|John Blanke, The Black Trumpeter 1511|
The Close Rolls of King John of July 1205, gives a ‘mandate to the constable of Northampton to retain Peter the Saracen, the maker of crossbows for the King’s service, and allow him 9 pence a day’.
Henry VII and his son Henry VIII both employed a black trumpeter named John Blanke, ‘the blacke Trumpet’, at a wage of 8 pence per day. He was depicted in the painted roll of the 1511 Westminster Tournament, [above] held to celebrate the birth of a son to Catherine of Aragon, who had arrived from Spain in 1501 with Africans in her entourage.
In 1540 Henry VIII employed a black diver to look for the wreck of the Mary Rose; but his name, and where he came from is unknown.
In 1577 Elizabeth I issued an order for a ‘Garcon coate of white Taffeta, cut and lined with tincel, striped down with gold and silver … pointed with pynts and ribands’, for her ‘lytle Blackamore’.
In Elizabethan times, masks of Black faces were considered fashionable, worn at court functions and pageants. Members of the aristocracy were also known to paint themselves black, as 'nigrost' or as 'black Mores'. The character of the Black Moor also featured in Shakespeare's plays, and London street names, such as Black Boy Court, off Long Acre, and Blackamoor's Alley in Wapping, was an indication that black people were not an unusual sight in the city.
In 1555 John Lok reached Ghana on the John Evangelist, where he kidnapped the son of the chief and three others, brought them to England to be trained as interpreters. ‘Whereof sum were taule and stronge men and coulde well agree with our meates and drynkes’ but the ‘colde and moyst aire doth somewhat offend them’.
The English believed that an Africans’skin colour was caused by the heat of the sun, therefore when one of the Africans married an Englishwoman who gave birth to a black-skinned child, it caused considerable astonishment. In 1578 George Best wrote that ‘I myself have seene an Ethiopian as blacke as cole brought to England who taking a faire English woman to wife, begat a sonne in all respects as blacke as the father’.
|Anne of Denmark, James I's Queen|
Sir Robert Cecil had a ‘blackmoor seruant’;
Sir John Hawkins’ black page boy was named Samuel.
The King of Morocco’s ambassador arrived in England with a retinue of fifteen ‘Moors’ in 1600, and was given a warm reception by Elizabeth I. Nevertheless, they had trouble obtaining housing. When they did find accommodation, they lived alone and were ‘strangely attired and behavioured’, and reputedly slaughtered their own animals (presumably to fulfill religious requirements).
Francis Drake also had a black manservant called Diego, an enslaved man who defected from his Spanish masters during the raid by Drake on the town of Nombre de Dios. He advised Drake on the route taken by the Spanish carting gold and precious stones across the isthmus of Panama to Nombre de Dios. As a result, when Drake returned the following year, he was able to capture ‘the mule train laden with treasure’ and ship it to England, a cargo valued at £20,000.
Drake named a fort he built on an island in the Gulf of San Blas ‘Fort Diego’. Sadly, while stopping for provisions and water on Mocha Isle off the coast of Chile in November 1578, Diego and another crew member were killed by unfriendly islanders.
Walter Raleigh’s page boy, aged about ten, whom he had brought from what is now Guyana, was baptised Charles at St Luke’s church in Kensington in 1597. Raleigh had brought two black men from Guyana with him; one entered domestic service in London and the other waited on him during the early years of his imprisonment.
Unfortunately, this toleration eventually turned to fear of an increasing black population in London, which lead to Queen Elizabeth I issuing a royal proclamation to arrest and expel all "Negroes and blackamores" from her kingdom. I wonder if her own little blackamoor was included in this edict?
|Lady Charlotte Fitzroy 1674|
Dr Samuel Johnson's servant and valet, Francis Barber, attended a grammar school in Bishop's Stortford. He left Francis a £70 annuity in his will, and refused to let him go out to buy food for his cat, as he felt; 'it was not good to employ human beings in the service of animals'.
This portrait of a black servant [below] shows the young boy was clearly a favoured companion, indicated by the fact that he is cup bearer, trusted and loved by his master’s lapdog.
