlier this year
in AN ELECTION OF PATRIOTS.
DREAMS is the first volume of eight in COLD WAR, HOT PASSIONS,
but already it is clear that the saga isn't just about people at the center of
the action in Moscow and Washington in war and peace shaping our world, but
about a monstrous decades-long conspiracy to shape our world in a particular
way. Are you a conspiracy nut?
I’m far too over-educated and well-read and — it must be said —
cynical to be a conspiracy nut. I know for a fact that the world is not shaped
by conspiracies but by foul-ups. It is true that COLD WAR, HOT PASSIONS is
about a monstrous conspiracy, but it isn't an evil conspiracy, it is a
conspiracy for good, for peace. Of course, that doesn't make it any less
dangerous and wearing for the conspirators, because their ruthless opponents aren't keen on peace at all. The spread of COLD WAR, HOT PASSIONS, roundabout
two thousand pages to record the interactions of the ten intertwined families
over 75 years, and the many important female characters, has allowed me to
observe the effects of decades of stress and fear on the wives and partners,
and the children too. Space and time is really important to this set, if you
see it as one story with many branches rather than many self-contained stories
set against the same period, which it also is. The standard length “big
thriller”, the way I write it anyway, has so much action that you never get a
chance to ask, “What happened to the families?” In COLD WAR, HOT PASSIONS there
is space to answer the question without ever letting up on the tension.
With so much going on in your story, even if it is eight
volumes, how do you manage not to lose the literary class which your novels
Heh-heh. I’d be delighted to lose any pretension to literary
quality. I wanted to be a popular entertainer, perhaps tour the clubs as a stand-up comic. Unfortunately, I turned out not to be common enough. But there
are advantages to writing for the quality end of the market, where I’m well
loved by the cognoscenti. At least I don’t have to repeat myself ad nauseam,
write the same book again and again because “your readers demand it”. To take
an obvious example immediately to hand, I can take the time and the space
lovingly to handcraft and polish an eight-volume family saga, even if it takes
more than twenty years.
André Jute is a writer, critic and teacher in fiction, engineering and the arts. His forty-plus books are published in over 300 editions in more than twenty languages. His most recent award winner is the lyrical IDITAROD, a novel of The Greatest Race on Earth , and his current best seller (written with Andrew McCoy) is the controversial literary biography STIEG LARSSON - Man, Myth & Mistress. He lives on a salmon river in Ireland with his wife and son.
“Wild but exciting. A grand job with plenty of irony.”- New York Times