Wealthy plantation owners sent their children to schools in England and would often send boy slaves to accompany them. The legal status of these people was vague, their arrival being tied to their English owner and their freedom depended upon whether or not they were Christian - although a man brought to a free country could not be anything but free - economics usually won over moral arguments and the trade grew.
When these young boys reached their mid to late teens, they were sent back to Barbados to labour in the sugar plantations; a cruel end to a life of comparative luxury as a lady’s errand boy. However, some remained in England as their masters and mistresses grew fond of them, often educating them in music, drawing and literature.
Pierre Mignard (1612-1695) in his portrait of Charles II's Mistress, Louise de Keroualle [below] shows the lady has the attributes of wealth and power: The pearls are symbols of purity, gold symbolises wealth and the black servant (with her slave collar) is a symbol of power.
|Louise de Keroualle, Duchess of Portsmouth|
|Lady Grace Cartaret, Countess Dysart 1753|
Servants who ran away from their masters' houses were the subjects of lost-and-found ads in the press, and rewards sometimes offered for their return. An advertisement for this house servant [below] was printed in a London newspaper in 1678.
|'Africa' A Runaway|
Africa had been living with his master Arnold Pigeon, in Covent Garden. Described as wearing a livery coat with a reward for his capture being 20 shillings - then equivalent to two months wages for a servant. It is likely that he was recaptured, as a young black boy alone in a city would not have evaded capture for long. There were instances of Black slaves escaping to "safe houses" throughout the time of slavery such as one known as " Jerusalem " in East London.
Not all Black people in England were slaves, many worked as sailors, trades people of all kinds and in some cases as businessmen or musicians. Black writers played a role in the anti-slavery movement in England and famous 18th Century activists like Olaudah Equiano and Ottobah Cugoano were pivotal to the movement in speaking and writing from their personal experience of the horrors of the trade.
After 1772, the continuation of slavery in Britain was a rarity and often likely to attract legal and social hostility. This change in attitude was illustrated by the Somerset case of 1772 in which Somerset, a fugitive enslaved African, brought a case against his owner who was attempting to force him to return to the West Indies. Lord Justice Mansfield * ruled that it would be illegal to remove Somerset from the country against his wishes. This ruling formed the beginning of a much wider campaign against slavery.
My favourite portrait is this one Dido Elizabeth Belle, in which Dido's beauty and personality comes through so well in this delightful painting, as well as the close relationship she enjoyed with her cousin, Lady Elizabeth Murray.
Dido was the natural daughter of Sir John Lindsay, a British Navy captain on HMS Trent, a warship based in the West Indies where she was born. Little is known about Dido’s mother, apart from that her name was Maria Belle, but Lindsay was the nephew of William Murray, Lord Mansfield* the Lord Chief Justice
|Lady Elizabeth Murray and Dido Elizabeth Belle|
Dido’s status in the household was commented on by several visitors; one said that her great-uncle Lord Mansfield "called upon (her)…every minute for this and that, and showed the greatest attention to everything she said."
Dido would not dine with the rest of the family, especially if they had guests, but joined the ladies for coffee afterwards in the drawing-room. As she grew older, she took responsibility for the dairy and poultry yards at Kenwood, and helped Mansfield with his correspondence - showing she was well educated as well as loved.
She received an allowance of £30 10s and was provided with pretty furniture, birthday and Christmas gifts and ass’s milk when she was ill. When Lord Mansfield died, he left Dido £500 in his will, and a £100 annuity, and officially confirmed her freedom.
Dido married a John Davinier in 1793 at St. George's, Hanover Square and had three sons: twins Charles and John, also baptized at St George's on 8 May 1795, and William Thomas, baptized there on the 26 January 1802. Dido Belle Davinier died in 1804 and was buried in St George's Fields, survived by her husband, who later remarried and had two more children.
International Museum of Slavery
Blacks In Tudor England
English Heritage-The Slave Trade
Video about Dido Elizabeth Belle